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And the Oscar Goes To...

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And the Oscar Goes To... (2014)

February. 01,2014
|
7.1
|
NR
| Documentary TV Movie
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The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.

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KnotMissPriceless
2014/02/01

Why so much hype?

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Holstra
2014/02/02

Boring, long, and too preachy.

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ChampDavSlim
2014/02/03

The acting is good, and the firecracker script has some excellent ideas.

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Kimball
2014/02/04

Exactly the movie you think it is, but not the movie you want it to be.

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Sergeant_Tibbs
2014/02/05

Okay, I love to get caught up in Oscar time. Yes, it's arbitrary and yes it has a muddy history, but it's fun and it shapes legacies and future great movies. And The Oscar Goes To is directed by Oscar winning director Rob Epstein for his two 80s documentaries as well as his co-director on one of them, who unfortunately didn't share a statue, Jeffrey Friedman. I figured it would be worthwhile, and it is, but it only skims the surface. What can you do in an hour and a half though? It has a small selection of movie highlights to choose from and it sticks with them throughout. At the very least - the documentary is specific, as it could result in something overly broad. There's anecdotes, but without real insight. Naturally, there's most focus on actors, and it touches on all the natural points in history and runs through the categories, giving 10 minutes or so to the other ones. It's mostly about the experience of winning an Oscar and with its archive of clips, it certainly captures several nights of excitement. It's at least good for the behind the scenes footage that's otherwise lost in the ether. Solid entertainment, but nothing special to experts.7/10

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preppy-3
2014/02/06

Documentary about the Academy Awards. It covers how and why they came into being and how they evolved and changed over the years. It consists of actors, producers and directors talking about getting nominated and getting (or not getting) the award. It also shows footage from Oscar TV telecasts and some of the more memorable acceptance speeches. The most amusing were seeing Ben Affleck and Matt Damon winning Best Screenplay for "Good Will Hunting" and Michael Moore winning Best Documentary for "Bowling for Columbine". They even cover the technical awards. All in all I was entertained but wanted more. They totally ignore the Best Song category and (for some reason) go into detail about animated films being recognized. So it's worth seeing but is lacking.

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ntvnyr30
2014/02/07

There were some things I learned from this documentary which aired last light on TCM. For the first 15 years or so, the winners were announced prior to the event, which would make the ceremony anticlimactic. I suppose the attendance overall must have been lower; I mean, if I knew I wasn't chosen, then why go? It was nice to see an older Hollywood that had more class: i.e. when Clark Gable accepted his award for "It Happened One Night" he was gracious to his co-star and his director (calling him "Mr. Capra").The low point to me was the over-exposure of Jane Fonda and Cher, the latter sounded impaired when she couldn't pronounce Marvin Hamlisch's name. Fonda is--to be kind--one of the most polarizing figures and unapologetic for her radical past. It was extremely difficult to watch her.Of course, there was the predictable rant about "blacklisting" of Communist-leaning celebrities. They showed Lillian Hellman's speech during which she excoriated Senator McCarthy for the Hollywood blacklist. Miss Hellman doth protest too much. For those of you who have not been completely indoctrinated, Senator McCarthy had nothing to do with the Hollywood blacklist--this was done by the House Un-American Activities Committee. Both Senator McCarthy and Richard Nixon were used as the focal point by the left for years, probably because they were onto something about the infiltration in our government by Communists (see Alger Hiss). Do you want to know about true blacklisting? I read an article about the late Ron Silver who, after he spoke at the 2004 Republican National Convention in defense of George Bush and the War on Terrorism, stated that his phone stopped ringing about potential film roles. Blacklist indeed.

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Michael_Elliott
2014/02/08

And the Oscar Goes To... (2014) *** 1/2 (out of 4) Very good documentary taking a look at the history of the Oscars. That's pretty much the only plot description that this thing needs as the 90-minute running time is all about the big event. We learn about the very first awards and how it came to be. We learn about various rule changes that have taken place over time. We also get to hear from countless winners as they talk about what it's like getting up there to give a speech but we also get to hear from the other side in what it feels like to lose. Just about every topic is covered including some winners who started controversy, the smaller categories that most people don't care about and there's even a list of people who never won the award and it's just as impressive as the list of winners. AND THE Oscar GOES TO... is a very entertaining look at the end, which is full of interviews with current winners but I thought this was the least entertaining thing. Do we really need to hear from Tom Hanks and Steven Spielberg again? Yes, it's always great seeing these two but we've already had so many other documentaries about their films and careers. I thought the most interesting moments were the ones dealing with the older footage that we don't get to see as often. This includes Hattie McDaniel's acceptance speech for GONE WITH THE WIND and various clips of Bob Hope hosting the event. The stuff dealing with the legends of Hollywood who are no longer with us are clearly the best moments of this and it makes you wonder why these full shows (and the AFI tributes) aren't available for viewing.

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