More Than a Secretary (1936)

Good concept, poorly executed.

Excellent but underrated film

Exactly the movie you think it is, but not the movie you want it to be.

Blistering performances.

Romantic comedies aren't supposed to tax the brain, and so they tend to have weak plots. This one is far weaker than most romantic comedies.That's not to say that the characters aren't pleasant. Dorothea Kent as Maizie is an especially fun character, but the rest of the cast is certainly competent as well. If only they'd had a decent script, the resources put into this film could have resulted in a really nice movie.This movie was released on Christmas Eve 1936, but it would have fared better had it been released in late summer. In that era, movie theaters were among the few facilities that were air conditioned. Spending the day in a blast-furnace of a workplace, and sleeping in a bed soaked with sweat was miserable, so movie houses didn't need much in the way of entertainment to sell tickets; the cold air was sufficient for that.

This film is a good example of the actors and their personas being MUCH better than the material they are given! While I have always loved Jean Arthur as well as George Brent in films, they are much too good for this tripe. In particular, Jean tries very hard in this film, but Brent's character is so poorly written and stupid that it drags the entire film to a standstill and looks as if it were written by some inexperienced hacks.The film begins with Jean and Ruth Donnelly at a secretarial school they own. So far, so good--both are wonderful actresses and I had my hopes set VERY high since they were in the film. Then, 'Maizie' (Dorthea Kent) makes an appearance as a ditsy hussy and the film begins to slowly slide downward (she was a truly cardboard and annoying character). So I was THRILLED when the film moved from this school to the offices of a magazine editor played by Brent. Apparently, he was such a demanding boss that secretary after secretary from the school either quit or were fired and so Jean goes to give him a piece of her mind. Instead, she is smitten by him and takes the job herself.At this point, I was intrigued by the film. No major problems. However, when she came to work the next day, Brent's character was such a ridiculous and impossible to believe jerk that the film really began to spiral downward very quickly. Not only was he bombastic and a total health nut, but his having everyone do group exercises (like those done in many Japanese companies, by the way) was poorly executed. What person would order these exercises and then open the window and let all their many, many papers blow across the office and yet continue exercising?! Surely it would take hours to rearrange all the papers--why not stop for five seconds to close the window! This sort of extreme and stupid behavior continued from then on, such as when they went out to eat at a vegetarian restaurant, go for long, long walks in the middle of pouring rain and talk on and on and on (ad nauseum) about "right living and exercise". This was all supposed to be funny, but really came off poorly, as his character seemed more like a silly caricature of a person! Now if this wasn't bad enough, about midway through the film, Maizie re-appeared and then the film's romance between the leads was completely derailed. At this point, Brent ("Mr. Extreme") became such an obnoxious jerk that it was small wonder that Jean didn't just kill him! The bottom line is that it must have taken a lot of work to but Brent and Arthur in a film and have me so bored and annoyed by the whole thing. Considering all the warm and wonderful films these two made, it's amazing that this film was as poor as it was.

Did anyone wonder why the trailer had no door? Must have been a creation of the prop department. Why in the world would anyone want the guy after fooling around with Mazie. The guy seems like a real jerk rather than a leading man. And that mustache does not help George Brent either. I thought it was real weak acting from pros than sure can do better. Stander and Donnely really stand out, and The girl that plays Mazie isn't too bad either. There are so many loose plot lines in this that it's hard to accept any of them. I like comedies from this period, but this one is a waste of time unless you are a BIG Jean Arthur fan. Columbia should have thrown the Three Stooges in for some serious plot twist.

GEORGE BRENT, editor of a fitness magazine dedicated to diet and exercise, takes JEAN ARTHUR as a secretary--a woman who quits her job as a typing instructor to find out if she can find romance with a handsome and very particular employer if she pretends to be his full-time secretary. Seems that he's been unimpressed with all of the less skillful applicants.RUTH DONNELLY, LIONEL STANDER and REGINALD DENNY have fun with subordinate roles in this wacky ode to screwball comedy. The fun comes in wondering just how Arthur is going to change his staid ways and overly dedicated devotion to exercise and body building. Of course what Brent needs is a fresh viewpoint on selling points for his dignified magazine and Arthur is just the gal to give it to him.It's the sort of run-of-the-mill, breezy comedy that studios churned out for Depression weary audiences--so don't look for realism here. But JEAN ARTHUR is at her perky best and GEORGE BRENT manages to unbend a little in a role with comic overtones. DOROTHEA KENT tries hard, but manages not to steal scenes in a ditsy dumb blonde role that would have been perfect for either Jean Harlow or Judy Holliday (at a later time).Trivia note: As surprising as it seems, this trifle of a comedy played at Radio City Music Hall on its original release.