Donald's Cousin Gus (1939)

I gave this film a 9 out of 10, because it was exactly what I expected it to be.

It’s sentimental, ridiculously long and only occasionally funny

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

By the time the dramatic fireworks start popping off, each one feels earned.

"Donald's Cousin Gus" is a Disney cartoon from 1939, so this one is already almost 80 years old, maybe more when you read this, and the names King, Colvig and Nash make sure that it can be easily understood who produced this. The title is pretty simple this time as it states the name of the character next to Donald in here, the insatiable Mr. Goose who keeps emptying Donald's entire fridge. Oh well. The best moment is maybe when Donald is channeling his inner cat and Gus is channeling his inner (hot) dog voiced by Pinto Colvif too, Disney's go-to guy for dog characters, even hotdogs. So yeah this was a fast and funny work and it is a bit of a pity that Disney's equivalent to Relaxo is not used in other cartoons really. Bx the way, this runs for seven minutes of course like most other cartoons from that time and it is in color too. A certain contender for best/funniest short film from its year and thumbs-up for Gus who really brings out the best and funniest in Donald. Maybe not for Donald himself, but certainly for us. This one really deserves to be more famous and if you love these old cartoons, then it is a must-see. I enjoyed it almost as much as during the first watch thanks to its quality plays on words and give it a very positive recommendation. Go for it.

This is a real shame as I love Donald Duck and Disney. But Donald's Cousin Gus just wasn't them at their best for me. It certainly has its good points. The animation is absolutely beautiful, as pretty much always it is nothing to complain about, and I'll say the exact same for the music too. Donald's trademark personality is put to good use, mainly through his priceless reactions to what's going on, though could have been done better in a more inspiredly written situation. Some of the gags at the beginning and a couple of Gus' sly ways with stealing the food especially the one with the cake work very well, and Clarence Nash's Donald voice is impeccable. Sadly, the story gets routine very quickly, and it doesn't help that most of the gags are too more of the same. The barking hot dog gag was an interesting concept and quite an original one, but came across as contrived here instead. Also not helping is that outside of the sly food-stealing Gus doesn't have much of a personality and his playing dumb gets annoying and predictable at the end of the day. Overall, lacking but not bad. 6/10 Bethany Cox

In this cartoon an ungainly and annoying goose called Gus turns up at Donald's house with a note from Aunt Fanny (?) claiming that he is his cousin and is here for a visit. The note also says he doesn't eat much, which turns out to be a total lie since Gus proceeds to eat Donald out of house and home and turn an otherwise peaceful, non-stressful day for Donald into bedlam.Gus is an annoying character but thankfully he doesn't say much and only ever makes a honking sound when he wants attention, which he does by squeezing his ass! Much like Donald, I hope to never see Gus again. And this cartoon ain't that great I'm afraid.

A Walt Disney DONALD DUCK Cartoon.DONALD'S COUSIN GUS Goose arrives with his inexhaustible appetite & bottomless maw.The Donald finally meets his match in this very funny & well-made cartoon. Clarence `Ducky' Nash supplies Donald's voice. Gus did not prove popular enough with viewers to justify his return as a featured player in further films; when last heard from he was operating a tiny seafood restaurant in Redondo Beach, California.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.