Love’s Debris (1996)
German director Werner Schroeter invited his favourite opera singers to a 13th century abbey near Paris. There was no pre-planned action. There was no script, no continuity. On the other hand, there were precise constraints that provided the rules of the game: the setting, the Abbey of Royaumont, and the chosen participants. Each singer came accompanied by a person of his or her choice, and worked on an aria chosen by the director.
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This Movie Can Only Be Described With One Word.
Purely Joyful Movie!
Not even bad in a good way
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
This film is a montage of images of new opera stagings, of remembrances, of discussions, and of the creative impulse behind what makes a singer sing. It's also a very German film, shot partly on location in a French Abbey, with American singers, Italian, French, and German singers, and a good deal of whimsy.If you like opera, or even if you don't, it's a terrific film.