Rough Riders (1997)

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

One of the worst ways to make a cult movie is to set out to make a cult movie.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

John Milius has proved everybody here that he could do a real master work of art. This is a very good mini series and it is done without false jingoism, without bombastic pathos, without silly pretense, but with a gusto, with real zeal, with real impeccable taste and vigor. John fervently studied the sources and here we see a real candid picture of a very tragic start of Americano-Spanish war of 1898. The casting is so superb that even Mr. Maxwell with his unbeatable Gettysburg would have been jealous. I was very happy to see three of Gettysburg stars here, even four - Tom Berenger, Sam Elliott, Buck Taylor and a cameo of Patrick Gorman. And then, here are also such luminaries as Gary Busey, Chris Noth in his arguably best role and great late Brian Keith as President McKinley. Tom Berenger as Colonel Theodore Roovelt shines all the movie through - he is loud, clumsy, arrogant, funny, sluggish, but also smart, clever, brave, audacious and unmitigated. He is very good in military roles and here Tom proved it again, Sam Elliott is another great asset, his deep resonant voice and cold look make the film very decent. Brad Johnson as Henry Nash is another great victory here, he is cowardly at first, but clever and brave later then. The excellent music, soft humor, deep sympathy to common soldiers, spellbinding scenery, marvelous battle scenes all make this movie a real gem and a real must see for all History fans, like me. I am still under deepest impression. Great job!

wow.this depiction of the Spanish-American war,and one particular American regiment,took my breath away.there may be some historical liberties taken,but who cares.this TV mini series was outstanding.the battle scenes were something to behold.John Milius directed and co-wrote this movie.he also wrote several episodes of the TV series Rome.the acting her is first rate.Tom Berenger plays Theodore Roosevelt(before he became President)who led the regiment.Sam Elliot plays Capt.Bucky O'Neil,Gary Busey plays Gen.Joseph' Fighting Joe' Wheeler.also in the cast are Illeana Douglas as Edith Roosevelt,and Chris Noth.there are many others in the cast and all are superb.this movie is about 3 hours long,but it doesn't feel like that at all.this is one of the best war movies i have seen.9/10

The Spanish-American war is a relatively little known episode. Though of little military importance, it was politically significant and in several ways marked a turning point in American history. Great topic for a movie, yet in this case the end result falls dismally short of what it could have been.Though only made for television, Milius was clearly trying to create an epic. Despite a promising start the movie is essentially much too long and downright tedious. The film-making is extremely conventional to put it mildly. Worse yet, the entire movie is based on the same old stereotypes typical of patriotic Hollywood war movies copied time and again, in this case all put together in an inflated, unrealistic and grotesque jumble.We have seen it all over and over again, from an ex-outlaw evolving into a good soldier, Sam Elliot as the tough cowboy turned sergeant, evil, cowardly German advisors importing the latest in arms technology. Action is often severely overdone in the manner of Victorian propaganda, with troops reciting Shakespeare in the midst of battle. The absolute high point of this absurdity is the figure of Roosevelt, slinging his revolver faster than Wyatt Earp while heroically leading the charge. There are also darker and not quite so subtle themes where Milius' militant patriotism really brings uncomfortable undertones - most notably two scenes of killing prisoners, which is shown as almost glorified or at least self-explanatory.All in all, severely overdone, overblown and tedious to watch unless you enjoy militant propaganda.

Tom Berenger is a superb actor, and I think his talent is often overlooked. He was funny, affecting, and ennobling in "Major League," a comedy about a misbegotten baseball team. He was chilling, on a knife's-edge (a one-man Hitchcock plot - no way to tell where he was, or what he might do, or what he knew... but no mistaking the motivation and emotion, either... indescribably human, he was) in "Betrayed." His performance there was such that one hated and feared him from the very start, but ended up praying that he would not be slain. I heard little about his effectiveness in either case. And yet, there was, of course, his screen-shattering performance as Sgt. Barnes in the brilliant, alligorical, and hard-hitting Oliver Stone production, "Platoon." He won plaudits for that one, and well-deserved ones.In this one,"Rough Riders," he is given a juicy, meat-filled slice of adolescent Americana, to play - an incorrigible and inimitable American hero, the irrepressible Theodore Roosevelt. Rather than restraining himself, or attempting to portray TR as - well, as an adult - Berenger seems to let his performance carry itself, unconsciously. He is as over-the-top as TR himself. This is, at all times, under a thin, barely-controlled layer of respectability, very similiar itself to the state in which TR himself seemed to be born. TR's life, much of the time, was a bouncy, swashbuckling melodrama - and Berenger plays all of this to the hilt, and with the necessary controlled-abandon. He might be critisized for over-acting if it wasn't for the plain fact that this is, in fact, the way TR behaved. And anyone who cares to witness Mr. Berenger's other performances (including his most recent roll, as a delightfully dour and cynical sheriff, on USA's "Peacemakers") can see, his sensitivity to the depth of the characters he plays is extraordinary - one can almost pity him, in this case, for choosing to play a man who himself embodied unbelievable melodrama.Suffice to say, the entire picture is worth watching, just to see bully old Teddy back again, alive and in the flesh, trying to start a war, and then trying to fight and win that war... Berenger brings it all to life, brilliantly. He shouts "bully!" with enthusiasm, he studiously prepares several pairs of spectacles for his expedition to Cuba, we see him trying to improve his piping, asthma-riddled voice, the better to command his soldiers - and, later, we see him fall quite out of his chair at the jest of a comrade, declaiming, "I was overcome with mirth!" Such scenes will overcome the viewer with mirth, as well - but a knowing mirth.Having said that, this film's best moment is near the beginning, and it involves Illeana Douglas, who plays Teddy's wife, Edith, with a healthy dash of long-suffering tolerance, as if she would leave the set if she could just quit loving the man she'd married. Her defense of the macho (but defenseless) TR in the face of the French is played off terrifically. She comes across as precisely what Edith herself, in fact, was - a woman who had long since resigned herself to the hell-for-leather forays of her headstrong husband... and she defends him with the ruthlessness of a woman who knows that no foreigner will ever understand the boundless Americanism (or worldy childishness) of her husband.This is not a brilliant film, but it is an entertaining one. The battle scenes are well done, but, aside from what I mentioned above, the real fun in the picture is in the "boot-camp" scenes. A well-cast and icily forbidding Sam Elliott, along with the silent, brooding threat-in-being of David Midthunder, makes these scenes more interesting than the typical military drill-sergeant fare. By the end of the training process, even those watching the movie are longing for the approval of the aloof and mysterious Midthunder - who, in a nicely balanced final scene, explains himself in a way that banishes mystery, conjures comradeship, and evokes sympathy.One other character commends attention here. Gary Busey plays the ancient Confederate General Joseph Wheeler - a hero of the Civil War (for the South, anyway). Like Berenger, his acting is sure to be termed overdone, excepting the reality that his character was, in fact, a hell-for-leather, horse-riding, Yankee-skewering madman... And there is great pleasure in the watching of Busey bringing this nutty semi-senile General to life. He demands assurances from the President, and we see him repeatedly mistake the Spanish, who we Americans were fighting in this war, for "Yankees." (In the end, the addled, overweight, and over-enthusiastic General settles upon the phrase "them Yankee Spaniards," when referring to the enemy...) It is a fun portrayal of a man whose time has past, but who refuses to acknowledge the fact. Busey's Wheeler is so wound up in the sound of the guns, that he loses all reason, becomes delirious, and yet, beneath it all, hangs inadvertantly to the vestiges of heroism. I think there is little choice but to root for the ill-guided but irresistable General. Having such a melodramatic icon on screen with a viviedly-created TR is almost too much fun to bear. There is humour and adventure enough for all, in this. In the end, I recommend this picture for the terrific performances of Tom Berenger and Illeana Douglas, as well as the historical accuracy of much of it. I have left out, in these comments, sympathetic and effective performances by Chris Noth and Holt McCallany, who help make the movie go, and serve to tie the audience into the volunteer soldier idiom. Francesco Quinn brings patriotism, duty, and honour to life - unexpectedly (at least, to Anglo-Americans who know nothing of Latin qualities) in the guise of a love-struck Latin-American. His character, I think, speaks the most towards what modern soldiers might say, that we "all fight for each other." Quinn elevates these platitudes into reality, as the film portrays him carrying out his values, making decisions according to a code he had initially resisted in the interests of staying with his sweetheart. I have also left out Brad Johnson, who's trite "bad-man who learns honour" roll is, nevertheless, well-played. I could write much more... alas, just watch it, and see. A lot of fun. And very, very well done.