Zig Zag (1970)

People are voting emotionally.

Just perfect...

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

U.K. release title: False Witness.SYNOPSIS: When he discovers he is dying from an incurable brain tumor, an insurance investigator decides to frame himself for an unsolved murder.COMMENT: Probably the most successful example of a TV style transferred to the cinema, Richard A. Colla's "Zigzag" is unrelentingly shot throughout in extreme close-ups, yet, because of its strong story- line and forceful performances (particularly by George Kennedy and Eli Wallach), it manages to come across with an impact that the use of wider long shots often dissipates. Admittedly, the plot is full of holes, but the method adopted by the screenwriter to expose the mystery is clever and ingenious enough to keep interest at a high pitch.Despite her billing, Anne Jackson has a small, unrewarding, unmemorable role — catalytic but peripheral. It's a wonder (and a cause for joy) that the writer wasn't asked to expand her part by adding a few tedious domestic scenes for her! As it is, the script rightly focuses on the Kennedy character.As might be expected, the budget is tight, but production values benefit from some on-location lensing.

Would Hitchcock have made something of this strained premise?..One hopes he would have avoided some of the silly staging (Kennedy escaping from his hospital room in a black suit but no shirt (( would the suit have been left in the room of a recovering prisoner under guard????))Via a freight elevator that is FULL of hospital staff...including a morgue attendant...who ignore this huge half dressed blond band-aided (after brain surgery)giant AS IF HE IS NOT THERE?!?! I was prepared by this scene for a later "twist" which had the central murder victim (in a flashback)willingly getting into "a car he knew"...with the film then contradicting this by having the person who the victim was supposedly expecting to be in the car scream that the car was not even hers at the time of the killing...I wont reveal who was in the car ...(just suffice to say that it was someone who the victim would not have been expecting a lift from...and that their presence makes the whole crime as illogical and unlikely as much of the rest of this film.

This thriller had all but been forgotten until it was recently resurrected on Turner Classic Movies, where I finally got to watch it. It has a neat premise - a dying man decides to frame himself for a kidnapping/murder so that his wife will get the reward money... but complications happen. The movie is never boring, and George Kennedy and Eli Wallach both give solid performances. Also, there is an ending that you probably couldn't get away with in a Hollywood movie today. It's a good movie, though there are a few things holding it back from greatness. The direction and feel of the movie come across more like what you'd expect for a television show of the era. Also, the movie is a little slow. I am not demanding breakneck speed, but I think the movie could have been tightened a little. It's still worth seeing, and women may get some extra enjoyment out of it because Kennedy appears nude in one scene.

George Kennedy is an unusual actor for me. He is largely forgotten, yet has an Oscar to his name. He's in many of the films everyone remembers well, such as The Dirty Dozen, Airport and The Naked Gun, and yet he rarely catches the limelight as the leading man. He's also supremely talented, without ever appearing to be trying hard.In this superior thriller, he plays a man who discovers that he has a brain tumour. He arranges his own death, so that his wife can claim the insurance money. However, just as his plan is about to kick into action, he learns that he has been mis-diagnosed and that, in fact, he is not dying at all.This film stays one step ahead of the audience at all points. It is ingenious and interesting throughout, and has the added benefit of being a touch different to the majority of hard-boiled thrillers from this period. Perhaps it gets over-complex, and the downbeat ending is typical of the time. Nevertheless, this is a good film, and like some of the other user's who have reviewed it I am very baffled as to why it is unavailable on video.