Opus #5 (1962)
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A sinister montage intimates the hellish void facing a man emptying bottles by the river. Sandy Fisher’s densely reverberating electronic score provides strong support for Lloyd Williams’ cultic collage of skulls, chess boards and fire.
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Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
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It's a mild crowd pleaser for people who are exhausted by blockbusters.
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It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
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This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
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