An Early Frost (1985)

Sadly Over-hyped

Story: It's very simple but honestly that is fine.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Story: It's very simple but honestly that is fine.

An Early Frost reflects the underlying principal that love and compassion are stronger than fear. In this respect, the broadcast fueled an operative for the gay community, and world at large, to learn from and build upon.The acting is uniformly excellent. The script allows the actors excellent opportunities. Aiden Quinn (whose voice and approach is reminiscent of Montgomery Clift) goes through the emotional gamut with grace and believability. As his grandmother, veteran actress Sylvia Sidney's skill easily fuels two tear-inducing scenes that not only provide emotional release for the viewer, but drive the message home. While Michael is hospitalized from a seizure, we see Sidney and her daughter(Gene Rowlands)outside trimming roses. Sidney comments about "an early frost … nipping them in the bud." She reflects on how people shunned her husband when he had died of cancer. At a loss for words the two embrace—capturing the heartache that envelops them.The cast, in true ensemble spirit allow their characters to reach the power point of unconditional love. The film was instructive on the basic ramifications of the AIDS virus, and helped dispel the unnecessary fear and rumors surrounding it. An Early Frost made people think about the senseless vitriol that was being aimed at the gay community.

It's hard to believe that 'An Early Frost' was made for TV in 1985. I watched it for the first time on 11 November 2008 - 23 years after it was released - and I found it surprisingly fresh and enduring. Although it's an important historic record of the early response to AIDS (and for that reason alone is worth watching) it's more an exploration of family love and courage. The script is well-written, production values are high and the acting is uniformly excellent. Sylvia Sidney won a Golden Globe for her part as the grandmother, but the other main actors including Aidan Quinn (as the young man suffering from AIDS), Ben Gazzara and Gena Rowlands (playing his parents) are all excellent. A very rewarding experience.

first the acting....Aidan Quinn was apre heath ledger winner...both tackled the gay roles with finesse and ability. Gena rowlands her eyes gave some of the best emotions of the film. and the gay dude in the hospital so real even my straight brother felt for him. what a great movie full of love and pain. while it teaches us to be safe with our sex lives...it makes us realize how much life is fragile. i saw it 10 years in intervals and i remembered how the music score had touched me and how much...for its time this movie was important to all and ahead of its time. miss Sidney also was a cool grandma...and Ben gazzara....really got our hearts pounding. never to be forgotten.

We're now well into the new millennium, and I'm angry at myself that I'm only now getting around to seeing this 1985 milestone AIDS film! I work in the television industry, and I must say that I feel proud that a major US network like NBC had the guts to produce a film this sensitive and revolutionary for its time. It truly makes a valiant attempt (and succeeds for the most part) to make AIDS an every-day, living room topic without ever getting too sticky or maudlin about it. Even though this was really in the stone age of AIDS, it's amazing how right-on it was in so many areas. The only thing that feels dated now, is the lack of therapeutic possibilities, which we have today, but my God, we just all lived through over 20 years of Hell, and only now - recently - have a shimmer of light at the end of the tunnel. The writing team had great insight and foresight.That said, I do wish that the script had gone one round with a good dialog doctor. There are moments, where - despite the AMAZING cast - that I did have to cringe. It was always a matter of sticky dialog, but - believe me - not the heart, soul, or deeper truth of the piece.This film might be somewhat older, but it is still incredibly valid, and is heads-and-shoulders over most films of its genre. I'm sure that the executives at NBC who gave the green light for this production are long gone, but I raise my glass to you for your courage and for your vision. Bravo!