Threshold (1972)
Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre
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Such a frustrating disappointment
Excellent, a Must See
Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.