Framed (1930)

everything you have heard about this movie is true.

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

"Make hay while the sun shines and whoopee while the moon shines." So speaks Evelyn Brent, the glamorous operator of a casino where the booze flows as the bullets fly. With Brent's line, you know that you are in the world of pre-code Hollywood where pretty much anything goes. This drama focuses on Brent's love for decent Regis Toomey, the son of the cop who killed her father. Add in other elements of organized crime muscling in on her, and you've got a pretty spicy tale of cafe society when sobriety was not an option no matter what the law said.Other than some moments when certain actors speak very slowly, this is a rather interesting look at what was going on during that free for all era of prohibition. Brent's not quite a Texas Guinan or Sophie Tucker, but don't let her all American girl look fool you. Toomey, better in supporting parts, remains one of the true curiosities as a leading man, being totally bland. This reminded me of "Shopworn", another pre-code drama with similar themes, except in that film, it was a possessive mother father than a disproving father that also featured Toomey. Ralfe Harold a rather slimy rival. As pre- code films go, this is an early talkie example of how enjoyable they could be, even if the technical standards needed improving.

No one did sulky/sultry quite like Evelyn Brent. She really hit her stride in the late 1920s with parts in a couple of Josef von Sternberg ground breaking films. When talkies came along she was thought enough of by Paramount to be cast in their first all talkie production, "Interference", and no one in the cast (not even William Powell) seemed more natural or at ease in front of a mike than Evelyn. Even though Paramount had her pegged for stardom she was mysteriously let go amid rumours of temperament but Brent claimed that as an independent woman she was just speaking her mind. Fortunately for film fans her brand of "bad girl" continued to be in demand and in "Framed" she gives a blistering performance which makes you wonder why she didn't find stardom - especially when Ralf Harolde, who plays "Chuck" gives a very mannered, stagy performance, obviously still finding his "talkie" feet!!Film opens (and closes) with an innovatively filmed interrogation scene in which Rose Manning is grilled by the police and realises that they may have killed her father. Five years later a vengeful Rose is now a nightclub hostess but still planning the demise of police chief "Butch" McArthur (William Holden) - through his son, persistent nightclub patron Jimmie (Regis Toomey - did he ever play a tough guy - I doubt it!!) There is more than enough evidence to suggest with Harolde's "madly mugging" performance that he was the real killer of Rose's dad. The result is an okay crime meller (to give audiences of the day their gangster fix) with some interesting camera angles that only the smaller studios seemed game enough to try.Tough talking Brent keeps the action flowing and is the main reason to watch. Her costumes are gorgeous and must have blown Radio's yearly budget - there is a silver geometric evening dress and one with feathers - how could any man resist her?

The cop's son, as correctly identified in the cast list, is played by Regis Toomey, not by "a very young William Holden" as stated by another viewer.William Holden (I) (1918-1981) did not enter films until 1938.The William Holden (II) in this film (1862-1932) is a much older character actor, who plays Inspector McArthur, and who is no relation to his better known latter day namesake.Considering the six year gap between their two careers, there is really no reason to confuse the two actors.For further information on Regis Toomey, consult his webpage.

The career of Evelyn Brent probably peaked in the end of the silent era. She made three pics with von Sternberg (Underworld; Last Command; and The Dragnet) and a solid effort with William Wellman (Woman Trap) and did make the jump to talkies, but none of HER pics were successful. This one is mostly straight revenge, taking out her emotions through the cop's son, played by a very young William Holden. Brent has an undisputable presence, and an intriguing nose, and her gowns and dresses are frequently revealing...one or two are cut so low in the back that they would be fashionable and mildly daring today. Fans of early talkies will love this!