Beetle Queen Conquers Tokyo (2009)

People are voting emotionally.

Best movie of this year hands down!

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Absolutely horrendous, made up facts, no continuity, bad camera work. Utterly idealized and false outsiders view of Japanese culture. Somehow Oreck managed to fool people with this vapid nonsense, even to the point of getting SWSW and Independent lens to show it...(bad) form and no substance.

Beetle Queen Conquers Tokyo, despite its tongue in cheek title, is a quiet, minimalist study of the Japanese obsession with insects that also sheds light on Japanese culture and outlook on life. As such, it touches on subjects as varied as entomology and Shinto Buddhism, with a meditation on the Japanese concept of beauty to boot. The film is at its best when it helps us understand why its subjects have such a deep attachment to insects. One example of this is its discussion of the keeping of singing insects such as crickets as pets. Listening on the interviewee's discussion of the beauty of cricket song, I found myself wanting some crickets myself. The film largely avoids the temptation to treat its subjects as camp figures.The film's minimalist approach and low budget at times act as a hindrance. For instance, the film tends to spend too much time simply watching the streets of Tokyo without relating what we see to the film's subject. Furthermore, the camera work is weak, with night shots in particular being unfocused.Ultimately, Beetle Queen is an acquired taste, and definitely not for all audiences. It will be best appreciated by people with a serious interest in Japanese culture.

"Beetle Queen Conquers Tokyo" is a documentary about the Japanese people's age-old love affair with insects Knowing absolutely nothing about why the people of Japan view insects as creatures worthy of respect, even adoration (a trait I suspect is totally alien to people in the West where the natural reaction is to tread on them), I was eager to see this documentary which is part of the documentary season at this year's Melbourne International Film Festival. The filmmaker Jessica Oreck is a lifelong insect lover, and also animal keeper at the American Museum of Natural History in New York City. Unfortunately, having an abiding passion for insects does not necessarily mean that one can just pick up a camera and start making a documentary. The age-old maxim about the closer one is to the subject, the less likely one is able to be objective about that subject, certainly holds true in this documentary. My main complaint about this film is the way it jumps from one subject to another, without any rhyme or reason, and then back again. Is the scene looking down on people cross a busy intersection holding up umbrellas meant to be a metaphor for how insects behave? What about the scene where all we see of a person is their foot? This film is let down by annoyingly sloppy camera-work. There are scenes that are completely out of focus. And the hand-held shots are so tight, and wobbly, one doesn't get a sense of what is meant to be happening. At the end of the day, it's down to the director to make sure that the camera-work is sharp, correctly focused and helps drive the film's narrative. Which brings me back full circle – that is, for the director to let someone with a more objective eye, make the kind of film this subject matter so richly deserves. That said, "Beetle Queen Conquers Tokyo" is still a fascinating, and bizarre film that details how beetles are captured, to insect-dispensing machines and upmarket insect shops where a single purchase can set you back $90,000. Four out of ten

Imagine a country where children buy beetles at pet shops and lovingly observe and play with them instead of saying "Ewwww!" and running away.Welcome to "Beetle Queen Conquers Tokyo," a meditation on the parallel universe of insects that delights so many people in Japan. Set to an intriguing electronic score, the film introduces us to the "delicately ergonomic lives" of insect oddities in cities and natural settings and the people who hunt, sell, collect, and just plain revere them.We witness a fuzzy white moth's birth photographed with all the interest that might be accorded a cute and cuddly mammal. Families out at dusk to watch fireflies -- believed by some to embody the souls of deceased relatives. A man who has earned enough to buy a Ferrari by stalking and hawking prized specimens.Along the way we learn about Zen gardens, Shinto, and communal dances at holiday celebrations -- just because they are intriguing and also happen to be part of the landscape.The star of the movie is the Kabuto beetle, whose fierce look belies a peculiarly passive personality, although once in a while they cross horns with each other. Japanese youngsters spend hours with these bugs the way American kids lavish attention on their hamsters.Surprisingly, this may not be a great film for children. My two boys, ages 7 and 13, both fell asleep about 10 minutes in. The subtitles are part of the problem. And my older kid said bugs definitely don't go well with popcorn.