A Couch in New York (1996)
Dr. Henry Harriston is a successful psychoanalyst in New York City. When he is near a nervous breakdown, he arranges to change his flat with Beatrice Saulnier from France for a while. Both don't know each other and both find themselves deeply involved into the social settings of the other, because the decision to change their flats is made overnight. Could be the perfect amusement, but suddenly Henry finds himself beaten up by Beatrice' lover and Beatrice is considered to be Dr. Harriston's substitute by his clients...
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Better Late Then Never
A bit overrated, but still an amazing film
Clever and entertaining enough to recommend even to members of the 1%
A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
Beatrice (Juliette Binoche) is a free-spirited Parisian woman with plenty of male admirers. The trouble is, she hasn't really returned anyone's affections. When she feels pressured, she decides to swap apartments with a New Yorker for awhile. Henry (William Hurt) is a shrink who also is a bit tired of putting people's lives in order and he believes a trip to Paris will do him good. However, Beatrice is mistaken for a doctor temporarily replacing Henry and is beset with several patients. She listens, she has fun! And, patients hand her the green stuff. Meanwhile, Henry is less than thrilled with Beatrice's noisy apartment and decides to come back to the NY area early. Ah ha! He finds out in short order that Beatrice has been seeing his patients and he decides to pose as one. Let the games begin.This very French film, told mostly in English, has a sweet charm and a wonderful premise. Binoche graces the film with her loveliness and talent and Hurt gives a likable performance as well. Yes, it is understated and the dialogue seems truncated at times, but the movie has a European flavor that will please those who like it quirky. All other elements, costumes, scenery, and cinematography, are nice, too. If you belong to the group of film enthusiasts which needs a dose of laughs and love every week, find this film in the near future. It is a great movie to watch from a comfortable couch, with or without, a partner.
I really tried hard to like it... but the film simply is boring. In spite of a charming Binoche and a promising story, Akerman fails to create any true atmosphere. She manages to create some funny scenes, but a couple of funny scenes do not make a comedy. Neither does the viewer care about Hurt and his psychoanalyst nor do we feel any warmth and human feelings in his beginning relationship with Binoche. No romantic sparks flying, at least I didn't see any. The dialogue is also not funny. This is the second film by Akerman I viewed, the other being The Captive, which also fails for the same reasons. Akerman may have delivered nuanced portraits of persons, especially women, in earlier films, but Un divan in New York lacks everything a comedy needs.
A romantic screwball farce with some intelligence. A perfect role for William's style of vague acting that works up against the energetic and childish Juliette. Flimsy at times but fun to watch those awkward human moments caught in the love vacuum.
It was a cute idea, but a bad script. The acting was good, but the script really sucked! There was this one scene with Juliette Binoche and William Hurt where they don't talk at all! They ocassionally say "hmmm" or "yes?" and that is it! It lasted about 2 minutes and it got really old really quick. Did I like it? No, not really, but I could have.