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If I Were King

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If I Were King (1938)

September. 28,1938
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King Louis XI masquerades as a commoner in Paris, seeking out the treachery he is sure lurks in his kingdom. At a local tavern, he overhears the brash poet François Villon extolling why he would be a better king. Annoyed yet intrigued, the King bestows on Villon the title of Grand Constable. Soon Villon begins work and falls for a lovely lady-in-waiting, but then must flee execution when the King turns on him.

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PlatinumRead
1938/09/28

Just so...so bad

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Bereamic
1938/09/29

Awesome Movie

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AutCuddly
1938/09/30

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

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Lachlan Coulson
1938/10/01

This is a gorgeous movie made by a gorgeous spirit.

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drjgardner
1938/10/02

Was there ever a greater villain than Basil Rathbone, who gave us such great performances as the abusive Mr. Murdstone in "David Copperfield" (1935), the deadly Tybalt in "Romeo and Juliet" (1936), evil Sir Guy in "The Adventures of Robin Hood" (1938), Baron von Frankenstein in "Son of Frankenstein" (1939) and the evil Captain Esteban in "The Mark of Zorro" (1940). From 1939 to 1946 he focused on Sherlock Holmes films with only an occasional second film in any given year. He made the transition early to TV where he was a popular guest star, and continued to do films (e.g., "We're No Angels", "The Last Hurrah").Yet in all the excellent work he did over the decades, you've never seen him like he appears in this film. You may not even recognize him despite his distinct looks and voice.The rest of the film is pretty ordinary, but fans of Basil Rathbone need to see it.

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William Brighenti
1938/10/03

Colman was not only good looking, suave, sophisticated, and dashing, but he had a lyrical voice, an absolute necessity for a great actor. Recall the speech and voices of Peter O'Toole, James Mason, Richard Burton, Laurence Olivier: when they spoke, it was not mere prose but verse. So who better to play the poet, Francois Villon, than Ronald Colman, who possessed the voice of a poet.Ronald Colman is my favorite actor of all time. I loved his performance in this film as well as his performances in "Random Harvest", "The Prisoner of Zenda", "The Lost Horizon", and "The Talk of the Town".There were other great performances in this film besides that of Ronald Colman. Basil Rathbone's performance as King Louis XI is perhaps one of his finest, and deserving of an Academy Award as best supporting actor, while Frances Dee's performance as Villon's beloved is mesmerizing, the images to relive forever in one's dreams: the perfection of beauty and femininity. And Ellen Drew's portrayal of Huguette is touching without being maudlin.Great film, great performances. Hollywood at its very best.

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bkoganbing
1938/10/04

Francois Villon, born 1431 was all that If I Were King makes him out to be. Poet, satirist, duelist, and consorter with the rabble of low degree as Brian Hooker's lyric from The Vagabond King, he was all this. His satire brought him some big time trouble, a death sentence. But a last minute commutation by the monarch he satirized, brought him banishment in 1463. Villon went so far into obscurity that we do not know when he died after leaving Paris.From these facts Justin Huntly McCarthy wrote a popular romantic play that premiered in 1901 and was later made into an operetta with score by Rudolf Friml and Brian Hooker. McCarthy took into account the politics of the time in medieval France. Louis XI was only King for two years, ascending the throne in 1461. The monarchy after leading France to an ultimate victory in the Hundred Years War against the English, was leader of a shattered land with many of the lesser lords quite a bit more powerful than the king. Chief among these in France at the time was the Duke of Burgundy. Whoever held that title ruled an area about a third of modern day France.It's those Burgundians who have Paris surrounded and are dictating terms to Louis XI when the story opens. Villon and his sidekicks have broken into one of the King's warehouses and helped themselves to some food. Taking it back to the tavern owned by Robin Turgis, Villon makes a few choice comments about Louis XI. Unbeknownst to him, Louis himself is there on a mission to ferret out a traitor among his counselors. The traitor turns out to be the Constable of Paris. When a fight breaks out, Villon kills the constable.This puts Louis in a dilemma as he sees it. Villon has killed a traitor, but he's insulted the person of the king. Since Villon brags about how much better a job he can do, Louis makes him Constable of Paris and gives him a noble title. No man on the silver screen ever spoke the King's English better than Ronald Colman. I could listen to that man recite the Yellow Pages. He's a perfect Villon. Basil Rathbone was nominated for Best Supporting Actor in 1938 for Louis XI. Louis XI was known as the spider king because the man was the craftiest of schemers. He usually had about 5 or 6 options given any situation, most of us are lucky if we have one alternative. Dealing from weakness as he was, he had to be a man of cunning, guile, and deception.Interesting talking about the King's English when dealing with a pair of figures from medieval France. But the contrast between the romantic Villon and the crafty Louis is what drives the film. That and the partnership of necessity they form and the later grudging respect they develop for each other. Colman and Rathbone have the classical training needed to make If I Were King work.The two main female characters acquit themselves well. Frances Dee as noblewoman Katherine DeVaucelles and Ellen Drew as the tragic Huguette are just fine. And among the supporting cast, I particularly like Sidney Toler as tavern owner Turgis. It's quite a contrast from playing Charlie Chan.For me watching If I Were King is like watching The Vagabond King without the music since I know where the songs go. It's like watching a production of Pygmalion after seeing My Fair Lady. You keep waiting for the songs to start.Particularly I listen for Colman to break into the Song of the Vagabonds as he rouses the citizens of Paris. It's a great moment in both the play and the musical.You will thrill when you hear Colman rouse that rabble of low degree even if he doesn't sing.

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Arthur Hausner
1938/10/05

I knew I was in for a treat when I saw Preston Sturges was scriptwriter for this film, which was clever and energetic, but I didn't expect such wonderful performances from both Basil Rathbone (who received an Oscar nomination) and Ronald Colman. I always felt Colman didn't pick up his lines fast enough (at least in his later years), but he's perfect playing the poet François Villon. Colman sounds like a poet whenever he speaks in all his roles! You've never seen Rathbone in any role quite like that of Louis XI. He sounds at first almost childlike, but it is a mask - he's pretty wily and knows what he is doing all the time. The script, of course, is pure hokum. You can't imagine for one moment that a king would make Grand Constable a man who was caught stealing food from the royal storehouse. As Grand Constable, he runs France! The extended scene where he, while hidden, metes out sentences to his friends who were also caught stealing, is pure delight, and very worthy of Sturges. I found fault with Villon's earlier escape, as it was too easy, and with the casting of Ellen Drew in the role of one of the wenches at the Fir Cone tavern, and who loves Villon. There was too much to enjoy in the film so those were easy to forgive. His other love is Frances Dee, playing one of the nobles at court, and she is always stunningly dressed in Edith Head's costumes. The rest of the cast was all first rate, and the Oscar-nominated sets were excellent. Curiously, the film is set in 1463, the approximate year that Villon died at the age of 32. Also, William Farnum, who plays General Barbezier in this film, played Villon in the 1920 silent of the same name as this film.

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