The Tempest (1998)

A waste of 90 minutes of my life

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The movie really just wants to entertain people.

The (DVD)movie "The Tempest", directed by Jack Bender, was published in 2001. It didn't make its way to German cinemas and neither the director or an actor were able to receive an important award for this movie. The movie refers to the Shakespearean play "The Tempest" which was published at the end of the 16th century. The director tried to create an modern version of this play, but failed. At the beginning of the movie the plantation owner Prosper gets in a conflict with his brother Antonio about the treatment of their slaves. Antonio sets his brother a trip and tries to kill him but with the help of a witch, Prosper is able to escape and flees with his daughter and a slave called Ariel to a small island nearby the Mississippi river. For over twelve years he has lived isolated on this island, till a lucky chance enables him to take revenge on his brother....If Prosper will be lucky you have to find out by yourself.In my opinion this film is really a bad try to create a modern version of the original play by William Shakespeare. The story of the movie is confusing as well as the characters. Prosper doesn't have the same powers as in the tempest..... END OF PART I

Jack Bender's "The Tempest" is an adaption of Shakespeare's play "The Tempest". Bender transports the plot from medieval Italy to Mississippi during the time of the American civil war. He includes the slavery problem and the role of revenge in wartimes.Prospero, re-named Gideon Prosper is not the Duke of Milan but a landowner in Mississippi. He learns voodoo magic from the female slave Mambo Azaleigh. He saves her son Ariel, who thus accompanies him into his exile. The island is not situated on the sea but in a swamp near the banks of the Mississippi. There lives an Alligator hunter, a so-called "Gator-Man", who later tries to rape Prospero's daughter Miranda. During the time of the civil war, Ariel wants to join the Union troops to help fighting against slavery. Prospero does not care about the war. He is only interested in his personal revenge on his brother Antony. When Antony and his bookkeeper Willi Gonzo (Gonzalo) try to cross the river, Prospero raises a storm. The Union soldier Frederick gets lost in the swamp and finally comes to the island. He and Miranda fall in love with each other but Prospero won't accept that. Meanwhile, Ariel transformed into a raven by Prospero, finds out that Antony has feigned to ally with the Union but plans to betray them. Antony and Gonzo meet Gator Man in the swamp and conspire with him against Prospero. They kidnap Miranda and Ariel but Prospero freeze them and helps the Union defeat the Southern army. In the end Ariel is free, Frederick and Miranda are bound to marry, Prospero returns to the plantation and Gator Man gets back the island.Peter Fonda represents Gideon Prosper powerfully and convincingly while the character of Antony stays rather flat. It was no bad idea to perform the Tempest before the background of the civil war but perhaps the director has risked too much. In some parts the story seems constructed or comical. Gator Man for example does just appear without any explanation. That it needs a kidnapping to bring Prospero to his mind and that he loses confidence in his power shows that Bender tried to make Prospero more human but only made him a weak old man without his magic. Prospero's original authority and wisdom is not made clear.-------------End of Part 1----------------------------

Holy Cow! Don't watch this unless you collect creative travesties.Superficially, this is a stew of the same persiflage usually served up on family TV: kindly voodoo projected as Luke Skywalker's Force; a protective father who goes through painful doubt; innocent pubescence; racial justice; magical help for the North during the Civil War (no lie); leavened with all sorts of minor platitudes. Probably, this is no worse than thousands of slapdash dramas. What makes this interesting, almost hypnotizing, is how it rests on the rough skeleton of Shakespeare's play. It blindly tramples, it innocently debases arguably the best play of arguably the greatest writer in English.Gosh, I cannot even describe the arbitrary transmutations used to fit this simple diorama: Arial a slave, Frederick a Union officer, Prosper a planter who learned voodoo from his slaves... it all hardly matters. One interesting thing: The Tempest was the first great work of literature about the American experience. Almost 400 years later, it still has some of the most profound and complex visions of dealing with non-Europeans, slaves and the forces of nature in the New World. All of that rich content is waiting to be leveraged, dummied down if need be. All is ignored here.It is as if the Hardy Boys were named Tom and Huck and the plot was about petty racial dramas in painting a fence. Wonderous.And Peter Fonda? This was right after the interesting Ulee's Gold, where he actually acted. No sign of that here.

Never having read or seen the Bard's original work, I can't begin to compare this work to his story. So I won't. Instead I will just say that this was a very entertaining story with some very nice special effects (and some that looked a little lower in budget, but still decent enough to enjoy). I thought all the primary actors did a fine job performing. The style of magic seemed more black than white and is almost certain to offend anyone easily upset about that sort of thing, but I thought it was well done.