Человек, который знал всё (2009)
A man attempts to commit suicide and, as a result, unexpectedly acquires the phenomenal ability to immediately answer any question. A modest and harmless individual, he becomes a target for all - from women to criminal bosses and even foreign special services. Some try to use him, others try to murder him, but the ordinary man keeps living according to the dictates of his own conscience.
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n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
This is a must-see and one of the best documentaries - and films - of this year.
It is both painfully honest and laugh-out-loud funny at the same time.
The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
The main trouble of this film are the director with a script writer. That they have made with image of the protagonist! The knowledge of ALL has not affected in any way intellectual qualities of the protagonist. Yes, now it is filled to the edges, but at the same time practical acts give out a serious dis-balance and a system total absence in decision-making. The person who knows everything, is extremely illogical in the acts, and in it its basic trouble, a transforming film in a sickening show. The most insulting that the subject idea which is represented very perspective, gradually sinks in mad mixture of genres – special services, criminal authorities, an oligarchical life with the invariable sensuality, the lost love and life philosophy in any way do not supplement each other, and battle for every minute timing literally, transforming it into a boring show. Definitively ruins a film the extremely unsuccessful installation when heroes are promptly thrown out by the director on the screen, and then also not clearly leave the spectator. In this director's horror in the foreground there are actors who often not convincingly win back separate scenes. The main disappointment – Ekaterina Gusev who only irritated, and erotic scenes with looked extremely tritely. Egor Beroevv of a role of the person knowing all in the best cases is satisfactory. Sukhanov in my opinion strongly changed. The result to me hardly managed to be looked through this film completely though there was an obvious desire or to leave a cinema or to have a sleep.