Open Cam (2005)

A Major Disappointment

It really made me laugh, but for some moments I was tearing up because I could relate so much.

One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

The film never slows down or bores, plunging from one harrowing sequence to the next.

It's a whodunit wherein a serial killer stabs his victims on live web cam. The main character, Manny, is a youthful, budding artist who in his spare time watches a sleazy chat website. On one visit to the website he witnesses one of his friends being stabbed. A big part of the story is the relationship that develops between Manny and the Black cop who investigates. This subplot provides story continuity, as the investigation proceeds.Given that this film is very low budget, the weak production design and uneven sound quality are not surprising. The director does create some suspense by means of the atmospheric lighting. Acting is below average; but again, this is what one would expect for an independently produced low budget film.A legitimate complaint is the existence of so many plot holes in the script. How did the killer get easy access to the victim's living area without being observed? Why were neighbors not questioned? What about forensics? Is it realistic to think that after the first murder, the website would not be shut down?"Open Cam" is marginally worth watching, mostly as a technical study of low budget film-making, to see what works and what doesn't work. Yet, even with all the plot holes, I still found the whodunit puzzle engaging enough to hold my attention.

This is the worst gay film I have ever seen. And, as a member of the Stonewall generation, babes, I've seen 'em all. The most disturbing thing about this movie is its soft-core eye candy. The experience of watching this film mimicked one of those horrid chat room conversations with a hottie who turns out to be a vacant narcissist in an Adonis suit. If the acting hadn't been so abominable, this parallel universe to the real gay universe on line might have been amusing. If it had been a farce, it might have been amusing. If it had been populated with bad drag queens, it might have been amusing. It was none of these things. It was just a bad movie, badly written, badly acted, and badly designed. Amir Darvish was the only minor exception to the general lack of redeeming features of this opus. What a waste of pixels.

'OPEN CAM' could have been so much more than it is. Writer/director Robert Gaston takes a few risks with this latest entry into the gay cinema foray, adding a story that avoids the usual topics that stereotype gay men. He assembled a cast of young actors whose best attributes are physical appearance rather than technical training, and then covers the dialogue with incessant background music that makes the viewer strain for the conversations - and much worse, he hides behind the mores of restraint that prevents US films from achieving what European films do well.The story revolves around a recently jilted young artist Manny (Andreau Thomas) who when not in front of the easel spends his time on the Internet dating on a sleazy chat line, keeping his physical encounters anonymous to avoid personal disappointment. On the Internet chat line (using 'open camera') some murders are captured and a detective Hamilton (Amir Darvish) takes over the investigation - a detective who also happens to be gay and acts out with just about anyone it seems. When Manny's friends (or ex tricks) begin to fall victim to the serial killer on the Internet, Hamilton moves in with Manny to protect him, and it is in this living situation (a very physical arrangement) that the serial killer is finally caught on camera and in person. How the episodes of loss of friends and re-establishment of trust and love replacing just lust brings the story to a bit of a disappointing end.The cast (Andreau Thomas, Amir Darvish, Ben Green, J. Matthew Miller, Christian Jones, et al) are a good-looking group of men. There are a lot of sensual scenes, but unlike European films the men who are supposed to be nude for a reason are shot to protect them from full frontal exposure - and that seems so very ludicrous and insulting given the theme of the film. American cinema has a long way to go: even movies of heightened physicality in straight films have little problem showing every detail of the female body yet either blur or out-of-focus shoot or drape male bodies as though there were some secret that MUST remain off camera. Time to grow up - and where better to start than in films such as OPEN CAM. 'Tis pity....Grady Harp

I just saw this movie at the Toronto gay film festival, and let me tell you, if you can't appreciate this satisfying, sexy thriller, you must be secretly straight. That's because this movie has loads of male nudity with the camera lovingly lingering on the beautiful bubble-butts (instead of the quick little cuts we usually get in movies or on TV), shots of guys masturbating, and the oh-so-rare joy of seeing erect penises on the big screen. We even get to see the erection of the hunky hero, an actor named Andreau Thomas, who I consider to be one of the hottest guys on the planet.All that, plus great characters, writing, directing, acting, and music. This is the type of sexy movie I would make if I was a filmmaker, but I don't know if I would be as skilled in pulling off the amazingly suspenseful climax.Thankfully, director Robert Gaston is very talented in this regard, and he's given us a movie that successfully puts the c@#k into Hitchcock.