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Crime of the Century

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Crime of the Century

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Crime of the Century (1996)

September. 14,1996
|
7.1
| Drama Crime TV Movie
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In 1932, the nation was shocked when the 14-month-old son of Charles Lindbergh was kidnapped, held for ransom, and murdered. Two years later, Bruno Richard Hauptmann was arrested, convicted, and executed. This film dramatizes the investigation against Hauptmann, the trial, and the execution, painting a picture of a corrupt police force under pressure to finger a killer framing an innocent man by manufacturing evidence, paying-off and blackmailing witnesses, and covering up exculpatory evidence.

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Reviews

Lovesusti
1996/09/14

The Worst Film Ever

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RyothChatty
1996/09/15

ridiculous rating

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ChanFamous
1996/09/16

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

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Blake Rivera
1996/09/17

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

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sergelamarche
1996/09/18

Pas trop mauvais. Bonne re-création de l'histoire de l'enlèvement du bébé de Lindberg et de faire payer un innocent pour le crime. Le crime du siècle est en fait l'histoire du mec qu'on voulait coupable. Les vrais coupables ne sont pas inquiétés, évidemment. On est aux États-Unis!

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ian
1996/09/19

Be very careful about accepting anything this film tells you. It's based on Ludovic Kennedy's book which is equally untrustworthy. The accusations against the police and state troopers made me really angry.One of the most blatant distortions is when we see a cop looking over Hauptmann's shoulder and demanding that he misspell certain words, with Hautmann saying, "That's not the right spelling. I know how to spell." What the audience isn't told is that the police had found Hauptmann's notebooks and other of his writings, unconnected with the case and some dating from years earlier, in which he uses the exact same misspellings of certain words as in the ransom note.The ransom money, the fact that Hauptmann had been out of work for ages yet, just days after the kidnapping, suddenly started spending big money on luxury items, the piece of wood from the ladder which matched exactly the gap in Hauptmann's floorboard, the marks of his tools on the ladder, the fact that he'd burgled a house in Germany using a home-made ladder, all the evidence against him is completely damning.But of course the public love nothing better than a good conspiracy theory and there are always sensational authors on hand to supply them, however absurd they may be. As one of the most knowledgeable websites on the case puts it:"Today, the Lindbergh phenomena is a giant hoax perpetrated by people who are taking advantage of an uninformed and cynical public. Notwithstanding all of the books, TV programs, and legal suits, Hauptmann is as guilty today as he was in 1932 when he kidnapped and killed the son of Mr. and Mrs. Charles Lindbergh."This is a terrible movie. Don't believe a single word of it.

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George Parker
1996/09/20

"Crime of the Century" is a fictional recounting the story of the Lindberg kidnapping. I presumes the innocence of Hauptman (Rea), the alleged kidnapper. It could have left the audience in question of Haputman's innocence thereby aligning it with the 60 year old controversy. It could have even set forth the compelling notion that the Lindberg baby lives today, but it does not. Instead it walks us through the legal process showing the case to be a colossal miscarriage of justice. Hence, "Crime..." is little more than a journeyman flick which attempts to capitalize on the infamy of the crime. An enjoyable watch for those interested in the notorious case.

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Sean Gallagher
1996/09/21

Call me a bleeding-heart liberal, but I guess I'm a sucker for movies about people who are wrongly accused. This movie, however, failed to move me, even though I've read books on the subject and the case itself moves me. Rydell and Nicholson do a good job setting up the circumstances that led Hauptmann to become a suspect, and to even arouse suspicions in us, but the dialogue and individual scenes fall completely flat, because they're obvious and heavy-handed. To make matters worse, some of the actors, like David Paymer and Allen Garfield, seem to have been told they were in an over-acting contest. Walsh is good, as is the ever dependable Moriarty, but Rea seems lacking as Hauptmann.

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