While the Patient Slept (1935)

Better Late Then Never

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

Your blood may run cold, but you now find yourself pinioned to the story.

The best films of this genre always show a path and provide a takeaway for being a better person.

"While the Patient Slept" is a strange film. Through much of the film, many of the actors say their lines way too quickly and there are few pauses in the conversations. It's as if the director realized that plot was too long for a B-movie (which usually clock in at between 55 and 70 minutes at the most) and told folks to talk very rapidly in order to obtain the 66 minute runtime! And, it is like a "Reader's Digest" condensed version of a movie!The plot is a pretty standard B-movie whodunnit. While an old rich man is dying, various family members come to attend him. However, his disreputable son (Robert Barrat) is shot and killed during the night and it's up to an amateur detective (Aline MacMahon) who also happens to be the old man's nurse as well as a dopey detective (Guy Kibbee) and his even dopier assistants (Allan Jenkins and Eddie Shubert) to get to the bottom of it.I have a particular fondness for these sort of murder mysteries and have seen just about every Charlie Chan, Falcon, Saint and Mr. Moto film. However, I must say that "While the Patient Slept" is a very poor one--even if it was made by the premier studio of the day, MGM. It's mostly because of the direction. In addition to most of the folks talking too fast, they often yell, over-emote or talk very loud for practically no reason. The pacing is awful and the performances are among the worst of the actors' careers--and the director is the one to blame. Additionally, the character Jenkins plays is too annoying and one-dimensional--much like the super-annoying detective he played in "Sh! The Octopus". He's meant to be funny...he isn't. Overall, the film comes off as shrill, loud and awful.Incidentally, it is interesting that the film seems to strongly imply that Eustace is gay. See the film and see if you agree.

This is a good old-fashioned Thirties mystery, with comic turns from Guy Kibbee, Aline MacMahon, and Allen Jenkins doing his usual Sheldon Leonard- like one-step-behind sidekick cop. It's based on an early novel by Mignon G. Eberhart, who had a knack for implausible plotting that didn't matter because the action spun everything along at a nice clip. Nice to see Kibbee taking the spotlight, even if in a B movie, because he was such a stalwart supporting player, a familiar face in so many movies of the era. He and MacMahon play well off each other, even creating a bit of a romance, though MacMahon's Nurse Sarah Keate isn't quite as acerbic and witty as the character in the novel. However, the movie has its own charm, spiced with a bit of wackiness, and is a pleasant way to while away a little more than one hour.

This is among the better entries in the comedy/mystery genre popular in the 1940s. No one liked the person murdered. Many people had reason to do him or her in. All are assembled in creepy surroundings.Apart from a plot that's easy and logical, what sets this apart is Aline MacMahon. She plays a nurse who happens to be in the house and who helps the police solve the crime.MacMahon was unique in Hollywood history. Though only in her thirties here, she was already playing an old maid. Yet she had an occasional fling at glamor roles. And she was an exceptionally good actress, with a haunting beauty.Her rather heavy-lidded eyes seem to bore right through her co-players, here as elsewhere. ZaSu Pitts had a somewhat parallel career. But at least Erich Von Stroheim saw her as a beauty and a great actress.Maybe MacMahon really couldn't have done it. But I think she had the potential for far greater roles than she was given. As strange as this probably sounds, I can see her, decades later, as the tragic Mary Tyrone in "Long Day's Journey Into Night." (She would surely have been better than Katharine Hepburn, an actress, I often liked, in that role.)

This is probably the first entry in the "Lance O'Leary/Nurse Keat" detective series; in subsequent O'Leary films, he was played by much younger actors than Guy Kibbee.A group of relatives (all played by well-known character actors) gathers in an old house (on a rainy nite, of course!) to speak to a wealthy relative, who goes into a coma.While they wait for him to recover, all sorts of mysterious goings-on happen, including a couple of murders.A creepy film; worth seeing!