Requiem for a Killer (2011)

A brilliant film that helped define a genre

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

"Requiem For A Killer" is a lackluster star vehicle for the beautiful, ethereal French actress Melanie Laurent, who had just gained international fame by having a major role in Quentin Tarantino's "Inglorious Basterds". She is holding a gun on the cover, but she never once holds, much less fires, a gun in the movie; in fact, there is hardly any action in the movie at all. There is a little suspense, and a mystery whose solution is revealed to the viewers long before the on-screen characters, and some existential angst, and some opera singing (for which Laurent is obviously dubbed), and some sightseeing....but not enough of anything to really keep any type of audience happy. It's a handsome production, and Laurent is stunning, but if you're looking for a good female-assassin movie, this isn't it. ** out of 4.

Once again a fine French actress was the selling point for me. Melanie Laurent has already graced some fine films as well as writing and directing the equally fine The Adopted. Requiem is the debut movie of writer-director Jerome Le Gris and I'd hate to have to pitch this to the suits in Hollywood. Europe's top hit man is in fact a woman who doubles as an opera singer, assassinations in Europe are controlled and farmed out by a priest, you're kidding, right. Only one of the four people who have reviewed it here seems to have caught on that this is a spoof in the tradition of those James Coburn's Derek Flint and Dean Martin's Matt Helm movies and if all else fails there is some spectacular scenery and lavish interiors to look at. Anyone who retched at the 'wholesome' catholicism as personified by Bing Crosby and Barry Fitzgerald will savor the opening assassin where Laurent slips poison into the communion wafer, specifically the thirteenth wafer on the plate. As someone remarked this one may not get a wide release but Laurent is well up to snuff (sorry about that).

i don't if the french movie producers got different logic from other countries' movie producers. i don't even understand how this slow crawling screenplay would be approved into real production. the casting was not bad, but the scenario, the plot, the storyline of this screenplay were just too boring to the extreme. i wonder if the production team had felt asleep during the shooting. this is a absolutely deadbeat french movie, tried so hard to have some classy touch with sublime religious music and songs praising the lord while murders were executed behind the scene. what we got is a beautiful french actress mimic a singer with beautiful costumes and make-up. the dialog boring, the acting deadbeat, the directing Zzzzz snooze off the director's chair, all the production team couldn't help yawning all the time with sleepy tears from yawning. the murders, the conspiracy, the cat, the allergy, the sparkling wine or champagne, the heavenly songs.... so what it was all about? I COULDN'T CARE LESS, because i am more interested in watching the ants doing their daily chores along my backyard's patio concrete slabs.

I almost fell asleep during the viewing of this french thriller. Characters, storyline, editing, everything is tepid, boring, predictable. Tcheky Karyo, who plays here a kind of "shadow man", is nearly a cliché. Cornillac is laughable as an undercover agent. Only Melanie Laurent could be worthwhile, but her character falls apart after one half hour. Yes, I expected much more from this movie, I must admit that. This kind of topic, I saw it several years ago, in a 74 US TVM, starring Yvette Mimieux - HIT LADY - and it was far better than this one. Avoid this lousy film, at all costs. You have been warned.Perhaps at the nearly ending, when Tcheky Karyo explains to Melanie Laurent some things about her and her father, you may catch some gripping sequence. But that's all.Run away from it.