See You in the Morning (1989)
Three years after his divorce from his model-wife is the psychologist Larry Livingstone ready for a new commitment. He falls in love with the young widow Beth who has two children. But Beth and the children are still in mourning over their dead husband and father and Larry finds it a bit difficult to penetrate their reservations. Larry himself has to deal with his ex-wife and his love for his own two kids. Slowly both Beth and the children realise that they have to go on with their lives and that they have been giving a second chance.
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Simply Perfect
Good concept, poorly executed.
everything you have heard about this movie is true.
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Filmmaker Alan J. Pakula was the true definition of an actor's director: he paid so much attention to the nuances and details of a performance that he often lagged behind in his pacing. With "See You in the Morning", which Pakula directed and wrote, not only is the narrative flow made of lead, the characters simply don't emerge (despite an apparently hand-picked collection of actors). Divorced psychologist and father Jeff Bridges meets a new lady (with children of her own), but blending the families proves to be difficult. With so many television-movies (not to mention TV-sitcoms) mining this territory, it's amazing that Pakula thought he could unearth fresh sentiment out of such a stale situation. He gets the milieu down right, and his picture looks good, but very little of the drama rings true. Linda Lavin stands out in top supporting cast, though Farrah Fawcett (as Bridges' flaky first wife) is lost in the muddle. *1/2 from ****
I enjoyed watching this. First of all, it is very good in showing family problems, so much to the saddening effect. But the actors do a solid job, and through the film there are numerous moments that lighten up the general mood and I think the atmosphere is quite balanced. The ending comes off well.I especially like the soundtrack. The music fits perfectly, also when it comes to details. For example, there is a scene with Mozart's Little Night Music (Eine Kleine Nachtmusik). This music, composed back in the 18th century, supports the acting in an impressive way. Too bad that the soundtrack loses its quality towards the end. Another con is the structure of the plot, there are some flashbacks that seem to be forced to add more tension. It does, but it is a tick too artificial.Maybe the average rating of this film is correct, maybe I don't see the reasons for which many rated the movie so poorly. But I liked it a lot and I think you will too. Give it a try, don't hesitate!
Along the emotional lines of "Ordinary People", but not as good a script. Good acting by Daniels, Fawcett, and a young Drew Barrymore. I was not sure where it was going until the end. At that point, you think you've got it, and then they twist again. I own it and have seen it three times. Most would be satisfied with just one viewing. gb
I thought that this movie had a very saddening effect, but i really liked the acting and you kinda get stuck in front of the Tv set, so i really recommend this movie.