Border Patrol (2000)
Even the dead need policemen. Meet the Border Patrol, which is to ensure that the law is enforced in the territory of the dead. These hard supernatural guards are responsible for sinners to face their destiny and that good are the creator. To Numan, a character who makes the laws are enforced in the gloomy abyss between the two worlds, the present case appears to be the most tremendous of his career, both his past life in New York, as now become the Patrullero Spooky Frontera . When chasing a serial murderer, Dr. Helms, Numan is forced to break the rules of Purgatory and ask for help to the police in Miami Chavez, a mortal. The union of these incredible allies soon becomes clear that Helms, a strange supernatural being generic, has the power to open the door to other territories, threatening the existence of Life and Death as we know it.
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The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
While it doesn't offer any answers, it both thrills and makes you think.
The film never slows down or bores, plunging from one harrowing sequence to the next.
BORDER PATROL is a real piece of TV movie trash. The plotting is all over the place and seems to involve some kind of netherworld where the dead aren't really dead. The problem is that they can then cross over to our world, where special agents are on hand to dispatch them with special power-weapons. It's a little like R.I.P.D. but even worse than that CGI-fuelled Hollywood blockbuster.The list of problems with this production is an endless one. The dialogue smacks of pretentiousness and the cast give lacklustre performances to say the least. It's a telling fact that there are no familiar or even mid-list names here. The director is too obsessed with shooting in silly slow motion and adding in the likes of split-screen effects instead of concentrating on telling a linear, satisfying storyline. In a nutshell, I hated it.
This was a really cool movie I saw on Paramount's TV station here in Ohio, there was no advertising, no print ads, no nothing but a few teaser clips a few days before. I would have to agree with the earlier comment about why there is no more information about this movie on IMDB. The movie was very original in many aspects, including all the wacky/split screen speed-ramping etc editing and directing, the wise baby who projects his image on a movie screen as an adult, the clothes and garb and cars and technology in the Underworld, and that sweet music soundtrack from Patrick O'Hearn. The acting was pretty good but sometimes not. The script was surprisingly fresh for the ubiquitous sci-fi genre. So you never see movies directed and edited and scored like this anymore, I'm surprised it was buried in the Paramount publicity department's trashcan. They should make a TV series out of it.
I dug this TV flick for several reasons. First of all, the design sense is wonderful, so much eclectic retro-Victorian meets 1920's fashion meets 1950's hot rods, my gosh, what isn't to like about this much eye candy? The story is simple yet engaging. The performances are strong enough. The editing technique is playful, sometimes distracting but often surprisingly effective (like the window in window frames and transitions allowing multiple perspectives). The humor is tight and often felt surrealist the way LEXX often does. Over all this felt like a pilot, a light hearted romp that would have played well back to back with the more hard nosed BRIMSTONE. Groovy stuff though, hep cats.
I like this type of film, good acting and directing. would like to see more of this type of film. this would make a great ongoing TV programme. something different from the crime and medical shows that we are getting now. This would be exciting and at least it would be different.