Zero Kelvin (1996)

Pretty Good

Absolutely the worst movie.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

This movie feels like it was made purely to piss off people who want good shows

This Norwegian film was listed in the book 1001 Movies You Must See Before You Die, but it was pretty much impossible to get my hands on the UK, either online or on DVD, I'm glad I did finally find how to watch it. Basically set in the 1920 Norway, in Oslo, Henrik Larsen (Gard B. Eidsvold) is an aspiring poet, he proposed marriage to his girlfriend Gertrude (Camilla Martens), but she is unsure if she want to commit to anyone. Larsen is hurt, so he decides he needs a change, so he finds a job working for a year as a trapper in East Greenland, there the temperature is zero kelvin (absolute zero). It is not a welcoming environment for the sensitive Larsen, used to the city life, he is teamed up with seemingly rough old sailor and fellow trapper Randbæk (Stellan Skarsgård), and scientist Jakob Holm (Bjørn Sundquist). The three men are trapped in a tiny hut, as the arctic winter sets in, a complex and intense love/hate relationship develops between Randbæk and Larsen. Holm remains mostly quiet, Larsen gets a lot of ribbing from his rough-hewn veteran trapper companion, but he and Randbæk are more similar to one another than either would like to admit. It comes to a point when Holm disappears, the two men have to decide to search for him, or remain sheltered and safe, but they are forced to leave when a fire accidentally causes the hut to burn down. The two men ride out by dog sled across the icy plains to find Holm, they do eventually find him, in a ravine and dead by hanging. The two men take the body, but get lost in the snow and end up going the wrong direction, across a large lake, the ice is not very thick, there is a clash as to whether to go across or round. The two men fight, but Larsen manages to subdue Randbæk and gains control of the dog sled, going across the lake, until he finds shelter in an abandoned ship. Larsen is surprised when Randbæk returns, but he simply sits back to have a talk, the two eventually go outside and have a physical fight, until Larsen kills Randbæk. In the end, Larsen returns to civilisation, where the authorities question what happened, after he tells the story and the bodies are discovered, but it seems there is not enough evidence to convict him, Larsen is released and allowed to reunite with Gertude. Also starring Paul-Ottar Haga as Officer, Johannes Joner as Company Man, Erik Øksnes as Captain and Lars Andreas Larssen as Judge. When I watched this film, there were no English subtitles available, only Norwegian, so it took me much longer to watch, just over five hours, but it was worth it. Skarsgård in his native language is great as the suspicious sailor man, as is the vulnerable Eidsvold, the story is interesting, and it is cool seeing the conflict play out in isolation amidst stunningly bleak arctic scenery of Svalbard, (if you can get your hands on it) it is a simple enjoyable drama. Good!

Gard, a Norweigen poet signs up for for some trapper organisation in Greenland. Assumingly looking for adventures and possible material for his writing. In Greenland things slowly starts to turn ugly. His boss Randbaek is a unreasonable man that seems to have a need to bully someone. The only other person on the station is a calm scientist that only engages in a situation if he absolutely has to.One of the best things about this film is the depth of Randebaks character. Despite him being really foul and wretched there is plenty of glimpses of a person with regret beneath this rubble. At times he and Gard accomplished some kind of frail peace and at tmies Randaek even seems to respect Gard. But before there, off-course, they have already exchanged to many blows...Its a raw and powerful film. With the icy north creating a great backdrop for their escalating conflict. Wonderful atmosphere. Lots of humor. With all the actors turning in good performances ( and with Stellan Skarsgard being particularly awesome). The film is at heart a mini-dram (even though there ARE some action) and much of it takes place in a primitive cottage. In kinda reminded me of the likewise excellent Runnaway Train. Great entertaining thriller with a serious edge.

After watching so many bad or mediocre movies lately, it was a pleasure to watch Zero Kelvin. I thought that the film worked on many levels -the disparity of the soft urbanite lifestyle to that of harsh, wilderness survival, the difficulties of human relationships in close proximity, the varying philosophies of love and intimacy. The film contained soft polemics about love, bitter misogynist tirades, and brutality tempered with affection tempered with harsh reality.I first saw Stellan Skarsgard in "Breaking the Waves" and thought he was excellent. Then I caught in him a few ho-hum movies, and thought, yeah , just another B-grade actor. But it seems this kind of movie is his forte, he was great, as were the other two actors.Excellent film.

As usual, I went to see this movie having heard nothing of it, which normally works best since then I am able to see it on its own premises rather than being affected by reviews or previews, and even so I was quite surprised.This film is nothing less than a well-played, well-shot psychological action/drama/thriller, and what's more, a Norwegian one even. Everything is highly believable, and the psychological development of the main character is a bit reminiscent of Espen Arnakke in Aksel Sandemose's Misery Harbour.In "Misery Harbour", however, it is a development you are made aware of and pointed to look for, whereas in "Kjærlighetens Kjøtere", it gradually dawns on you what you are seeing, which makes this a much more powerful psychological narrative.All in all, this is a rare pearl of ice, a gem of filmmaking that should not be left in its oyster, but held up to the light to be viewed in all its beauty by everyone who enjoy good movies.