Crónicas (2004)

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

It is both painfully honest and laugh-out-loud funny at the same time.

The film never slows down or bores, plunging from one harrowing sequence to the next.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

I wouldn't say it's up to par with Ratas, Ratones, Rateros Cordero's first movie, but it still is a good movie. Leguizamo is a little restricted because he doesn't speak Spanish so he couldn't ad-lib, but the other actors are excellent. And there are so many things about Ecuador in the movie, this isn't only a movie about the media/a serial killer. But also about living in Ecuador, and it's spot on, even in the smallest details. The comment that the movie is predictable : it might be, but for me that's not the point of the movie. Life is predictable sometimes. Sometimes knowing what lies in the future and not being able to change it, is the point/tragedy in life. I recommend this movie to everyone.

Damián Alcázar (The Crime of Father Amaro, Lord Sopespian in Prince Caspian) gives a truly remarkable performance in a compelling film by young writer/director Sebastián Cordero.There are two stories going on at the same time. One is a story of a vicious rapist/serial killer who preys on young boys and girls; and the other is about the role of the media in our society.John Leguizamo plays a star reported that knows who the killer is and is trying to get the confession for a news story. In the meantime, events transpire that result in the killer's release before he accomplishes this.Leonor Watling (La mala educación, Paris, je t'aime) plays the producer who wants to tell what they know, while Leguizamo fights to keep it a secret and play off the hero status he gained. Who will win? Will his conscience get the better of him? That is the real story here, as we debate the role of media. Are they reporting the news, and becoming part of the news.The view of rural Ecuadorian life is also a big plus to the enjoyment of this film.Compelling.

Remind me never to be a journalist in South America. Not only are you putting your physical well being in danger, but the psychological trauma must be unbearable! John Leguizamo gives the strongest performance of his career as Manolo Bonilla, a Miami journalist who goes to Ecuador to investigate a serial killer called "The Monster" who has raped and murdered over a hundred children.Cronicas opens with the funeral for three of the latest victims. When a child runs into the street and is hit by a car, the driver of that car, named Vinicio, is attacked by a mob that beats him, douses him in gasoline, and sets him on fire. All the while, Manolo is filming every second of the attack, but he eventually intervenes and saves the man's life.Vinicio is sent to prison where he covers himself in his own excrement to keep from being attacked by other inmates. Manolo offers to help Vinicio get out of prison if he gives him information about "The Monster." Through the power of the media and the sway of public opinion, Vinicio is set free. But has justice actually been served, or has this reporter helped to free a vicious serial killer? Cronicas is dark, twisted, and positively rife with dramatic irony… the kind that makes you want to scream at the screen, "Noooooooooooooo!!!!!!" But the actors never listen, do they?

Young Ecuadorian director Sebastián Cordéro's "Crónicas" begins and mostly sustains itself as good intense fictional coverage of what can happen when corrupt, sensationalistic journalists in Latin America cover a crime wave far from home base and encounter what even for them are obvious moral conflicts when they attempt to exploit it.A Mexican news team out of Miami goes to cover the search for "the Monster of Babahoyo," a pedophile serial killer in the province of Los Rios in a remote part of Ecuador. A violent incident in the street when the team arrives in Babahoyo puts their reporter in contact with somebody who may be a victim of public hysteria, or may be the killer. Crónicas never gives you time to think and screws up its suspenseful situation into a tight knot and then lets go and drops you. Somewhat ironically the result feels very like the first episode of a sensational TV miniseries. The film would have been better if it had stepped back occasionally and let us and the story breathe. A haunting opening sequence of a man alone bathing and washing clothes gives a hint of how that might have happened.The news people are serviceable stereotypes: photogenic lead reporter Manolo Bonilla (John Leguizamo); his sexy female producer Marisa (Leonore Watling), who soon hops into bed with him; his raunchy, substance-abusing cameraman Ivan (José María Yazpik), who has to keep pointing out that they're all supposed to be a team. To lend cred and support to the movie and give them a boss there's Alfred Molina in the background phoning in as Miami anchorman Victor of a fictitious news show, "Una Hora con la Verdad," seen and heard only on tiny TV screens and ever-present cells. Haunting the news team as it prances around and threatening a confrontation that never really materializes is "the only honest cop in Latin America," who happens to be the local police captain and seems to have a lot of time on his hands which he spends tracking the news team and reminding them they're not following the rules. Such reminders are feeble since they're free to fly out whenever they want and have plenty of money to bribe low level cops. Besides that Manolo is asked for his autograph constantly and greeted as a hero for things he now wishes he hadn't done.Director Sebastián Cordéro's best move in "Crónicas" is to try to build a serial killer who's not a spooky Hannibal Lector type super-villain but a human being whom his victims trust and other people like. Cordéro makes real headway at achieving that goal by choosing the pitiful, sweet-faced Damián Alcázar to play Vinicio Cepeda, the "witness" in prison who may be the suspect. Where Vinicio fits in winds up being too clearly telegraphed, but the best scenes are still the ones where Vinicio gives creepy, insinuating testimony to Manolo (away from Ivan's camera) and bargains for his life.What also makes "Crónicas" worth watching, if you can stomach the theme and don't mind the simplifications and lack of modulation in the sequences, are the grittily authentic local backgrounds: messy hotel rooms, grungy prison cells, chaotic streets, shantytown dwellings. These give the in-your-face story a sense of authenticity that isn't entirely undercut by the stereotypes and the pumped-up action. What doesn't quite work is a screenplay that gets everything going full speed from the first reel and never lets up till it just walks away leaving you waiting for the next gripping episode.(Seen at the San Francisco Film Festival, May 3, 2005)