The Tracker (2002)

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Close shines in drama with strong language, adult themes.

.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

David Gulpilil...so yeah watch it. Even if David was just reading the phone book for two hours you should still watch David Gulpilil whenever he is on screen. De Heer's film is watchable, but he has made much stronger films. The Tracker is nothing great (though there is nothing necessarily wrong with it), other than David Gulpilil. I am not saying he is the greatest of all actors, but there is not another actor/performer that I can think of from any time period, from anywhere in the world that is as natural, charismatic, mystifying and magnetic on screen as David Gulpilil.

This was a DVD rental that took me completely by surprise. The story of three Australians using an aborigine tracker to hunt for a aborigine man wanted for raping and killing a woman unwinds slowly as they cross the wilderness. Untimately it's about racism and the head soldier is a racist who treats the tracker like he's not human. He kills innocent natives after questioning them about the fugitive's whereabouts. It's the tracker's performance, however,that steals the film. I recognized him from the movie Walkabout when he was just a boy. Now he's a man in his fifties, playing the fool in the film but grinning knowingly at the events that challenge the hunt. Fortunately, not all the white men are portrayed as evil. I found myself thinking about this film days later. Truly remarkable film-making.

If you've ever wondered why Aboriginal people in Australia want an official apology from the head of government, see this film. They haven't gotten one yet. Maybe later--time moves slowly for the oppressed. Economically savvy, rich conservatives will not want to hear an official State apology rendered. Why? Because, they believe that the "sorry" campaign is a ploy to hit the Austalian Federal Government with a plethora of expensive lawsuits. Rank and file social conservatives, who make up about 10% of the population, just think that Aboriginals should be happy that they've gotten citizenship in "the Lucky Country" and keep their mouths shut.Each character in "The Tracker" is a metaphor for prevailing historically based and continuing attitudes between the indigenous people of Australia and European settlers. Not only that, but within the dialogues and actions in "The Tracker", one can see the still existing fundamental conflict between European legal traditions and those of peoples who settled Australia some 60,000 years ago. By the end of the film, one can discern the outlines of a lasting reconciliation in Australia based on mutual respect between human beings.If your'e not already familiar, "The Tracker" will show you what most of the Australian interior looks like. It's hot, red, dry and largely empty. Yet, if you slow down and focus your eyes, there is much more to the land than you might have thought. A good tracker could show you how large a human footprint on this natural setting of the Earth can be. A good tracker can also show you the wisdom inherent in patience and respect.David Gulpilil plays this tracker and he steals the movie. Rolf de Heer's writing and direction in this film is to be applauded. In fact, I have yet to see a bad film come out of Rolf de Heer's directing. His "Ten Canoes" should have won greater recognition in 2006. Gary Sweet as the racist fanatic was convincing. Overflowing with hypocritical Christian piety, Sweet made me feel sick to be identified as "white". You could almost hear him saying, "We had to kill the blacks in order to save them." Damon Gameau, as the follower, played his role with wooden innocence. Grant Page as the apolitical, amoral veteran was at his best after he took a spear. But, automatons are like that.

This is a powerful film by the way the terrible beauty of the Australian outback is captured. Also by the haunting soundtrack. The story is very basic, the evil white man is chasing an Aboriginal charged with murdering a white woman. The tracker is helping the policeman to track the fugitive through the outback. The policeman also has a young gullible constable with him and also an older man. The trouble is that the plot is far too simplistic. The aboriginals are painted as noble intelligent savages while the whites are evil or at best stupid and naive. The tracker (David Gulpilil) is portrayed as far smarter and cunning than his white boss. The really strange plot is why the tracker, who knows exactly where the fugitive is but won't tell his boss and keeps leading them further and further into the bush, why the tracker keeps leading the boss to groups of "innocent" aboriginals who the boss massacres. After another massacre the tracker decides to hang the boss and leads the follower to a group of Aboriginal elders who punish the fugitive for raping a black woman by spearing him through the leg(Aboriginal law). Again the noble savage myth because in Australia, aboriginal women are subject to domestic violence and are not protected by aboriginal law. In summary, go and see it for the incredible scenery and soundtrack but don't believe the plot in any way.