The West Point Story (1950)

The greatest movie ever made..!

What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

This story has more twists and turns than a second-rate soap opera.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

... but just forget that and have fun with it. Cagney is Elwin "Bix" Bixby who is a washed up Broadway director, not because he is bad at his job, but because he crossed producer Eberhart (Roland Winters) by getting dancer/singer Jan Wilson (Doris Day) out of the chorus where he felt she was misused, and into a Hollywood contract by teaching her everything he knew.Bix has a chance to square things with Eberhart and his increasingly impatient fiancée (Virginia Mayo as Eve) by taking a job at West Point directing a show written by Eberhart's nephew, cadet Tom Fletcher (Gordon McRae). What Eberhart really wants is his nephew to leave the army and go on Broadway, where he feels his talents won't be wasted. Bix takes the job, and is soon agreeing with Eberhart's assessment - Tom has the looks, can sing, dance AND wrote the show. Bix can't figure why Tom wants to work for minor duckets in the Army when he could clean up and be famous on Broadway. Why doesn't he just quit West Point? Now Bix is not a bad guy. He's got great courage, he just has a problem with rules, doesn't quite get the concept of camaraderie, and he has an unruly temperament - would you expect less from a Cagney role? Bix just doesn't get these cadets only showing up for rehearsal when their classes and the academy rules permit it, and then one day he punches a cadet and is out of a job UNLESS he becomes a cadet, living the life a cadet along with the uniform, the haircut, and the plebe status. At this point Bix's war record is brought up. Like I said before he had great courage, even saving his platoon in Italy in WWII, but he went AWOL so many times that if this film was true to life he'd actually be in Leavenworth turning big rocks into little ones. This is one of many times you are just going to have to suspend your beliefs.How does Doris Day figure into all of this? Well it turns out Day, as the girl Bix rescued from the chorus line years ago, is in town, so Bix gets permission to try and get her to come to West Point for an appearance AND he tries to talk her into being the princess in the play. If not they are stuck with Alan Hale Jr. as the princess and romantic lead to Gordon McRae's character. There is only so much suspension of belief that an audience can take! All of this is just a chance for Bix to learn the importance of rules and teamwork he never learned in the war, for some patriotic numbers and speeches that didn't do a movie studio any harm in 1950 in the age of HUAC, and for Warner Brothers to "pass the baton" as you might say to their new generation of singers and dancers, embodied by McRae and Doris Day. Don't worry though, there is enough of Cagney's great dancing to satisfy.The weirdest thing for me - seeing Cagney and Mayo play a rather functional couple after seeing them together in 1949's White Heat where they had the kind of love life you would expect between a psychopath and a gun moll with wandering eyes.

He spits out lame dialog like it was Shakespeare, he talk-sings with a verve that could give Rex Harrison or Robert Preston lessons, he stomps up and down, he uppercuts, he dances up a storm. There's plenty of A-list talent in this uninspired Warners musical, but a 51-year-old Cagney is pretty much the whole show, and he appears to believe in the hole-filled plot so much that you buy it, too, despite the many lapses of logic. I find his teaming with Virginia Mayo a little distasteful--he's plainly too old for her--but she lends a lot of enthusiasm, too, as does Doris Day, given some middling Jule Styne-Sammy Cahn ballads to warble (and some very unattractive gowns to model), and Gene Nelson, tapping exuberantly, and Gordon MacRae, with his fine natural baritone. Cagney felt he did his best dancing in this film, and it's worth sitting through the dated, hit-you-on-the-head patriotism and weird plot mechanics to get to his virtuosic numbers--he even taps a bit with Day, who started out as a dancer and keeps up brilliantly with him. It's not a good movie, exactly, but I'd trade a lot of neater, better-crafted musicals for this one's dumb liveliness, and for Cagney's genius. I mentioned Robert Preston above; Cagney was, in fact, considered for Professor Harold Hill before Preston was hired. I think he'd have been terrific.

Starring James Cagney, Virginia Mayo, Doris Day, Gordon MacRae, Gene Nelson, and Alan Hale, Jr., "The West Point Story" is a very enjoyable musical comedy, even if the plot is somewhat convoluted. It's about a Broadway song & dance man named Elwin "Bix" Bixby (Cagney), who lately has been down on his heels, if you'll forgive the pun. Bix and his tart-tongued but faithful assistant Eve Dillon (Mayo) make a trip out to the famous military academy at West Point in order to help cadets Tom Fletcher (MacRae) and Hal Courtland (Nelson) put on their spring musical known as the 100th Nite Show. Tom is a great singer and Hal is a marvelous dancer, but the show definitely needs some doctoring up. For one thing, there are to be no women in the show; all the female parts are to be played by the male cadets(!!). The crafty Bix solves that problem by finagling spots in the show for not only Eve but also a successful Hollywood star named Jan Wilson (Day).My favorite scenes from "The West Point Story" include the following (DO NOT read any further if you have not yet seen this film). Bix is quite amusing with all his kinetic energy as he jumps up & down to voice his displeasure at a dance routine, or when he decks a theatrical producer (Roland Winters) in order to close a deal. At the cadets' Saturday night hop, Jan thrills the dancing crowd with her lively, bouncy, head-bobbing rendition of "The Military Polka". Hal does an unbelievably fascinating dance (featuring a fine orchestral accompaniment) before getting pelted with straw hats. The West Point glee club sings "The Corps" as Tom solemnly recites a patriotic monologue about the history of West Point and of the heroic Americans who dreamed to make this outstanding military academy a reality. Bix and Eve are a singing/dancing sensation with "It Could Only Happen in Brooklyn", and they are equally wonderful with the quirky "By the Kissing Rock", of which Tom Fletcher & Bull Gilbert (Hale) only give an adequate performance moments earlier. And finally, upon Jan Wilson's first appearance in this movie, she sings the delightfully swinging novelty number "Ten Thousand Four Hundred and Thirty-Two Sheep".Featuring music by Jule Styne and lyrics by Sammy Cahn, "The West Point Story" was apparently an attempt to recreate the success of James Cagney's Oscar-winning performance in the musical "Yankee Doodle Dandy" (1942), but at this I don't think the film succeeded. Nevertheless, despite the incomprehensible plot and the inappropriate romance between Jan Wilson & Tom Fletcher, I still find "The West Point Story" to be highly entertaining. I especially admire the delightful performances of James Cagney, who gives his role of Elwin Bixby every bit of the gusto it needed, and Alan Hale, Jr. as "Bull" Gilbert. (Who would have thought that a skipper would begin his seafaring career portraying a princess in the musical theatre?!)

On viewing the cast list I thought this would have to be good - but what a disappointment. Cagney acts as a caricature of himself, in fact he seems like a cross between Mickey Rooney and the Bowery Boys, and although the rest of the leads are good (Gordon MacRae and Doris Day singing and especially Gene Nelson dancing) there is no real sparkle to lift this from the mundane. The basic idea of using West Point is good, with the conflict between the unreal atmosphere of a training school and the real world, but this was not exploited, and one got the feeling that the powers-that-be in West Point had script approval to ensure that only a rosy view of life there was portrayed.To make a successful musical comedy you need a good script with laughs and memorable songs, none of which this had. Overall one to avoid.