Polly of the Circus (1932)
When Polly Fisher, a circus aerialist, is hurt while performing, she is taken to the house of a nearby minister, John Hartley. As she recuperates, they fall in love with each other and secretly marry. But when the truth leaks out , John's congregation rebels at having a circus woman as their minister's wife, and he is fired. Polly decides to leave John in hopes of giving back to him the calling that means so much to him. But fate steps in and rearranges all plans.
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Too many fans seem to be blown away
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.