Knives of the Avenger (1966)

Self-important, over-dramatic, uninspired.

disgusting, overrated, pointless

The film's masterful storytelling did its job. The message was clear. No need to overdo.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

Cameron Mitchell stars in this Viking film that essentially is a traditional western plot but set in the Middle Ages. Mitchell plays the hero--a guy who comes to town and finds that a local baddie is tormenting folks. So, being a noble sort of guy, he comes to the aid of a woman and her son--not realizing that she is a queen living in hiding. While all this sounds pretty exciting, it really isn't. Despite Mitchell tossing knives about and acting manly, it's pretty dull. BUT, I really expected much worse. Considering the zillions of Samson/Hercules/Machiste Italian films (most of which were terrible), I assumed this dubbed film would be just horrible. Perhaps having the talented director Mario Bava (known for horror films) helped a bit. Still, it's far from a must-see film and is easy to skip or see if you've got nothing better to do.

In the ancient times, the savage and cruel warrior Hagen (Frank Ross) is chasing Queen Karin (Lisa Wagner) and her son Moki (Louis Polletin) to marry her and usurp the kingdom of her husband, King Arald (Jack Stuart). Karin and Moki are hid in a cottage in the woods living like peasants and they are protected by a stranger, the warrior Helmut (Cameron Mitchell), who is an expert in knives. Moki gets close to Helmut that teaches him how to hunt and fight and later Karin discloses to him that three years ago, her husband traveled in a ship to overseas to seek grains to his starving people. The vessel wrecked in the coast of Britain and since then they have had no news about Arald. Further she tells that Hagen was the responsible for the starvation since he had broken the truce between the kingdoms of Arald and King Rurik and killed his wife and son. Thirsty for revenge, King Rurik had invaded her kingdom with his warriors and killed the people and raped the women including her in her honeymoon, but spared the life of Arald. Helmut, who is actually King Rurik, falls in love for Karin and questions whether Moki is his son.This is the first action movie of Mario Bava that I have seen and I found it an underrated tale of revenge and redemption. The screenplay is very well written, disclosing a dramatic story, and supported by great direction and acting and magnificent cinematography. In the end, the viewer is never sure whether Moki is the son of Rurik or Arald but the tears of Karin might indicate that she knows the truth about the fatherhood of Moki. My vote is eight.Title (Brazil): Not Available

I generally can find something to like about all the big cult film subgenres; but the one exception to that is definitely the 'sword and sandal' film. I've only seen a handful and they never fail to bore me to tears. I tuned into this one simply because it has the great Mario Bava at the helm; however, it turns out that Bava is just as bad as Fulci when it comes to films like this, and Knives of the Avenger is heinously boring. What we basically get is a bunch of people that are supposed to be Vikings (I think) running around in silly costumes. The plot has something to do with a woman, or fighting, or something. Anyway, this basically goes on for about eighty five hours...sorry, I mean eighty five minutes and then the film ends. Mario Bava made his name in the horror genre and his directorial style lends itself to the genre so well as Bava is brilliant at creating atmosphere. This film does actually feature some decent camera work and Bava does create a few good atmospheric scenes. However, that's really the only good thing I have to say about this film. Before seeing Knives of the Avenger, I had Dr Goldfoot and the Bikini Bombs down as Bava's least fine hour; but now I'd say it's a tie between the two. Both are very much avoidable, although fans of this type of movie (assuming this type of movie has fans) might find something to like here I suppose.

*****SPOILERS******Italian "epic" of revenge provides for lots of viking combat with axes and swords. Mitchell makes a surprisingly good viking despite the ridiculous costume and directionless story (the villains are supposedly searching for the supermodel mom and son but can't find them even though they seem to live just outside of town).Nice atmospheric lighting and colors in classic Bava style. Not as good as "Hercules in the Haunted World" or Bava's horror and suspense films, but worth seeing for fans of 60s Italian muscleman films.