Guilty (2011)

Save your money for something good and enjoyable

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

One of the most extraordinary films you will see this year. Take that as you want.

This is a remarkable file in many respect. Most importantly perhaps, it is the first major motion picture (TMK) which captures realistically and artfully the atmosphere of the child-sex abuse hysteria that gripped the Western world in the last twenty years of the 20th century. Perhaps all English-speaking countries had some harrowing example of this cultural phenom, with the McMartin preschool and the Bronx 5 cases in the U.S., Martensville in Canada, ChristChurch Civic Creche in New Zealand and the Cleveland child abuse sandal in England being the best known exemplars. "Presumé coupable" (Guilty) offers a rare insight into the sorry spectacle of a justice system being uprooted by popular, media-orchestrated, amplified hysterias and unscrupulous operators posing as defenders of public virtue. The francophone setting of this familiar drama, based on an actual, well known judicial fiasco in Nothern France - Belgium at the break of the millennium, makes it all the more fascinating. The acting is superb. Phillipe Torreton as the falsely accused Alain Marécaux struggling to get a grip on a world gone mad, delivers a stunning performance, which I simply cannot believe was not acknowledged by the Academy in the US. This is a classic of gut-wrenching drama delivered by a true virtuoso. Wladimir Yordanoff as the defence counsel has also delivered a masterful performance of a converted "believer" in Alain's innocence. Finally, Raphael Ferret's insight into a fanatic posing as a professionally detached examining judge helps to create an absolutely convincing air of authenticity for the drama. Last but not the least, the directing of Vincent Garenq matches the talent of his actors. The direction has a single point of focus- Marécaux - which might have easily been a recipe for boring, overdrawn melodrama. With Torreton, though, it works to perfection. I warmly recommend this film as a real artistic feat and a much needed social commentary.

Based on the facts surrounding the most infamous miscarriage of justice in modern-day France, "Guilty" grabs you from the beginning and doesn't let go - much like the French legal system.A husband and wife - Alain and Edith Marecaux - are rustled out of bed early one morning and thrown in jail, accused of heinous crimes against children. Separated from each other and their children, the film tells the story from the husband's point of view. This brilliant storytelling choice prohibits us from seeing anything that he doesn't see - none of the legal wrangling outside of his lawyer's visits, none of the wife's legal situation, none of the children's separation. We see only his experiences in prison, his communication with his lawyer, his end of phone conversations, his growing despair. We find ourselves just as much in the dark as he does. His frustration and anger and feelings of hopelessness become ours.Philippe Torreton gives a tour-de-force performance in the lead role as the accused Alain. Torreton's physical and emotional transformation is revelatory and deserved of any and all recognition he receives for this work. As the film is from his character's point of view, he is on screen 100% of the time. Admirable support is given by Vladimir Yordanoff as his defense attorney.The original title of this film was "Presume coupable," which translates to "Presumed Guilty." That happens to be the name of a 2008 Mexican documentary that tells the story of an incredible miscarriage of justice in the Mexican judicial system. What little solace there is to be had in the knowledge that breakdowns in the criminal justice system are not unique to our own country. I take more comfort with the knowledge that there are filmmakers, both documentary and narrative, that are willing to expose it.www.worstshowontheweb.com

French screenwriter and director Vincent Garenq's second feature film is based on the memoirs of Alain Marécaux and the screenplay was written by Vincent Garenq, Alain Marécaux, Serge Frydman and Hubert Delarue. It tells the story about Alain Marécaux, a middle-aged bailiff who lives in France with his wife and their three children. One day Alain and his family gets an unexpected visit by the police who tells them that they have been accused of child molestation. Alain and his wife is taken to custody and their children is sent away to foster homes. During the interrogations of Alain, he is confronted with a young judge who sees the case as a pathway to his own success and deliberately ignores the fact that there are no evidence to support the allegations against Alain and his wife.This emphatic and realistically portrayed study of character about a man who becomes a victim of false accusations and a corrupt justice system, depicts essential parts of a scandalous real-life criminal case which took place in France 2001 where seventeen people where wrongly accused of paedophilia and incest. Vincent Garenq goes into the core of Alain Marécaux' heart-wrenching struggle for survival and exoneration in this well-paced, tightly structured and engagingly directed French-Belgian co-production, and emphasizes the fatal consequences of false accusations and miscarriage of justice. A condensed and compassionate drama with an austere atmosphere and a gripping acting performance by French actor Philippe Torreton which gained, among other awards, the Label Europa Cinemas Award at the 68th Venice Film Festival in 2011.

It seems absolutely unbelievable but this story is true. It is based on actual events that occurred in France ten years ago. Nationwide events which made an earthquake in the justice world, and not only...The tale of a district attorney assistant falsely accused of child molesting and sent in jail for several years. And not only him, but a bunch of innocents too...A disgusting but real story that makes you puke.Philippe Torreton gives here a powerful, terrific performance as the poor petty district attorney assistant. For the making of this picture, he lost more than 50 pounds of bodyweight. He looks like a Auschwitz survivor.It's a solid, intense drama where the characters are more than convincing. Even a cold minded judge to whom every one would like to spit at the face.