The Kissing Bandit (1948)

Excellent, smart action film.

an ambitious but ultimately ineffective debut endeavor.

Exactly the movie you think it is, but not the movie you want it to be.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

The Kissing Bandit (1948) * 1/2 (out of 4) Chico (J. Carrol Naish) has Ricardo (Frank Sinatra) come to Mexico because it turns out that he's the son of the infamous Kissing Bandit. Chico plans on taking the guy, who has been staying in Boston, and turning him into the next Kissing Bandit to steal more than just the heart from Teresa (Kathryn Grayson) but Ricardo has other ideas.THE KISSING BANDIT is apparently a film that Sinatra hated making and it's pretty obvious that this film simply wasn't meant for him. While going through some Sinatra pictures on Turner Classic Movies, host Robert Osborne made some good comments about the legends early days at MGM. Instead of playing off his image and music, MGM instead decided to make Sinatra play nerdy roles where the characters didn't know how to speak to women and usually made a fool of themselves. With these types of roles it's easy to see why Sinatra's career would pretty much crumble before being rescued with FROM HERE TO ETERNITY.As for THE KISSING BANDIT, it's pretty darn bad on several levels but we can start with Sinatra who is downright awful here. Why on Earth anyone would think this would be a good role for him is just mind-blowing and you have to wonder if someone in MGM's office really wanted to kill his career with this film. Playing a Mexican bandit is just downright stupid and especially with there being no attempt for even an accent. It's also clear that Sinatra isn't giving the character much effort but I guess we can't blame him.Naish and Grayson are both good in their roles and I'd argue that the Technicolor is quite good and at least gives us some pretty stuff to look at. With that being said, the rest of THE KISSING BANDIT is rather bad with some really boring dance numbers and all of the songs are rather forgettable. One has to wonder what Sinatra thought about singing these things.THE KISSING BANDIT is a film Sinatra hated and it's easy to see why.

The lavish production values and a few good comic performances from J. CARROL NAISH, MILDRED NATWICK and BILLY GILBERT are not enough to save THE KISSING BANDIT from a witless script.It's an MGM musical in which there are only two compensations: KATHRYN GRAYSON effectively warbling "Love Is Where You Find It" and an interesting Spanish-style menage-a-trois dance routine performed vigorously by RICHARDO MONTALBAN, CYD CHARISSE and ANN MILLER.There's a Zorro-like flavor to the inept storyline that has FRANK SINATRA masquerading as his bandit father, "the kissing bandit," and wooing the lovely governor's daughter, Grayson, who has the camera in love with her most of the time. Sinatra looks uncomfortable throughout and one can't blame him but he does manage to croon a couple of ballads in his easy style.It looks as though MGM had the use of leftover sets from THE PIRATE, but the color photography, sets and costumes are lavish enough on their own to elevate the film to passable entertainment for Sinatra fans and those who fancy Grayson's rather shrill soprano voice.Summing up: The dance trio (Montalban, Charisse and Miller) easily steal the show with their fascinating Spanish dance.

A klutzy young man returns West after being schooled in the hotel business via Boston; he quickly learns his friends in Spanish-colonized Old California expect him to fill his deceased father's shoes instead--that of a romantic thief known for kissing his female victims after robbing them. Colorful but silly M-G-M production has a great deal of talent before and behind the camera, but it never takes off. This might have been fun, second-string material for Abbott & Costello, but Frank Sinatra looks lost and embarrassed in the lead. Combination of raucous comedy and musical interludes are hindered by the poor staging (Sinatra is photographed singing at one point in a mirror, but one doesn't concentrate on his performance so much as noticing how odd the star appears reflected in this way!). Kathryn Grayson is the Governor's daughter who falls for Frank, and her high soprano trilling turns her singing scenes into self-parody. Aside from Robert Surtees' cinematography and the decent art direction, this "Bandit" remains kissless. * from ****

The Kissing Bandit was the third and final film that Frank Sinatra and Kathryn Grayson co-starred at MGM with. The first two were Anchors Aweigh and It Happened in Brooklyn. And in both Sinatra wooed and lost Grayson. I guess the third time's the charm.For romance maybe, but definitely not for screen image. Sinatra in his forty's films once again plays the nice little schnook only this time in toreador pants. Poaching on Tyrone Power's territory laid out in The Mark of Zorro, Sinatra plays the son of a man who was a hotel owner by day and The Kissing Bandit by night. He's gone and left California for an education and has come back ready to take Dad's place, but in the hotel business only. And where does he learn the hotel business, Boston.Of course some of Dad's former gang members, grown a little old and paunchy led by J. Carrol Naish, want him to lead the gang again. But Frank's just not cut out for the outlaw life. But he does make a good impression on the Governor's daughter, Kathryn Grayson.Somebody must have had it in for Sinatra at MGM to cast him in this after the bad reviews he got in Miracle of the Bells. Frank's in a part that was more suitable for Red Skelton. But since this was a musical, I guess the brain trust at MGM figured Kathryn Grayson had to have a singing co-star.In fact the best number in the film are for her, Love Is Where You Find It. Also Ricardo Montalban, Ann Miller, and Cyd Charisse do a dance specialty that is nice. Frank's songs are nice, but nothing spectacular.In later years, Sinatra would wince at the mention of The Kissing Bandit and with good reason.