Party 7 (2000)

Too many fans seem to be blown away

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Close shines in drama with strong language, adult themes.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Scattershot and hyperactive in a way only Japanese cinema can get away with, Party 7 is an enjoyable frantic mess. After a speedy animated introduction to 7 different characters, we are suddenly thrust into a narrative about some stolen money. As the man hides in a hotel room, he has no idea he is being watched by some professional peepers (one dressed in super-hero garb and calling himself Captain Banana). As people come looking for the money, the hotel room gets crowded, and twists are revealed. It's very claustrophobic, being set in just two rooms, which is painfully awkward given the over-the-top style. The humour is broad and weird. Funny and fun, even though I was disappointed that the image on the DVD case is nowhere to be found in the film :(

I was expecting a livelier affair than this after watching Sharkskin Man, but that didn't stop me enjoying it. The dialogue in the hotel reception, the fabulous peep suite, and the pivotal travel agency, eclipsed the rather predictable goings on in the hotel room itself. Not much happens, but the finer parts of the script, and the absurdity inherent in Captain Banana's dual existence as yakuza boss and superheroic peeper kept me interested. Nowhere near as satisfying as Sharskin Man and Peach Hip Girl, although the anime title sequence is probably worth the price of admission on its own. How long before my rental store has a copy of Trava?Katsuhito Ishii has his own unique style with live action movies. Unique enough to interest me in seeing his third and fourth films. I can understand why some people think it's all style and no substance, but I'm old enough to remember people saying the same thing about Clockwork Orange and Diva when they were first released. This is a conversational film with a lazy feel about it, but that doesn't prevent it from being amusing, or looking good in a nonchalant absurdist fashion. All ten of the featured actors seem to be enjoying themselves immensely, and the final scene, interwoven with the credits, is sublimely funny. Maybe Ishii's habit of mixing the credits into the finale is his way of making sure that everyone involved actually gets some recognition for their efforts. Here's hoping that one of the more progressive European distributors will eventually realise that there's a wider audience for Ishii's work outside Japan.

When it comes to boundary-pushing off the wall cinema, Japan is the world's undisputed leader. Party 7 is one of the most bizarre, creative and hilarious films I've seen in a very long time. Set almost entirely in a hotel room with adjoining peep-suite, the film thrusts together an ensemble of quirky characters and feeds them a non-stop supply of bizarre, perverse and highly amusing dialogue. The plot is almost non-existent, yet manages to be clever and surprising, and the delivery is perfect. You haven't seen anything like it, and you're either going to love it or hate it... it's as simple as that.Me, I loved every little bit of it!(And yes, Sharkskin Man and Peach Hip Girl is a great film as well)

wow...i was looking for a Japanese film that was the perfect cross between 'Mystery Men' and 'Mystery Train'. the cinematography is exceptional, very isolated and claustrophobic.....you really get no sense of an outside world until near the end. Mystery Train' had to be a huge influence on this movie. the animation was maybe the only distraction for me...the ending, not to give it away, was perfect.