The Criminal (1999)

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

While it doesn't offer any answers, it both thrills and makes you think.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

This film steps out of nowhere and throws its weight around to such an extent you'd think the budget was several $''000,000's greater. Confident direction and cinematography that is fantastically arresting combined a smart edit and well planned sound design, score and soundtrack - the sort of thing new directors often overlook. The performances show actors who really turned up every day ready to work and be worked - nobody coasts through this. Steve Mackintosh captures the boastful and irritatingly mouthy Jasper's descent into friendless paranoia really well with an expression that reads as if he can't for the life of him remember who he might have upset recently. Bernard Hill mows down all before him, riding roughshod over any suspicions or hunches his cop partner, played by Holly Aird may have and giving explosively short shrift to a forensic scientist played by Eddie Izzard.

The Criminal is a suspense/thriller that unfortunately lacks much of either. It starts out well enough, with a guy named Jasper picking up a girl in a bar and bringing her home. A man bursts into his house and murders the girl. Jasper is on the run from the police as he tries to prove his innocence and find who the real killer is. The problem is that this has been so many times and this time it is only so-so. Acting is OK, except from the American girl who is just awful. Good opening, but everything just goes down from there and it gets to the point where it just isn't that engaging. Everything is just average. Not embarrassing, but not really worth watching. ** out of ****

The Criminal is undeniable proof of the adverse affect that Pulp Fiction has had on cinema. The title of the movie is actually ironic, as the movie itself is no better than a common criminal. After paying money to see it, you'll see why. Basically, The Criminal is a huge waste of 90 minutes. I can think of multiple better things to do in 90 minutes than watch this movie, one of them involving your own toenails and a pair of rusty pliers. After seeing the film, I doubt that you will disagree. It is with that in mind that I say; don't bother with this movie. The premise of The Criminal is actually quite intriguing, and you'll be forgiven for thinking that the film is worth watching for that reason. After the first ten minutes, you'll think that you've made the right choice in deciding to see the movie. You're wrong, but you won't know it yet. The movie opens with a man chatting to a woman in a bar. After hearing his speech about dance music being rubbish, you'll be utterly convinced that you're in the right film, but you're not. The man and woman, after some banter, go back to his apartment. Events transpire, and she ends up dead. Shock, horror! Indeed, as it's down, down, deeper and down from then on. And just to clarify; I don't mean 'down' as in 'down into Britain's criminal underworld', unfortunately.Steven Mackintosh takes the lead in this film. You'll almost certainly recognise this man from one of Britain's good crime films; Lock, Stock and Two Smoking Barrels. The character that Steve plays here is, in fact, only a certain plant away from being the same character that he played in Lock, Stock; namely, a wimp who happens to be in a world of criminals. The rest of the cast isn't noteworthy, with the exception of the police inspector. He isn't noteworthy for anything but swearing a lot, however. He swears and he swears and then he swears some more. That's all he does, and it gets beyond a joke after the third or fourth swear word. It's a blatantly obvious attempt to cash in on the childish 'coolness' of profanity.Pulp Fiction's influence can be seen all too often through this film; but what The Criminal doesn't realize is that just because it worked for Pulp Fiction, doesn't mean it will work here. At times, the film works in flashback sequences that just pop up from nowhere, it sometimes uses cool dialogue to convey it's points, and sometimes puts stuff in just for the sake of having it there; and all in all, it's extremely annoying. That's all this film is really; annoying. Annoying, boring and unoriginal sums it up perfectly, and it is, with no fear of a lie, one of the worst movies of recent years. Maybe even of all time

'The Criminal' is an overlooked gem that I hadn't heard of prior to it showing up on cable. It captures classic noir in a modern framework with all the appropriate darkness and unsympathetic characters. The British have a knack for such crime drama, and I cringed throughout imagining what the Hollywood version would be like. (I'm surprised filming hasn't already begun.) The cast is brilliant from the top to the bottom of the credits, and the lead, Steven Mackintosh, is particularly outstanding as the trapped innocent attempting to piece together what he's fallen into. When it comes time to pull together the plot elements, writer/director Simpson makes a long stretch and comes up with something outrageous and a bit too easy, and some of the concluding twists feel somewhat contrived, but by this time, it really doesn't matter. The film's fast pace, great acting, and dark cinematography have already succeeded in making it a thoroughly entertaining noir.