Grow Your Own (2007)

Highly Overrated But Still Good

A story that's too fascinating to pass by...

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Amazing worth wacthing. So good. Biased but well made with many good points.

I had never heard of this film and so didn't know what to expect. I was very pleasantly surprised. Well written, well filmed and with some great performances. Amusing, idiosyncratic with typical Allotment politics throughout. Hardly a Citizen Kane or a Casablanca, but there are worse ways to spend an hour and a half. You feel pleasantly refreshed after watching it.

Sometimes you just know after 5 minutes of watching a film whether it's going to be good or not. I bought it on the strength of John Henshaw being in it, he seems to do no wrong. In truth if i gave this film a 10 star rating it would not do enough justice for it. Ridiculously fabulous film that relies on story, acting, cranked up with a fair amount of emotional turmoil. Please see this film, it's a very undervalued classic. Im hyper critical of films, but this is perfection. When it comes to action/horror I generally think US films cannot be beaten, when it comes to a drama, i think its one area the Brits are way out ahead, there is a realism about this film that is quite unnerving. The humour very subtle and well placed. It's given me such a good feeling after watching it.

I deeply suspect that 'tfitoby' is missing the point of what I found to be an extraordinarily sensitive and subtle piece of social comment. The point is HOPE and the vehicle is COLOUR. From the social to the physical, Richard Laxton peppers his film with the symbolism of diversity and change. From the stark, colourless winter emerges the blooming promise of spring, (using mirrored panning shots at either end of the film: Katherine Mansfield's time-honoured narrative tools in celluloid). From inconspicuous attire, evolves the vibrant 'panache' of Hawaiian shirts. The dichotomy of confinement is also explored (a space normally connected with travel, trade and promise presents itself as a physical and mental incarceration, whilst the physically enclosed space of the allotments represents freedom, social and cultural responsibility and diversity - not to mention what the intrusive nature of the communications industry). These are not humorous issues, but I feel that genuine and warming comedy helps to highlight, implicitly and explicitly in this film, the myriad of social problems – and joys - we face today. I suggest very strongly that 'tfitoby' takes another look - perhaps he could watch it on one of the BBC's prime viewing slots, say, on a Sunday evening?

I was thrilled by the fresh (pun intended) synopsis of this film and looking forward to watch it. The first few shots introduce some of the characters as well as the main location where the stories take place; the gardening allotments. The movie looks fantastic. Colorful yet simple. Magical yet genuine. Unfortunately, it only takes a few minutes to figure out where the movie will go. We quickly figure out this will be a manipulative, sappy tale illustrating a bunch of jaded people set in their ways confronted by "nice victimized" refugees and that it will have a happy ending where the jaded people realize the error of their ways and accept these people. The characters, particularly the prejudiced ones, are very "comic-booky" in nature. The story focuses mainly on two refugee families. One of them is headed by a single mom played atrociously by Diveen Henry. I am saddened to say that any emotion that might have been felt toward her struggles were defused by what was memorably bad acting.The other story is much more interesting and focuses on a father and his two children. All are scarred by their journey to this country by way of containers, where the wife and mother died but it is the husband who suffers the most. Benedict Wong gives a mind-blowing performance here. At first, his emotions are very subdued but as the story develops, he subtly makes us aware of the inner-struggles of his character. Unfortunately, the rest of the movie is just extremely boring. There were so many possibilities with this movie. There are several characters to keep track of, many of which might have potential but none of it is realized. Even worse, despite this movie being very much not Hollywoodian, some of the main plot threads are solved cheaply in a Hollywood b-grade way. Example:Character A likes character B Character B rejects his advances No problem! Let's have character C declare her love for character A so we can all have a happy ending. Yawn. I liked very much the plot thread of the Asian family. That was well done. Unfortunately, the whole allotment business, the communal aspect of it, the dynamic involving a large cast are all under exploited.What you're left with is a movie that has very little worth.