The Sweeper (1996)

Truly Dreadful Film

Better Late Then Never

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

C. Thomas Howell plays a combustible, trigger-happy, Los Angeles cop in the "Lethal Weapon" mode in Joseph Merhi's formulaic but above-average crime thriller "The Sweeper" with Ed Lauter. Merhi's fast-moving, 101-minute epic evokes memories of the "Dirty Harry" sequel "Magnum Force." In other words, when the legal system fails to serve the public, a secret organization called Justice Incorporated steps in to resolve the situation with extreme prejudice. The action opens with an exciting prologue that traces our protagonist's back story. Mark Goddard's father was a police sergeant (Jeff Fahkey), and he was a good cop until a hit squad strike at his home and killed him. One of the killers terrorizes Mark rather than kill him. Indeed, the assailant thrusts a revolver into Mark's hands and urges him to shoot him in the head, but Mark cannot bring himself to commit murder. Years later, our hero works for the LAPD like his dad. The mystery about who killed his parents haunts our hero's every waking minute. Goddard's team has been getting sloppy. One of them is stabbed by a suspect who preys on ATM users. Our fearless but pugnacious hero chases the knife-wielding maniac atop a high building where they battle it out. Eventually, Mark loops a length of cable around the assailant's neck and plunges with him into the air some twenty feet or more above the ground. Of course, the guy dies by strangulation. Later, when he arrests a child pornographer, Mark loses his cool when the suspect gives him the benefit of his smart lip, and a public brawl ensues. Mark is the bane of the force and his boss alerts Internal Affairs about him because he is fed up with Mark. The action scenes are competently done, and the performances are strong, with C. Thomas Howell showing his tougher side. One of the best scenes has our hero pursuing an assailant down the highway with the villain knocking huge metal chemical bottles off a flatbed truck and shooting slugs in them so they explode in front of our tenacious hero as he swerves behind him. Our hero manages to field one bottle on the hood of his car, smash the villain from the behind so that the bottle bounces through the back window of his car, and then he shoots the bottle and blows the bad guy to kingdom come!

Here we have a movie that carries on screen explosions to new lofty levels. Chase scenes with exploding propane tanks and gasoline trucks, create almost continuous mayhem. So what's not to like about "The Sweeper"? Quite a bit actually, starting with a most unlikable performance by C. Thomas Howell. Long boring diatribes about things as mundane as breakfast cereals permeate this disjointed, loosely connected mess of a film. In addition, continuity problems distract, such as where broad daylight suddenly turns into the blackest night. I say this, the stunts are definitely worth checking out, so simply fast forward between fire balls, and avoid the in between. - MERK

C. Thomas Howell stars as Mark Goddard, a cop who witnessed his father Dale (The always welcome Jeff Fahey) murdered by mobsters, however as the lone wolf survivor, it's a psychological problem that carries over into his police career, after killing his ninth suspect, Goddard is asked to join a vigilante squad that wipe out the scum of the earth, however when Goddard suspects the squad had a hand in his father's murder, it's one-man-army time with C. Thomas Howell! The Sweeper, believe it or not is far more well made than you would expect. You go in expecting an overall terrible movie but come out somewhat surprised with the overall over the top approach the director treats the material with. The Sweeper comes from the kitchen-sink mentality in the way its action sequences are conducted. In other words this is a throw-back to the 80's, where action punctuated everything. However what is most shocking is that The Sweeper actually stays consistently entertaining even in its character development sequences and C.Thomas Howell makes for a decent action hero, although his haircut is pretty bad. Overall movies like The Sweeper succeed in delivering what you mainly expect and although the movie has ludicrous moments, The Sweeper works as an adequate action vehicle for C. Thomas Howell. Also for the bargain bin, this far exceeds any expectations.* *1/2 out of 4-(Pretty good)

I was quite skeptical when I picked this up off of the shelf at the video store. This film (about which I have heard nothing before) was probably a direct-to-video release from a no name movie director and producer with a lead actor who isn't that well know. I have seen my share of cheesy low budget action movies before and they can be quite entertaining for how dumb they are. Take some Steven Seagal movies recently: they are embarrassingly bad but if you want to watch a crappy movie and get a laugh they are great.I approached this movie with that very attitude only to be totally surprised by the all out action scenes and some remarkably awesome car chases. From the intro to the final scene this movie just rolls along with shootouts, chases, and of course, obligatory B-movie sex. What's more is that the action is better than most big-budget, star-laden productions, because the action here is just action, not so much obvious choreography, but s**t blowing up! Cars flipping over! One pistol in each hand and too much ammo! Guys flying back with bloody squibs bursting! Of course the action was, in fact, choreographed, but that factor is much less in your face then say... a Jerry Bruckheimer movie. Bad Boys 2 had a $130 million budget, 2 big stars, other known actors, a big director, and probably Hollywoods current most powerful, money-loaded producer (who has, in fact, made some good films), but that all didn't stop Bad Boys 2 from being a glamorous over done mess. An example from the other end of the spectrum would be Alone in the Dark. That film didn't have an astronomical budget ($20 million) but it was still to glammy and the effects seemed to be there just to show them off. And, in the end, the film was generally hated and now owns a very special spot on the IMDb bottom 100.The Sweeper is not like that in anyway and, as far as mainstream action films go, it is more like Ronin. Though I must say Ronin is better than The Sweeper, as the story aspect in it is much better. Here the story is pretty much an excuse for all action, but if you want to watch an action film, will you really complain? Entertainment doesn't have to be story perfect. And both Ronin and The Sweeper spare the viewer the "big and overdone" aspect that Jerry Bruckheimer and his good friend Michael Bay love to specialize in. Also, ironically, Ronin didn't fare that well at the US box office despite having respectable actors and good director, because people just want fun and glam too much. I guess truly good action films are like heavy metal: everyone knows they exist, but other forms of the same thing dominate the charts. And both have their own loyal audience. 8/10 Rated R: violence and profanity