Design for Scandal (1941)

the audience applauded

Intense, gripping, stylish and poignant

It’s sentimental, ridiculously long and only occasionally funny

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

Women make horrible judges, powerful newspaper owner Edward Arnold announces in court, upset by judge Rosalind Russell's fining him for contempt and giving wife Mary Beth Hughes a huge settlement. That's all it takes for Arnold to vow revenge, rehiring recently fired employee Walter Pidgeon in his scheme against her. He presents himself to her when she goes on vacation, chewing her ear off and generally making a nuisance of himself as he poses as a sculptor and purposely romances her in an awkward manner to get her into an awkward position so Arnold can blackmail her. Obviously, nature isn't going to take that course of action, and there's a lot of silliness in taking this ridiculous plot in the direction it goes.In spite of the implausabilities, this is an entertaining, if plot heavy, screwball comedy, with Jean Rogers as a blackmailing beautician, Vera Vague as Russell's malapropism spouting sister, Bobby Larson as Russell's prankster playing nephew (using the heads of sleeping bald men as an etch-a-sketch) and Guy Kibbee as an influencial judge. This is certainly a gorgeous film to look at (the type that probably produced gorgeous stills and lobby cards) and romantic in spite of it's con plotline. My judgement? Simply enjoy and throw the book at those thoughts that criticize the film as a whole.

While this is not one of the great movie comedies, I found it rather enjoyable. I'm not sure the casting was perfect. At first, I didn't find Walter Pidgeon to be logical for the male lead...I was thinking more along the lines of Cary Grant. But as I got further into the film, it occurred to me that Cary Grant (my favorite actor) would probably have played it too hard to the comedy side, while Pidgeon could play it with humor, but also on the sentimental side. In reality, although this is not the typical Walter Pidgeon role, he actually is quite good in it. Esteemed character actor Guy Kibbee was not right in the part of the senior judge...he made the concluding courtroom scene just a little too silly. And, Lee Bowman's part -- as the "other" man -- could have been defined a little more sharply. I felt a little sorry for Edward Arnold, who was once a leading man himself, but was made to look a bit foolish in this film.Rosiland Russell was perfect as the female judge. In the past couple of years, as I've seen more of the old Rosiland Russell films, I have come to realize what a fine actress she was, particularly in comedy.The story moves along reasonably well, although perhaps it's a bit far-fetched to think anyone would attempt to influence a judge in the manner done here, but it makes for a gently funny script.I doubt this will end up on very many home DVD shelves, but it's rather pleasant, and worth watching...at least once.

ROSALIND RUSSELL plays another one of her working woman roles as a divorce court judge playing a tricky game of wits with her male sparring partner WALTER PIDGEON.He's a newspaper man who makes a deal with EDWARD ARNOLD to get the female judge (Russell) off her high pedestal so that she loses her job and he can save his grateful boss from having to pay high alimony. It's strictly cornball comedy/romance with neither star having material worthy of their star status.It's second rate as romantic comedy and nothing--not even the competent supporting cast--can do much to raise it above the ordinary level. The script is a virtual hodge-podge of clichés, the sort of film Russell found herself typecast in year after year during the '40s.LEE BOWMAN has another one of his thankless second string roles, MARY BETH HUGHES pouts prettily and JEAN ROGERS is merely decorative as a scheming femme fatale.It's all pretty artificial but it passes the time on a dull afternoon.

Walter Pidgeon distinguished himself in many films, but Design for Scandal isn't one of them. He is grievously miscast as a womanizing, fast-talking reporter out to besmirch Judge Rosalind Russell's reputation in order to save his boss's. Pidgeon looks uncomfortable much of the time, and delivers most of his lines without conviction or commitment.Russell, too, gave many memorable performances in both dramas and comedies. Not here. As she so frequently did in the 40s, she panders to Hollywood convention by playing a brittle, sophisticated career woman who finds she needs a man to achieve true happiness. I wonder if many women didn't find that stereotype demeaning, even in 1941.