Night Catches Us (2010)

Lack of good storyline.

From my favorite movies..

Best movie of this year hands down!

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

How does a film like this wind up with a little 5.8 rating while glossy pablum like Prometheus gets a 7.8? While 'Night Catches Us' does have a few pacing problems and plays a bit anti-climactic in places, it is a layered emotional drama with excellent performances. I just finished watching the DVD and was amazed it didn't get higher critical response. I was also surprised by some of the deleted scenes and wondered why they had been cut from the film. For example, the confrontation between Marcus and Jimmy, the young wanna-be revolutionary, takes place in the house in the film. But in the deleted scenes, there is a much better and more detailed version of the same exchange where Marcus goes deeper into the history of the Panthers. Maybe continuity made them scrap that version, but it was a stronger scene. Anyway, catch this one on DVD. (Resubmitting this review after deleting it by accident)

For those who say where are the black dramas look no further.I enjoyed this movie from beginning to end and recommend it to anyone who loves quality story telling and great acting.Anthony Mackie and Kerry Washington give awesome performances and the story is so deep and engorging you can't help but be sucked in. I always find it amazing that quality films such as this have a hard time seeing the light of day (or moonlight for that matter)even though we are inundated with channels through our various cable/satellite packages. Is it a conspiracy? I'll leave that up to people smarter than me, all I know is this is a terrific movie and a must see. Dick-SmoothDrama radio

"Night Catches Us" is the best art-house film I've seen in several months. In fact it bests a lot of the current main-screen fare. It deserves better than the quiet and uneven release it seems destined for.I saw it back-to-back with the Oscar contender "The King's Speech". It balanced the double bill reasonably well. Although "The King's Speech" is of course superior, the comparison wasn't simply ridiculous.I saw it twice ...which I often do with films I really like, as I tend to miss too many things the first time.It's not moralistic. Both sides of survival vs. justice, violence vs. pacifism, united front vs. paranoia, victims vs. victimizers, and this generation vs. the next generation are portrayed sympathetically. Although at first glance one particular style of being seems to be being touted over the others, just a little reflection reveals that the film actually revels in moral ambiguity. Some characters manage to stay on the good side of the respectability line at all times, even while their inner demons are picked up and expressed -sometimes in socially unacceptable ways- by others around them. The camera notices more latent contradictions than the story ever delves into. For example the reverend was apparently beloved by the neighborhood, yet also lived in by far the finest house in the whole area.The film isn't a polemic and doesn't seem to consciously attempt to portray cops in a bad light. Yet it doesn't shy away from sketches of substantial police bad attitude and violence."Night Catches Us" makes liberal use of art-house stylistic conventions. For example the confused, tangled, and partially submerged thoughts of a character are portrayed not by talking about them or even by seeing them in action, but by long leisurely shots from underneath of the crossed branches of overgrown vegetation. For another example, a character's longing for stability and tranquility is portrayed by lengthy shots of the proverbial babbling brook.I wasn't irritated by the pacing. The film is by no means an action flick or a taut thriller, but I didn't find it like watching paint dry either. I tend to like slower paced films anyway (which of course doesn't mean everybody else will too:-). The most similarly paced movie that comes to mind is Clint Eastood's recent "Hereafter"; if you thought that was impossibly slow you'll probably have the same reaction to "Night Catches Us", but if that character exposition and portrayal of small events grabbed you this likely will too.All the action takes place over just a few days in 1976. A block of important events that happened about a decade earlier is described mainly through bits of dialog. There are no visual flashbacks nor dream sequences (except of course for the occasional interspersed archival Black Panthers footage).I found the acting quite good. It doesn't bowl you over as the greatest thing you've seen in years; but it's by no means "just workmanlike". Quite often meaning is communicated not by dialog but by subtle body language or facial expressions, which the actors seem fully up to. Both the individual characters and the chemistry between the characters are believably convincing.I found the situation (or plot if you prefer to think of it that way) simple and complex at the same time. It's simple in that once you finally grasp it you can describe the whole thing in one short paragraph, and in that if you're one of those people who instantly "get" most movie clues you might be able to divine the whole thing well in advance. On the other hand it's complex in that it's revealed only one tiny bit at a time -sometimes in dialog and sometimes visually- so the whole movie can become a "mystery" to be solved if that's your preference.

Watching this film was a deeply moving experience for me. So many times we think we know something about a certain period in history and time, but we don't have a real grasp of the impact the events had on real people, how deep it cut, and how people had to struggle to survive.In 1976 Philly the remnants of Black Panther movement is transforming itself, and we get to watch how different people choose their directions in life. It was eye-opening to understand how these choices will play out in today's Philly, today's America, 35 years later. The tragic events of the early 70's are bleeding into the love triangle that evolves, and the pain is palpable, thanks to beautiful, thoughtful performances by Kerry Washington, Anthony Mackie and an overall very strong cast.The director's approach to film-making is essentially European in storytelling style, she employs different visual media modes from documentary to animation without a cheesy effect, and the main characters are complex and believable.The movie is easy to watch, you root for the people you meet in it, and it allows you to explore simple, yet important questions - how would you act under pressure, who would you choose above all, what sacrifices you would make in life and how do you live with the aftermath of your decisions. Leaving a movie theater and still pondering over these questions a few days later - now, that's a rare occurrence these days.