Lisa, Bright and Dark (1973)

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

I just had to order a copy of the out-of-print DVD because of the young Kay Lenz. She had done such a great job in the film Breezy. I was a little apprehensive, wondering if she was up for this very challenging role----especially for a young person.I needn't have worried. She really did an excellent job at showing the ups-and-downs of this mental illness. It has been suggested that the parent's portrayals were, perhaps, too unrealistic. However, I clearly remember those years (the early 1970s) when the very idea of someone needing psychiatric/psychological help was incredibly shame-filled. Some of my favorite moments were when Kay Lenz pleads with her parents, practically begging them to get her psychiatric help. Really really moving.Jamie Smith-Jackson and Debralee Scott: I just these love two actresses, and they did a really wonderful job as 2 of Lisa's best friends.Okay, I admit: I could do without the Rod McKuen songs. But that's really the only weak spot in this film.I am SO glad that I have a copy of this film. I'm going to enjoy watching it again and again. THANK YOU, KAY LENZ!

"Lisa, Bright and Dark" is a frustrating made for TV movie to watch. In some ways, it's really well made...but in other ways the movie really drops the ball. The overall effect is frustrating.Through the course of this film, Lisa (Kay Lenz) is unraveling mentally. While the stupid and self-absorbed parents (Anne Baxter and John Forsythe) deny that she's having serious difficulties, it's obvious to anyone who cares that Lisa is a mess. After all, she's been lighting things on fire, slashing her wrists and has been in a stupor. The layman would say she's having a nervous breakdown and she keeps upping the ante in a desperate attempt to get her parents' attention...with little success. Her friends care and try a wacky intervention that left me confused...and it will really confuse you as well. What's also confusing is the end...which just seems abrupt.With a small re-write, this would have been an excellent film and alerted folks to teen mental illness and parental neglect. But the ending and the intervention just seemed slapdash. Watch if you must and if you do at least you can seen Anson Williams and Erin Moran before they went to work on "Happy Days".

I read the book "Lisa Bright and Dark" and this movie holds up next to the book really well. The performances were strong and it dealt with a subject that most decent people didn't talk about at that time-mental illness. I was a teen when I first watched it and read the book and while thankfully me and my friends didn't have the problems that Lisa did, I could still relate to the teen girls love and concern as they watched Lisa slip further and further into mental illness. I wish they would release the old made for TV movies that came out in the early 70's on DVD. I haven't seen this one in 30 years and would love to watch it again.

This is one of those Hallmark Hall of Fame specials that helped to cement their reputation for being well-made, well-acted quality production. Kay Lenz is outstanding as Lisa, and the supporting cast is also excellent. This is one that still holds up today, even though it was made many years ago. When this was made, mental illness wasn't a popular subject for serious treatment by television, but this sensitive,thoughtful movie helped to be a pioneer for all of the television movies dealing with mental illness (like Sybil, The Cracker Factory, and many others)that would come afterwards. The Seventies was a coming of age time for television drama. Lisa, Bright and Dark was a definite pioneer.