Evil Dead Trap 2: Hideki (1992)

Wonderfully offbeat film!

Admirable film.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

I wasn't overwhelmed by it, to say the least. "Evil dead Trap 2" is a sequel in name only, since the story has no relation to the first film. I found it a confusing mess of a movie, to be honest, this second one. Granted, it's some kind of artistic mess (the film looks pretty good and there are some nice visuals in it), but I didn't understand one bit of the story. It throws random elements in the mix, and they don't make the slightest bit of sense to me. But it's not boring to sit through, at least. And the last 15 minutes are pretty intense, gory and stylish even, so it's worth a watch for only those sequences (I'd like to give the movie an extra point for it even, but I'm just not feeling that generous today).

I purchased this film on DVD in all it's Unrated, Uncut gory glory, expecting something special, expecting a quality horror film, something like the many other great films to come from Japan, China or Korea etc. The fact that the writer of 'Akira' was the director also caught my interest. But a 'Ring','Dark Water','Tale of Two Sisters' this ain't! First of all, the film is low-budget. Very low-budget! But that's not bad, low-budget films can be great. But the story seemed slim. The first half of the film was alright though, it kept me watching, wondering and wanting to know how the characters develop. I especially liked some of the odd performances from the varied cast members.The scenes of gore throughout the film were a little disturbing and quite weird, this is definitely not mainstream horror. The violent scenes were surprisingly not that many though, until the end that is, but when they happen, they are bloody! Very Bloody!! The last act of the film I thought was utter madness. I kind of lost what was happening, it all just went kinda mad...and went on and on and on...and I was glad when it was over. It made no sense and was just plain NOT VERY GOOD.Overall I would not recommend this film to anyone, not even Asian horror fans, except maybe the hardcore, but that is only my opinion. I just didn't think it was that good. Gory horror can be fun, but without a good enough story and script it can be terrible. Their was a theme to it though, but I won't go into detail as it might spoil it for you. If I had listened to others opinions I would not have watched it, but I did, because you have to know for yourself, don't you.

Aki is a reclusive film projectionist who is friends with Ami, a news reporter who is currently reporting on young women who are murdered in this in name only sequel to Evil Dead Trap. This film is very dream-like. Not for the sqruimish,I truly can not say for sure if i liked it or not. The only thing I know is it's probably the most anti-abortion film I've ever seen as both the phsyically and psychologicly detrimental affects of that procedure is acknowledged. For that reason alone, this is one of the (very) few films Hollywood would NOT make an Americanized re-make of. On a bizarre note the director also wrote the classic anime "Akira" My Grade: CDvd Extras: Photo gallery; Theatrical trailer; trailers for "Junk", "Devil's Experiment", & "Flowers of Flesh & Blood"; Making of "Guinea Pig"

I try to keep to the old Cahiers du cinema dictum (I forget exactly whose) to remark what's remarkable and ignore the bad and the ordinary. The best and only thing I can think of to say about Evil Dead Trap 2 , a.k.a. Hideki, is it made me realize how good, in comparison, was the original "Evil Dead Trap." The original film was mappable in space and time. Its horror, beginning with the maybe overdone steal from Un chien andalou , grew in fits and starts, with the rhythm of life. Characters we barely knew, with overlapping points of view, roaming a terrain that in its emptiness, indoor and out, foreshadowed that of Kairo...But save that for the comment I may yet write there.Any who let sympathy for EDT2's corpulent heroine trap you into excusing the rest of the film would do better to seek out Junji Sakamoto's wondrous and just as lethal, in its own way, Kao (face) or even Catherine Breillat's hard to watch Á ma soeur! a.k.a. Fat Girl .