Saajan (1991)

You won't be disappointed!

Self-important, over-dramatic, uninspired.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Serious poet Aman (Sanjay Dutt) and irresponsible playboy Akash (Salman Khan) have been best friends since they were children, and were raised as brothers. When both fall in love with the same girl (Madhuri Dixit), sacrifices must be made, hearts broken, and friendship tested.Both Dutt and Khan are excellent in their roles; the emotions they display later in the film are convincing. Dixit is a delight as always, both playful and serious. There are many musical numbers, with some lovely songs, but very little in the way of choreography. The plot, while familiar, is still engaging and moving. All in all, it's typical Bollywood--but that is a plus.

Saajan-the superhit movie till date. Saajan brought us the romantic love triangle.. It was extremely a terrific performance by the leading stars though Salman Khan was in a supporting role he gave his best. Story,Screenplays & dialogues was critically acclaiming. Music,Lyrics & Choreography was a hit. Salman-Sanjay & Madhuri pairing was really amazing. Kader Khan brought us his comedic dialogue style again. Background Scores,Views & locations were well selected.Direction by Lawrence D'souza proved a successful one.Sanjay Dutt handicapped anonymous emotional character was excellent.. Hats Off to Sanjay Dutt. Great Performance by the three stars.... Overall its a mixed romantic drama script covered the Saajan theory completely. The Climax sequence was totally fresh & cool.Despite the film over length it was characterized perfectly. I personally rate this film 8.6/10 citing the above statement with an excellent credited casting....!!

A major chunk of the Indian movies are love stories and the idea of love triangle has also been hackneyed so much that now-a-days hardly any filmmaker must be pondering over it for his next venture. However if I have to make a list of love-triangles made in bollywood, Saajan will be my numero uno in that list. I don't know whether the story idea was original or borrowed from somewhere else, however it worked excellently and built the premise of a sentimental love story in which the element of sacrifice became prominent between the two male protagonists who, by default, became the reluctant rivals of a girl's love. Kader Khan and his wife, Reema adopt the handicapped orphan friend Aman (Sanjay Dutt) of their son Aakash (Salmaan Khan) and foster him like their own son, showering love upon him even more than their own son. Besides, Aakash also keep Aman's friendship above everything else in his life. However Aman finds himself burdened by their obligations within his heart. He is a Shaayar (Urdu poet) and gets published under the pen name of Saagar. A middle class girl Pooja (Madhuri Dixit) who runs a book shop to make a living for herself and her mother Anjana Mumtaz in Ooty, becomes his fan and maintains contact with him through letters. Aakash, on the other hand, becomes a womanizer, not giving a damn for the real love. To take care of their new project of constructing a hotel in Ooty, Aman reaches there and comes across Pooja. Pooja befriends him when he tells her that he knows Saagar personally and he promises her to manage her meeting with him. He sees that Pooja loves Saagar. Gradually he also falls in love with her but without expressing his feelings to her.The story takes a twist when Aakash reaches Ooty and falls for Pooja upon the very first encounter. When Aman comes to know of his love for Pooja, he decides to sacrifice his love to pay the obligations of his fostering family and he introduces Aakash to Pooja as Saagar. Pooja starts loving Aakash but under the false impression of himself being her Saagar. With the passage of time, Aakash comes to know that Aman himself is Saagar and he loves Pooja too within his heart. He immediately understands that Aman is trying to repay the obligations of himself and his parents through this sacrifice. Now it's his turn to sacrifice for his friend and he gets the lovers united.Saajan is the first directorial venture of the cinematographer-turned-director Lawrence D Souza and his uses his cinematographic excellence to the hilt while directing this emotional drama. The different camera angles catching all the three main protagonists in a single frame. depicting their mutual relationships, their inner feelings and the peculiar equations between them is simply marvellous. Besides, the picturization of songs like Bahut Pyar Karte Hain Tumko Sanam and Jiyen To Jiyen Kaise is nothing short of outstanding. This movie is definitely a marvel of cinematographic technique and those movie buffs who have seen it on the big screen are definitely fortunate.Another very big highlight of Saajan is the exceedingly marvellous music composition of Nadeem Shravan who were in top form those days and the lyricists Faiz Anwar and Sameer have given them excellent support. Only for one song, Bahut Pyar Karte Hain, I know that it's a copy of a non-filmi Nazm - Bahut Khoobsoorat Hai Mera Sanam. For the rest, I give full marks to this music team which includes Anuradha Paudwal, Alka Yagnik, S.P. Balasubrahmanium, Kumar Sanu and of course, the legendary Ghazal singer - Pankaj Ud-haas (Jiyen To Jiyen Kaise Bin Aapke) also. The music album of Saajan is an all time hit and even today, listening to these songs renders a soothing feeling to the listener's heart.The movie should have been trimmed by at least 20-25 minutes. Otherwise the direction is marvellous, production value is high, the beauty of Ooty has been captured in superb way (especially in the song - Mera Dil Bhi Kitna Paagal Hai Jo Pyar To Tumse Karta Hai) and the narrative flows smoothly, carrying the audience effortlessly with it.Performances are highly admirable. For Madhuri's dance number - Tu Shaayar Hai Main Teri Shaayari, both the choreographer and Madhuri deserve huge clappings. One of the great dancing queens of the Indian silver screen, Madhuri has acted well too. However the movie mainly belongs to the male leads. Sanjay Dutt has delivered the performance of his life-time in this movie and I am sorry to see that he did not win any award for his intense role, marvellously performed. Salmaan Khan has performed brilliantly in his Casanova role as well in the role of first a true (but irresponsible) lover and thereafter a sincere, sacrificing friend. The climax belongs to Salmaan only and he provides a memorably touching end to the story. The ending scene is able to move the sensitive audience. Among the supporting cast, Ekta as the arrogant society girl who genuinely loves Salmaan, Kader Khan as the boys' father, Reema as their mother, Anjana Mumtaz as Madhuri's mother are perfect. Laxmikant Berde and Dinesh Hingoo have done good comedy. I also appreciate Raja Duggal for his cameo as Babulal, the owner of the tea shop in Ooty.Saajan is a treat for the romantic people who like emotion-filled mature romance. It was a blockbuster and I bet it may again prove to be a blockbuster if re-released. It has immense repeat value and can be watched any number of times for the visual as well as audio satisfaction provided by it to the viewers to their hearts' content.

Saajan today is mostly seen as an inspiration for practically all post-1990 triangular love stories in Bollywood. This is a great masala movie featuring a little bit of everything - comedy, tragedy, love, romance, betrayal, sacrifice and a FINE MUSICAL SCORE.Salman, Madhuri and Sanjay Dutt(in that order) are the stars here. If u just wanna have fun and see some of Bollywood's biggest stars in one of their finest performances....Saajan is ideal for you. I just loved D'Souza's mature direction and the chemistry shared among the 3 stars. Madhuri looks awesome with either male leads and the awesome songs only get better with the picturization.