Off to Bedlam (1901)

What makes it different from others?

Better Late Then Never

The acting in this movie is really good.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

One could always consider the use of blackface as racist (it was), but I think Melies was looking for a black and white contrast, so as the clowns and the minstrels switch back and forth, it will be visually interesting. I don't suppose with things being what they were, Melies would ever consider using black actors. Of course, I don't know what the possibilities were in France. This is a bit less than some of his other films.

This one-minute film "L'omnibus des toqués blancs et noirs" may be considered racist because of the Blackfaces used in here, but I think these are too politically correct. Basically, this film only shows us what happens to stupid people, regardless which color. And color is a good keyword as Méliès proves here that, even without color in terms of film, it is very possibly to distinguish between all kinds of shades. This silent movie was made in the 20th century "already" by the famous French film pioneer and I would not count this among his best or worst works. Unfortunately, it's far more interesting visually than in terms of the story. As a whole, not recommended.

L'omnibus des toqués ou Blancs et Noirs (1901) ** 1/2 (out of 4) aka Off to Bloomingdale Asylum This French film from Georges Melies has to be one of the earliest examples of a minstrel show. Four white men get out of a carriage and when they kick each other they then turn to black men. This little "trick" happens for about a minute and then the film is over. The subject matter is certainly going to offend many people today but there's certainly no question that the overall tone wasn't meant to be harmful as this certainly isn't in the same league as something like THE WATERMELON CONTEST. The special effect of seeing the men transform from black to white and then back again really doesn't look all that great and especially when you compare it to the other types of tricks that Melies was doing at this point in his career. The edits are all obviously done but then again you might not have noticed as much had the story been a bit better.

I love the films of Georges Méliès. He created so many great techniques and his movies were the best things being created at the time. So, while they seem a bit quaint today, back in 1901, it was pretty hot stuff--though this film isn't quite as fresh as some of his earlier films. And, while it will no doubt ruffle a few feathers today, you'll possibly be shocked at all the actors in black-face.A bizarre looking carriage arrives on a city street. Out pop four harlequins who dance about...and then the weird stuff begins. Using stop-motion, they appear to turn from very white to black men (of the minstrel variety) just by hitting or kicking each other. This goes back and forth for a bit until the remaining guy does what anyone would in this situation...he explodes. Goofy stuff...but entertaining.