Prime Suspect: The Lost Child (1995)

Purely Joyful Movie!

one of my absolute favorites!

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

This is a must-see and one of the best documentaries - and films - of this year.

Having loved the first three 'Prime Suspect' series, when seeing all the episodes and series over-time since reviewing the first instalment a year ago, expectations were understandably very high. They were met with 'The Lost Child' but not quite surpassed.'The Lost Child' is very good, terrific in its best moments and almost all elements are spot-on, just not quite as good as the first three series before it. It introduced quite a few changes in format, including Lynda La Plante not being involved and the lengths of the episodes being shorter, for the fourth series (of which 'The Lost Child' is part of) it was three cases clocking in around just over five hours overall for 'Prime Suspect IV' rather than one case split into two halves like in the first three 'Prime Suspect' series.On the most part, the changes worked well. Parts of the story do feel slightly on the rushed side with the shorter length and while the climax was very powerful the final twist was not particularly a surprise. With that being said, it was somewhat of a good thing for the pacing to be tighter and not have quite as much filler (in no way intended to knock the first three series, just a comparative observation).It is stylishly and cleverly filmed, with slick editing and atmospheric lighting, and there is a consistently wonderful atmosphere throughout. It is very gritty, if not quite as dark as 'Prime Suspect III', and effectively claustrophobic and even though the pacing is tighter it is also still deliberate. It is very hard to forget the music score too. The scripting, like its predecessor, is some of the best there is of any mystery/detective drama, being superbly constructed and intelligent.Story-telling is very compelling and twisty, with an atmosphere that is gritty and harrowing but also intricate and honest. It is a complex story that keeps one guessing right up to the end while also being easy to follow. Tennison's personal life is balanced very well.Jane Tennison continues to be an interesting character, the character and the depiction of the police force was very ahead of the time back in the 90s and holds much fascination now even if not so novel.Helen Mirren gives a typically magnificent performance in the lead. Close behind her is a brilliant performance from Robert Glenister (it is agreed that his performance has inexplicably not been mentioned enough here), one that is chilling but very conflicted.Altogether, harrowing and often terrific if a slight step down from what came before. 9/10 Bethany Cox

Sometimes the authorities have feet of clay. What looks open and shut proves to be anything but. This episode begins with Jane having an abortion. At the same time, a young single mother faces the terror of having her child kidnapped. Jane's guilt plays a factor in this episode, although it is delicately downplayed. A man who has been convicted as a pedophile is immediately made a suspect, and because the woman who has lost her child saw him once in a park, it is assumed he is guilty. No other suspects are investigated. Also, there is damning stuff brought out and, hence, the police become relentless. At one point the cops are sent to pick him up. He runs and he is beaten and ultimately thrown in front of a van. This is a really intense episode where we get to see how cockeyed things can get when objectivity flies out the window. The acting is superb, particularly that of the guy who is being pursued. Mirren is solid, as usual. This series which I had never heard of, is a hallmark of British television.

"Prime Suspect 4" continues the exploits of the inscrutable and dogged seeker of truth and justice, Detective Superintendent Jane Tennison; the first of three miniseries (PS4, PS5, & PS6) with the notable absence of founding writer Lynda La Plante from the credits. Imbued with the same gritty reality of the first three series, the second three series pit Tennison against the forces of evil while coping with middle age, loneliness, indiscretions, a host of personal and professional problems, and resolutions which are sometimes less than ideal. PS4 conjures two stories while PS5 & PS6 are single episodes each which find Tennison seeking justice on behalf of the brutally wronged while waging war against institutions which are willing to sacrifice the interests of her victims for those of a greater good. In other words, to prevail, Tennison must overcome both evil and good forces, something which makes the always gray scenarios of the PS series yet grayer and the Tennison wars as much a matter of principle as of finding murderers. Very good stuff which only gets better from series to series. (B+)

Prime Suspect 4 marks a departure for the series. Gone is series writer and creator Lynda La Plante. The other major change is the format; this series consists of three unrelated episodes, with some unifying characteristics.Spoilers: When we last saw DCI Tennison, she had failed to gather enough evidence to convict Edward Parker-Jones of the death of Colin "Conny" Jenkins and for running a pedophile ring; but, she gained a measure of justice by subtly providing a journalist the opportunity to reveal the story. She was able to extort a promise of promotion from her superiors, if she solved the case and gained a conviction. She earns her promotion to Detective Superintendent, even though she doesn't obtain a conviction. She also finds that she is pregnant with the child of a former lover, a married man. After the horrors she has witnessed and learned, she decides to terminate the pregnancy. This episode opens with Tennison having her abortion. She wants to quickly return to work so she doesn't have to confront her emotions. Unfortunately, her first case involves the apparent abduction of an infant. Tennison becomes increasingly desperate to recover the child; and when it is found dead, to bring the killer to justice. Although the previous series involved the dangers of pedophiles preying on kids on the street and in state institutions, this series confronts the harsher reality of a pedophile in a domestic situation. Tennison's prime suspect is a pedophile who was released after serving his sentence and undergoing treatment. Like most offenders, he was the product of abuse himself. At points he seems like he is truly trying to live a normal and healthy life; and at others, his actions are suspicious. To add to the mix, one of Tennison's detectives seems obsessed with this case. He nearly causes the suspect's death and sets into motion events which lead to his escape and taking of hostages. Tennison discovers that her officer was also the survivor of abuse, although his life took a more positive path. While Tennison attempts to resolve the hostage situation, without loss of life, she uncovers the truth of what happened to the infant victim. The siege ends safely, but Tennison has faced her own loss and had a glimpse of what life could have been like had she chosen to carry out her pregnancy. In the end, she doesn't know if she is better or worse off. The performances are good, as always, and the writing, although not La Plante's, holds up well. As always, issues are presented without providing easy solutions, much like life.A special note for Star Wars fans; check out Anthony Daniels, sans C3PO costume, as a pathologist. He demonstrates far greater skill than he was allowed to show in the other films.