Inserts (1976)

One of the best films i have seen

One of the best movies of the year! Incredible from the beginning to the end.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Close shines in drama with strong language, adult themes.

Having been mesmerised by her performance in Dario Argento's 1977 Horror film Suspiria,I decided to take a look at Jessica Harper's other IMDb credits.Focusing on the movies which she featured in from the 1970's,I was shocked to find,that in amongst her Woody Allen,Argento and Brian De Palma credits,Harper had starred in an NC-17 film filled with an amazing cast.Checking up for the movie on Amazon UK,I was disappointed to find a single copy of the movie being pricier than I had expected (20 pounds.)As the weeks began to pass by,I kept finding myself looking at the DVD,which eventually led to me giving in to my excitement for seeing the film,and at last taking a look,at the almost buried in time inserts.The plot:Originally finding himself as Hollywood's bright young thing of the 1930's,a film director, (nicknamed "the Boy Wonder" sees his luck go completely down the drain,when all of the Hollywood studio's slowly start to change from embracing silent movies,to only making movies featuring sound.Secluding himself inside a hollow Hollywood mansion,"Boy Wonder" finds that the only opportunity the he has left in Hollywood is to make films in his mansion for an "Adult" movie producer called Big Mac.Mac tells the director that if he succeeds in making this movie a hit,than he promises to give him a six-deal contract.Being supported by his drug-addled girlfriend Harlene,"the Boy Wonder" decides to make an "adult" movie,which shows the actors entering the "zone" and "reaching their peak".Ignoring the stress that he is putting on Harlene and a cheap,wannabe Hollywood star called Rex,The Wonder Dog,due to the producer and his girlfriend (Cathy Cake) always looking over his shoulders,the "Boy Wonder" starts to suspect that this will be a much more troubling shoot than he had originally expected,when his lead actress/girlfriend Harlene is suddenly found dead in his bedroom from a drug overdose.View on the film:Backed by Denys N. Coop's (who also worked on Carol Reed's The Third Man) elegant,sun lit cinematography,screenwriter/director John Byrum, (who sadly had his own life imitating art moment,with being the director and co-writer of Bill Murray's 1984 dream project:The Razor's Edge,which despite having a good amount of support from the studio, (who let Murray make the movie,so that he would sign up for Ghostbuster's) ended up being a box office bomb,and stopped Byrum from building on the amazing skill that he shows here) gives the film a strong,daring theatrical approach.Making the setting of the movie be one location filled with only five characters,Byrum uses long,flowing 3 plus minute takes for 90% of the film,which cleverly allow for the performances of the brilliant cast to feel unexpectedly "natural" and slowly getting into a "grove" with each others character.Initially only giving the bare minimum of character motive and backgrounds for the first 30 minutes,John Byrum's sharp screenplay slowly unravels and builds to a disturbing intensity as the wild,frenzied,half drug-inducted haze of the characters personalities start to crash over the camera being able to fully show them reaching their peak performance.Going in the complete opposite direction of her performance in Suspiria,Jessica Harper gives a gripping performance,wild,weird and confident performance as Cathy Cake.Being only one of two actors (the other being Dreyfuss) to feature in the last 30 minutes,Harper shows that she has no fears at all about going toe to toe with Dreyfuss,as Harper goes almost completely naked for the section of the film,she smartly decides to have Cake ooze confidence and have a strong laid back attitude in the films intense (but not too explicit) sex scenes,which feature moments that would make any current Hollywood star run a mile away!.Leaving behind any sign of sanity or confidence behind,Veronica Cartwright gives a wonderfully deranged performance as Harlene,which can go from being sweetly tender, (such as giving "the Boy Wonder" a push to not give up) to being jaw-dropping insanity (a scene about Harlene filming an "Adult" section of the movie has Cartwright franticly move around and look as if Harlene may be about to break into two pieces.Channaling the soul of a reclusive Howard Hughes ,(who would die two years later),Richard Dreyfuss impressively stops the "Boy Wonder" from simply becoming a woe-is-me down & out by giving him a wicked sense of humour,to show Big Mac (played by a nice'N' mean Bob Hoskins) that he is not an easy push over,and also a growing sense of doubt and anxiety,as the "Boy Wonder" starts to wonder if the Hollywood lights are fading away,to leave him in the dark.

Every one in a while you find a film of an actor that was made when they were starting out and wondered why it didn't get the attention it deserves. This is one. With a cast that includes almost newcomers Richard Drefus, Jessica Harper, Bob Hoskins and a grown up Veronica Cartwright, this film should have made more of a splash than it did. One of the first jobs outside school was as usher in a local multiplex back in the '70's and I remember this film because when it came out it went right to one of the smaller theatres that films were sent to after they had played the bigger theatres in the complex. No fanfare it just opened. I seem to recall it did OK business there but was gone in a couple of weeks. I think I saw it most nights I was there, or I would wander in on a break to catch a glimpse of a scene or two. When videos came out I got one and over the course of the years loaned and lost it. Then I searched EBay for one and finally got another copy. Within a couple of months I find a used DVD! It brings back a lot of memories of that theatre and working there. Seeing it now I realize again what I liked about it. It boarders on the fine line between comedy and drama and does it so delicately. After seeing it again, I also think it would make a great stage play. Now that it is out there in a more popular form, lets hope that more people see it.

I think many reviewers have lost the point here. This is no excuse for porn, you guys. If you want porn, go get porn. And if you are put off by a film that entirely takes place in an apartment, stay away. But I think that this film is not one you get to see every day. Its special 'plot' and context could only create a unique film. So, its rare... where do we find it? I saw it on MGM, late at night...This is a pretty sophisticated film on making porn. Dreyfuss is excellent as the alcoholic director. All in all, you are likely to love it if you like smart, dialog based films, and of course if you're not offended by some nudity and decadence. But what did you expect? This guys is making porn films in his apartment! Provocative , a bit offensive , surprisingly shockin, yes, but unique and original as well. Note: this is no expoitation flick, even though some might view enjoy it as such...

A washed up silent film director - Richard Dreyfuss - has fallen in to making quickie porn, but even this has its problems.I think Richard Dreyfuss is a good actor, but also a lucky one. For a shortish guy who often carries a bit of a paunch - and whose hair is in full retreat - he seems to very popular with casting directors. While often cast in Average Joe roles he can never rise above the quality of the material.Here he is given trash to work with and is left all at sea with it. A previous reviewer says he (Dreyfuss) wants to forget all about it - and I do too!This looks like a stage play written by a dope smoking school dropout and filmed by his best mate. The subject (porno) seems chosen to try and bring a bit of box office to a "Winter of my Despair" style production.There are two types of bad movie. Boring bad movies and inept bad movies. This is the closest I have ever seen to the two forms being present in one film. The whole production takes part in one room among people that have either given up on living or never had much interest in it in the first place. (Did Dreyfuss see something of his own demons in the script?) Unfunny lines about the mechanics of sex abound but it doesn't seems to want to be a black comedy - not even a failed one - it seems to be wanting to be taken seriously! The only worthwhile thing is seeing the youngish Bob Hoskins (playing a gangster) taking his first few steps in Tinseltown.Interesting only if you want to see the daddy of all bum-archers and maybe the worst "A film" of the 1970's. The writer/director - who we won't name and shame - later wrote Harry and Walter Go to New York to prove that he really was that bad, it wasn't just bad luck.