Haasil (2003)

Plot so thin, it passes unnoticed.

Brilliant and touching

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Story: It's very simple but honestly that is fine.

Sometimes promotions play a key role in a success of the film, Haasil's promos gave a wrong impression, the promos mostly focused on the songs and romance and people though it will be yet another romantic film of Jimmy Shergill who till then hadn't yet done meaningful roles and after Mohabbatein became yet another Srk wannabe and tried doing romantic films but hardly they succeeded. The film however is a complete departure as it focuses more on college politics, rivalry between 2 gangs, one handled by Ashutosh Rana and the other by Irrfan Khan and the handling by Tigmanshu Dhulia(who debuted with this film) is simply superb, the romance is in short doses and thankfully we don't have the filmy romance though at times the songs do disturb the flow of the film. The film has several twists and turns, though it does get predictable at many places, yet the director and writers should be praised for handling it superbly. Being from UP himself, Tigmanshu Dhulia shows the politics with perfect nuances, though towards the end the film does get filmy but yet the storytelling is simply superb. The film not only revived the career of Jimmy Shergill but also gave a new lease to Irrfan Khan who till then was doing short roles, though he had got praise in Gunaah, this film made him popular Tigmanshu Dhulia went on making great films though first success was shortlived yet he got critical acclaim, now he is a big name. Music by Jatin Lalit is good Dialogues are superbJimmy Shergill does a superb job, portraying the emotions perfectly, his transformation from a lover boy to a fugitive is convincing, after this film his career got a new rise. Hrishita Bhatt does her role perfectly though it doesn't need much to do Irrfan Khan is simply awesome, though now he is become typecast but he breathes fire in the role only he could perform, his eyes, expressions, dialogue delivery is topnotch. He won the award for best villain that year. Amongst rest Ashutosh Rana is perfect in a short role, Sharat Saxena, Tinnu Anand are superb as always, Rajpal Yadav is amazing in a short role, Raj Jhutsi overacts, Sudhir Pandey is superb, rest are okayThe film does have some flaws, like Irrfan Khan's obsessive love could be more better explained, Also some plot holes but overall the film is superb

This is not just a movie but a great depiction of the Northern India. Mr. Dhulia's directorial debut "Hassil" is a powerful drama about love, politics, deceit and of course our social values. The plot will give you an essence of Northern India's politics and intrusion of politician with our tranquil lives.The story is set in Allahabad (Uttar Pradesh) and revolves around Aniruddha (Jimmy Shergill) and Niharika (Hrishitaa Bhat) fall in love. Ranvijay Singh (Irfan Khan) an aspiring politician and opponent Gauri Shankar (Ashutosh Rana) are the real people in charge of the University. Aniruddha's companionship with Ranvija Singh engulfs him into deep trouble along with his beloved.Irfaan has done an astounding work, he is a born thespian. He goes straight into the character with amazing dialogue delivery in the local dialects of Allahabad. Jimmy Sheirgill proves that he can do wonders if he gets a good role. Hrishita Bhatt is fabulous as conservative college going girl and any north Indian girl can resemble with her. Sharat Saxena is veteran and looks like a real father who is worried on his daughter affair with other cast boy. Ashutosh Rana is just remarkable in his screen presence, with small role.The dialogues are powerful in the proper accent of Allahabad, a great research and character study by the director.The supporting cast was incredible and every scene looked so genuine that you will be engaged with the story. The voyage from a love story to a political thriller takes place in a first-rate pace. Thanks to Tigmanshu Dhulia who proves that we can make powerful cinema with an essence of rural India.This is highly recommended for the natives who watch the movies according to the characters not the stars in it.

It is one of my all time favourite movies. The caste based politics and subsequent violence which is a reality in universities (in India) is depicted in a realistic manner. The love story of two college kids from a typical orthodox middle class society in India grows as the plot thickens. The depiction of the middle class society, family values, aspirations, class/caste barrier is very realistic. Irfan Khan has given a powerful performance as a university student turn political figure using violence. Ashutosh Rana is also impressive in short role as leader of students of higher castes.The movie is a like a breathe of fresh air, when most of the bollywood movies based on college love stories and college politics touch these real social issues superficially. The climax of the movie is a bit let down though. But even then the movie is a definite 'Must-see'.

We, who live in metros, away from the rest of India need to be reminded sometimes that there lies a larger India outside the metros. We, who criticize politicians and call politics 'dirty' and never vote out of laziness and apathy yet disguising it brilliantly as our only act of protest against the corrupt system, need to be reminded that politics does run the country. And if we don't, someone else less worthy will take the reins in their hands. We, who watch films to escape from our otherwise dreary, tiresome, collapsed lives need to be reminded that possibly film can mean more than a sneak preview into the lives and lifestyles of the rich and famous. Haasil, does all that. And more. Now while the film is not without its problems, lets begin by saying, it's a refreshing, thought provoking change from the regular onslaught of dancing on European alpine valleys; zipping on Mercedes Benz; parties - poolside in the lush greenery of palatial mansions and of course, designer clothes on designer bodies. Set in a university in Allahabad, Uttar Pradesh, where the Director Tigmanshu Dhulia himself studied, the film revolves around two rival political gangs in a college. One headed by college veteran and students' union president Gauri Shankar (Ashutosh Rana), and the other by an aspiring politician Ranvijay Singh (Irfan Khan), encounter each other constantly in corridors of the university, the labyrinths that control student political power. While Aniruddh (Jimmy Shergill) and Niharika (Hrishitaa Bhat), both students of the college, fall in a simple and 'looks real on screen' kind of love creating a parallel narrative in the film, the plot thickens, as Aniruddh, after turning a deaf ear to the warnings of his friends and lover, gets slowly sucked into the world of Ranvijay's politics. He blindly places his faith in Ranvijay, who uses him to win votes from the `a-political' students. One thing leads to another and before he can realize what is happening, Aniruddh finds himself neck deep in the game of power politics which leads back to the rooms of ministers and the state. Let's take a look at what I like and what I don't in Haasil. I like: 1. The story, though not original, is a refreshing change. 2. The editing is neat and the narrative flows on perfectly. 3. The extremely real life dialogues give it a sense of being rooted 4. It has no stars, just characters. The actors perform these characters well. Irfan Khan as an upcoming, ambitious, brash, fearless student leader and yet nervous of his appeal to the other sex is brilliant. One wonders what's it with Bollywood, which can't nurture such talent! Jimmy Shergill, as a young boy from a middle class family of a small town finally gets to do in this film what he has never got a chance to do before, act. Hrishita Bhatt as his coy yet strong-minded girl friend is promising. Tinnu Anand as Jimmy's father needs a special mention. He performs the role of a father constantly aware of the growing gap between him and his son attempting to bridge it, yet not quite succeeding is believable. Ashutosh Rana as the president of the student association fails to impress beyond the stereotype he is being made to perform lately. 5. The film makes 'love' watchable again on screen. It is sensitively handled, looks believable and does not pretend to be anything other than it is; i.e. two college mates being attracted to each other and falling in love! Jimmy's impulsive kiss on Hrishita's cheek followed by a nervous 'sorry I'm really sorry'; the scented letter that makes her go into a bout of sneezing; the newspaperman turned love-letter delivery boy; the cycle and the ricksaw; the arguments in the old dilapidated movie hall where they meet secretly; all seem out of real life 'falling in love'. 6. The music scores are good and worthy of an ear though failing to make a lasting impression. Yet, it complements the film well. 7. The Director's involvement with the film, his personal experience with student politics in a small town is evident in the film. Even his understanding of the town of Allahabad, with its huge population of out-of-Bengal Bengalis, who have lived there now for ages and have managed to mingle with the locals yet keeping their festivals and customs alive prove that he has studies the city. 8. It is small budget. It cost just Rs 4 crore and it is doing pretty well inspite of the lack in advertising and promotions moneys. I guess word of mouth still works. I did not like:1. It gives in to the stereotypes and conventions of a mainstream Hindi film time and again. We could have done with fewer songs for instance, or less number of change of clothes for the heroin. 2. Irfan's character, its gray edges came out beautifully in the first half till the director decided to make him the ultimate villain and willfully simplified his emotions midway giving him no chance to redeem himself. 3. The introduction of the mosque, the `good Samaritan' Muslim friend and the song in the mosque ending with Jimmy's verdict on how friendly Muslims truly are inspite of popular belief, seems tokenistic and banal. If anything, it seems to be working against the very purpose it was meant for. And that I guess is the problem. When one tries to achieve a purpose in a sequence with no links to the main story it looks imposed, banal.