Banaras (2006)

It's a mild crowd pleaser for people who are exhausted by blockbusters.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Has all ingredients of an all-time great movie! Powerful storyline - Love, Romance, status & clash of social values, joy/sorrow, desire/surrender, success/failure,covetousness, suspense of the who-dun- it, control interference and the fight for freedom, purity/sin, justice retribution/understanding, the dilemma of science (physics) vs metaphysics(spiritual/religious thought), the deep hunger/urge in man for meaning & Verities/"Truth" and ideas of Eternal/Ephemeral existence - in short a cameo of LIFE itself."Banaras" even has "action", murder/violence/death which is idiomatically alluded to for each viewer to visualize - or is simply depicted with quiet finality - as in life! I cannot say when I last enjoyed such a totally absorbing masterpiece. I has always wondered if someone would attempt to make a movie that would address all these issues in 2/3 hours. I finally found one that fits the bill! The portrayal of culture, locale is excellent and authentic. The superb music and lyrics - which run completely true to storyline - mood and message as well as events - both timely and timeless. Banaras presents even very deep "fantastic" spiritual concepts: such as 1. the expansion/mergence of the human consciousness with super/cosmic consciousness and 2. Love as the bedrock of all existence 3. The guru-disciple relationship which fords life, death and Infinity seamlessly 4. Principles of spiritual crisis and healing 5. The karma - the cause and effect principle (where we sows the result if our actions - and create/destroy our joy/life by our actions), 6. Forgiveness - cessation of "blame" by absolute love/understanding/surrender (despite awareness of the "sinful" actions) 7. Intuitive transmission/reception of thought/ideas in an excellent manner - with seemingly effortless natural ease - which is again as it should be because "Truth is simple". I saw this once and then had to go back to see it again - because I felt I needed to be a true critic more balanced in my opinion and so must find fault if there is some. I could not fault even the cinematography. The perception of the untouchable - was expressed through the sweeping, the rising of the dust, and the dropping of the broom, all too effectively - the effect was almost viscerally tangible!The authenticity of portrayal of "supernatural" events with real spiritual experience is also astounding!A big thank you to the team! Kudos to each performer - for perfect portrayal of each role and to Pankaj and the editors for a very slick presentation. If Oscars were mine to give - Banaras would surely have had them! May it be the first of many more in its genre - to come from my beloved India!

This movie really captures the city of Banaras and all the spirituality associated with it. The songs are also so uplifting and upbeat. My Kathak dance class is even doing a dance to one of the songs, Om Namah Shivaya. Of all songs, it is the most spiritual, which is why my teacher chose it. But back to the actual movie. The movie as a whole is so enlightening and floods the viewer with positive energy through its religious significance. Also, the movie was very well directed, with its setting, acting, and song choice. It has the power to suck you in whether or not you are the religious, spiritual type. I may be a little biased toward the movie moreso than not having parents from Banaras. However, it is still one of the best Hindi films.

I had preservations about the movie.i had read opinions of critics about the movies before seeing it and they were not very encouraging.so i started watching the movie with a cynical attitude and maintained it till the first 10 minutes.but then!!!!!!whew!!!!i was overwhelmed.the dialogs-the acting-the direction everything was superb.of course the dialogs were a little difficult for masses,but then good films are never meant for masses.the acting were tremendous.neither ashmith nor urmila are bad in acting.ashmith is very impressive concerning his experience.urmila acts a little bit typically in the traditional love scenes and dance situations,but she acted so superbly in the other more complicated scenes,that she must be forgiven for the trifle.really,according to me urmila has great potentiality and should be given chance to use and develop it in more art films.naseeruddin shah,in a very mystic role,remained as zestful and as fresh as ever,dimple who got very few chances to show her talent,showed it with a vengeance in one or two scenes,and made her appearance special.raj babbar's acting was astonishing.from a loving father to a dying hopeless man,he portrayed the sheds of his character very beautifully.i will be really upset,if he don't get at least a nomination for his stupendous acting. same may be said to the underrated charismatic Ms Matondkar.honestly,the script was faulty at times,but then everything can not be perfect,except rare cases.the music was classy,so was the direction.lastly,my verdict of the film is,though not a masterpiece,it is surely an excellent film with a fresh concept and dedicated efforts and has encouraged the so called different flow of bollywood,with a very rare clean treat.its a must for people who like to explore life,and are not too cynical.some things may seem overrated,like baba's story,but overall it will be worth watching for those,my guarantee!!!

Ek Dhun Banaras Kee.I've been looking forward to see this movie. This movie is not just about a man meets a woman en they fall in love. No, Soham (Ashmit Patel) falls in love with Shwetambari (Urmila Matondkar). Sweta is from a higher class in society and Soham is an orphan from the lowest class. The outcome of this relationship is predictable. The outcome is predictable. Sweta's brother finds out Soham's background and tells this to her father (Raj Babbar). He gets angry and doesn't want Sweta to meet Soham anymore. She gets angry to and explains why she loves Soham. Soham is a student of Babba (Naseeruddin Shah) and she believes Soham is more than a man. Then the parents of Sweta agree with a engagement and a wedding. But then the night before the wedding Soham gets a weird feeling. He gets killed that night.Police tries to find out who the killer is, and tries to get in touch with Babba via Sweta. But Babba seems not to be someone Sweta thinks he is! The way to find the killer seems almost impossible. This movie is almost refreshing. There was a similar line you could pull with the movie Mohabbatein in the relationship between Sharukh and Aishwaria. The songs were beautiful. Ashmit is a very bad actor, so is Urmila. When she dances she makes movements with her head and her mouth I have seen in a lot of her movies before. Only the words 'what the hell is she doing?' come into my mind. Naseeruddin had a very small role to make things up with the other bad performances.In the beginning you can see Raj Babbar on his death bed. This gives a lot away from the story. That is a pity. Even though it was worth watching.Virin G.