The Lost Squadron (1932)

The greatest movie ever made..!

In other words,this film is a surreal ride.

The acting in this movie is really good.

One of the best movies of the year! Incredible from the beginning to the end.

Clearly made under the influence - not to say success - of Wings and Hell's Angels this is Three Comrades with aerilons. Robert Armstrong, Joel McCrea and Richard Dix, three intrepid flyboys find themselves fish out of water after 1918 and though there were flying jobs availably - barnstorming, flying mail etc - this doesn't seem to occur to them with the result that they reach a point when they haven't got change of a match and, as everyone and his Uncle Max knows, once you reach the lowest point you can the only way is up and so, in the fullness of time - something like one and a half reels - they wind up in Hollywood working largely as stunt pilots. This is where the plot takes off - sorry about that - as they encounter movie director Erich von Stroheim, a man who clearly read Les Miserables and thought Javert was the hero. We know from the get-go that it's destined to end in tears and so it does but not without some decent acting and diversions along the way.

With time running out to satisfy their taste for adventure and blood lust WW 1 pilots Gibson, Woody and Red take to the air and fight to the last minute before Armistice. The war over and out of a Woody (Bob Armstrong) followed by Gibson ( Richard Dix) and Red (Joel McCrea) gravitate to Hollywood to do what they do best, fly stunt planes. The work is dangerous but they are use to it. The danger increases tenfold when Von Furst (Erich Von Stroheim), a tyrannical director with a thirst for realism as well as a wife who once had the hots for Gibson attempts to pull off two for the price of one; get the shot and lose the wife's former lover. Woody in the, throes of alcoholism takes the fall however. With the war over and no more dogfights to involve itself in Squadron is no Wings but it does offer up some fine aerial acrobatics to go along with its swift and a touch incredulous pace. The trio of pilots do their macho posturing (including a bird throwing sequence) adequately enough while Beth Jordan and Mary Astor wait with anxious trepidation on the ground. But it is the opportunity to watch Von Stroheim go into directorial rant that in retrospect gives the Lost Squadron its bite.

By now, everyone knows that this film is significant to anyone writing a dissertation on obscenity in popular culture because of the flipping of the bird. However, this is not the film's only claim to modernity. The collaboration of many skilled film makers at the beginning of the talkie era, it has several imaginatively crafted scenes, with one (you will know which one I mean) being positively Jarmuschesque. The sound track in particular is brilliant. I can't get the song of the wind out of my head.Plus, if you love Erich von Stroheim, and who doesn't, his character is based on him, or his reputation. Of course you love von Stroheim, who doesn't love Max from Sunset Boulevard? Here, he gets to show his directorial style, while giving the sort of all out performance he was trying to get out of his actors. If you like this, try "The Great Flamarion".I am not surprised to read that the ending was re-shot. My husband and I were both mystified the first time we saw it. Some of the plot is hackneyed, but the acting and production values transcend.

4 buddy WWI pilots, out of work after the war, start doing stunt flying on a Hollywood movie, directed by the evil Eric Von Stroheim (in an enjoyably over the top performance). Of course, as absurd movie luck would have it the leader of the squad's ex-girlfriend is now married to Von Stroheim, though she hates him. Von Stroheim plots to try to get his wife's ex-lover killed by getting him to try an an impossible stunt, and is going to make sure by putting acid on the planes control cables, but another flyer goes in his place and dies, and the remaining 3 grab Von Stroheim to get their revenge, leading to a tense, dark but pretty silly conclusion. While watching , the absurd plot twists and lack of logic really bugged me, but the next day I found myself thinking of it fondly, and sorry that has never seemed to have been made available on video.