Riffraff (1936)

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

I love this movie. I'm sorry I didn't detect the same level of enthusiasm among the other reviewers. Tracy is at his blustering best. You might call it overacting but, to me, it's classic gung ho Tracy. Maybe his character made some poor impulsive decisions, such as quitting his job and union, but he also made some good decisions, such as seeing that calling a strike was just what the boss((Joseph Calleia, as Nick) wanted, so that he could void their 5 year contracts and bring in cheaper labor. Also, he worked out a plan for Jean's prison break. True, that was a very risky undertaking and, at the end, she (and he)was still being hunted by the police. The scene of the escape is exciting, with women screaming and running every which way after a rat was released in the laundry room. This provided Jean and her 2 accomplices diversion so that they could hop down the big storm drain pipe during a heavy rain, and get carried to outside the prison wall, to a waiting car. Later, Tracy detects a plan to blow up an oil tanker, while serving as the night watchman, and knocks out the 3 of them! As to why Jean favored Tracy over Calleia, as some wonder. Partly, it's a matter of history, Clearly, they have been romancing on and off for some years. Looks like she wants a bully, who can fight with his fists as well as his brains, who alternates between loving her and fighting(mostly verbally)with her. During one of their fights, Jean labels him as riffraff. He's a man who doesn't want the bother of children, but is pleased when he sees the son Jean presents to him. Apparently, he's the most productive tuna fisherman of the lot, which counts for something. In contrast, to me, Calliea comes across as too oily. Apparently, Jean thought so too.Tracy typically talks very fast and with certitude, although occasionally he admits he may not be as smart as he thinks. The recently released "You are my Lucky Star" composed by Arthur Freedman and Nacio Herb Brown, is sung by a male chorus during the July 4 celebration, later reprised by Jean when in prison. It was also sung in "Broadway Melody of 1936" and, of course, in the later "Singing in the Rain".As one reviewer pointed out, the plot seemed more in keeping with a Warner-type film. But, that doesn't keep it from being grand entertainment.A young Mickey Rooney, and Una Merkel have subsidiary roles as Jean's younger brother and sister, respectively. Mickey puts a small firecracker in each ear, then wonders why it hurts when they go off!See it at YouTube. The film was in excellent condition...Several reviewers claimed that "Libeled Lady", also costarring Tracy and Jean, but Myrna Loy and William Powell, as well, is much superior to this film. I haven't seen it, but doubt I would agree.

There's a certain time in the late 1930s when, in my view, movies come of age. This film does have some substance, although it is not quite of that very slightly later Hollywood when films became "modern". And, the same can be said of Spencer Tracy (one of my two favorite actors; the other being Cary Grant). This was the film just before his breakout role in "Fury" and a series of truly impressive starring roles. This is the Tracy that seemed to feel he had to yell to make a point (or was that the direction he was receiving?). He hadn't quite learned what I'll refer to as simmering-subtlety. Nevertheless, Tracy has his moments in this film.Jean Harlow is impressive, even without her platinum blond hair. You'll recognize quite a few of the supporting actors (including Una Merkel and a young Mickey Rooney). I was interested to see Joseph Calleia as the bad guy here...a common role for him at the time, although I remember him best as the papa from the Martin & Lewis film "The Caddy" more than a dozen years later. Although not a large role, there's a strong performance by supporting actor J. Farrell MacDonald (if you watch old movies, you'll recognize him, although you probably never knew his name).The portion of the film that is most interesting is about midway through. After we learn that the major characters are sort of low class yellers, and after Tracy and Harlow split, it's the scene at the hobo camp that brought real substance to the movie...quite touching. And speaking of the hobo camp, it's a reminder that this film was made right in the middle of the Great Depression, and its depiction of labor unions is quite impressive. But then the film once again sinks into that pre-GWTW immaturity that I spoke of earlier. Harlow steals money from the bad guy to help Tracy, gets caught, goes to womens' prison, escapes through a drain pipe in the middle of a thunderstorm, at about the same time that the poor night watchman at a dock (Tracy) saves the union workers' jobs by foiling a sabotage attempt (why was there such an attempt by hobos???). Yes, it gets kinda dumb, and oh, I forgot to mention that while in prison, Harlow has a baby which nobody tells Tracy about. And believe it or not, despite Harlow breaking out of prison, they all live happily ever after. Dumb, dumb, dumb...but somewhat entertaining!

Jean Harlow and Spencer Tracy find love on the waterfront in this MGM production that has a Warner's look and feel. With its hardboiled and run down backdrop it also addresses contemporary issues of labor unrest, Red union infiltration as well as managing to sneak some risqué moments by the censor.Dutch Muller (Tracy) is the best fisherman on the dock and he knows it. A bit of a charmer he has no problem with the ladies as well. Cannery worker Hattie (Harlow) has her sights on him but the pugnacious and confident Dutch isn't about to get tied down and the exchanges between the two are usually filled with invective. They weather and eventually wear each other down before getting hitched. When labor problems arise Dutch's arrogance and pride get's the best of him and he finds himself living in aq track side hobo camp. Faithful Hattie attempts to right him but instead ends up being sentenced to a long stretch at a women's prison. Dutch in turn vows to spring her.Tracy and Harlow display a nice down to earth terse chemistry driven by pride and desire. Muller's thickheadedness seems impervious to penetrate but the resourceful Hattie's drive is not to be denied and while there is perhaps an overabundance of shouting between the two the tenderness comes across as natural and genuine. A trio of scene stealers Una Merkle, Joseph Calleia and Mickey Rooney doing a waterfront Puck also add to the story's humor and rhythm.Riffraff does get a little improbable during its climax but Tracy and Harlow's dogged persistence and interplay give it an irascible verve.

I enjoyed this 1935 movie. I like Jean Harlow and she gives a splendid realistic portrayal of a girl in love with a man who seems to ignore her. She looks wonderful in this movie. The story is rather far fetched about a tuna fisherman who wants better conditions and better pay for himself and his fellow workers but is rather immature and bull headed about everything and everyone. He is always getting in arguments or fights at the drop of a hat. Una Merkel as the sister is fine and the young Mickey Rooney is also in this movie. It is a pleasant story, if rather dated and old fashioned, but I did enjoy it and recommend it, and especially for us Jean Harlow fans, of whom, there are many.