Hysterical Blindness (2002)

Better Late Then Never

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

The movie is wonderful and true, an act of love in all its contradictions and complexity

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

Seeing Uma Thurman play a genuine, sensitive woman is a strange thing for me. Everyone (including myself) knows she's a terrific actress — but as a Tarantino die-hard obsessed with "Kill Bill" (I've legitimately seen "Vol. 1" at least thirty times), I'm hardly used to her portraying a woman capable of carrying on a soul-baring conversation without cutting someone in half with a Hattori Hanzō sword. Perhaps I should see what else she's capable of before I start making assumptions — so I suppose "Hysterical Blindness", an HBO TV-movie for which she won a Golden Globe, is a good place to start.Thurman is Debby Miller, a thirty-ish, '80s bound, New Jersey bred, lonely heart in the process of sinking into the suppressed life of an old maid. She's desperate for love — she and her best friend, single mom Beth (Juliette Lewis), parade around seedy bars looking for potential suitors like a second job — but as her low self-confidence is more up front than her immense good looks, she turns most men off, finding herself in a plight of one-night-stands instead of meaningful relationships. She's torn between continuing her search for Mr. Right and completely giving up; she still lives with her mother (Gena Rowlands), and still holds onto a low-paying job she most likely got in her early twenties. Eventually, Debby finds a possible mate in Rick (Justin Chambers), a seemingly nice guy she met during one of her late-night escapades.The hysterical blindness of the title derives from a condition that causes its victim to temporary become visually impaired after a long period of unresolved stress. Debby, so mind-numbingly obsessed with her lack of a love life, experiences the bizarre phenomenon, twice in the film (once in the beginning, to develop her as a neurotic leading lady, and once toward the conclusion, as a dramatic high point that begs her to consider what the hell she's doing with her life). Directed by Mira Nair, "Hysterical Blindness" is a drama frustrating in its inability to stay earnest throughout its length. Most of the film is moving, well-acted, but Nair, against good judgment, feels the need to include "Girls Just Want to Have Fun" repeatedly in the soundtrack as if to make the impression that we're watching a sappy woman's world drama more spurious than sincere, to render Debby and Beth as stereotypically New Jersey as possible to make their desperation even more desperate. Thurman and Lewis are so broadly drawn that it's a relief that they stir our emotions during their more dramatic scenes — there, the acting school vulgarity disappears and we finally feel like we understand these women.It's irritating that "Hysterical Blindness" is so regularly prodded by fakery, because, at its realest, most truthful, it momentarily turns into a movie rich in its passion. It's at its best when focusing on the relationship between Virginia (Rowlands) and her new boyfriend, Nick (Ben Gazzara). Both in their sixties, both numbed and used to their discontent, the love they find together is unexpected and exciting; Rowlands and Gazzara, in a mini Cassavetes reunion, are deeply touching. The side-plot makes for a good contrast between that of Debby and Beth — they would do anything to have a meaningful romance, and while they wander around various taverns, Virginia, who has been a waitress the majority of her adult life, simple finds someone by being herself. The scenes between Rowlands and Thurman are palpably wistful, their mother-daughter bond so thick that it's less of a familial pairing and more of a friends-forever partnership that guarantees the other that when the going gets rough, sticking together will hardly be an action in question. "Hysterical Blindness" is mostly a mixed bag, a sometimes poignant, sometimes obviously calculated comedy-drama that hits home at its best moments but feels like leftovers from an actor's previous vie for an Oscar nomination that didn't quite make it at its worst. But the cast does well with the uneven material, especially Rowlands, making "Hysterical Blindness" decent enough to make even the most cynical of viewers take a look at the world around them and wonder just how many people live to love, throwing their happiness away when they can't quite find it.

I caught this movie on cable TV a year ago, slightly edited, and was hooked from the opening bar scene. The characters felt so real to me, it seemed like I was sitting at the bar, watching the various interactions of the people there. I kept waiting to see if Rick would turn out to be a total jerk, but it became clear that he was just a rather shallow, unemotional type guy ,who clearly was not interested in relationships and commitment. He never once said anything to lead poor, hapless Debbie on, with the possible exception of his vague, noncommittal response to her dinner invitation. Even at the end, when she was literally clinging to him in the bar, he didn't say anything mean or abusive, but told her, in a low key, not uncompassionate way, that she needed to go home and sober up. It wasn't what she wanted to hear, but it actually was the kindest thing he could have said to her, under the circumstances.Gena Rowlands' performance as Debbie's mother was heartbreaking in its perfect blend of strength and fragility. Her reaction to Nicky's death, and her meeting with his son at the funeral were incredibly moving. Again, I felt the reality of the characters and their lives in a way one doesn't encounter often in movies.Uma Thurman's performance was so dead on, that I actually felt embarrassed for her in her desperate, drunken scene in the bar. Debbie would be a pain to put up with, in real life, but her frequently obnoxious mannerisms and attitudes never outweighed the pity I felt for her, as someone who had been badly wounded at a young age, and had real issues as the result. It's a daring performance, in which she doesn't hold back on honestly depicting the painful vulnerability of her character. I found myself wishing at the end that she would find a nice guy who would really appreciate her, and that all three women would have happier lives in the future. There's something about this movie that gets hold of you and doesn't let go; maybe because a lot of us have felt like Debbie at one point or another in our lives.

Hysterical Blindness starts where 1980's Gloria ended. Gena Rowlands is one of the most under-rated actresses in Hollywood. She is nothing less than terrific in this movie. Surprisingly, Uma Thurman is just as good. Most of her career has been dubbed as eye candy and a beautiful body with nothing else to offer. In the past few years, Uma has broke away from her earlier career to become a decent actor. Here, Uma gives her best performance. At time, Rowlands and Thurman make you want to switch the channel because their performances are too good. Moments of embarrassment and sadness over whelm you to believe that both characters are doomed to find happiness and to have fun with their lives. A somewhat happy ending, the movie identifies with the lives that these characters have. They are almost doomed from the very start of the film, but manages to find shreds of happiness to keep living. Somewhat of a Cassavetes depiction on human emotion, the movie falls under the category of yet another great film produced by HBO.

This movie is every good thing that was written on this board and maybe more.First, when I saw that movie in the guide i had never heard of it before but being a fan of Lewis and Thurman I couldn't let this pass even if apriori the plot SEEMED a little less than original.Boy was I in for a surprise. Not all great first scene gives you a good film but all good film will give you a great intro scene, but this one gets its greatness in it's "nothingness". There is so "nothing" about it that as soon as you see Juliette and Uma come on the screen, your jawbone drops.Not only are they unrecognizable but from the moment you see them you KNOW and FEEL exactly where you are, who you are dealing with and that's exactly every director's dream...or nightmare...can I put my audience in the context of the next x minutes.This could have been an ordinary movie with an ordinary story..who wants to hear about screwed up bimbos stuck in no name city, no name job and a no name life, But somehow without ever falling into melodrama, pity or cliché, you just fall in love with every caracter.This is a very well directed movie as it is far from obvious and easy to move a story like this into such an enjoyable moment.As far as acting goes, well as someone else said, It's off the chart. I love Lewis (Natural born killers at her best...here too) and frankly I've seen alot of Uma but she literally blew me away in this. Both are so good that like I said from the first scene they appear, all you see are the caracters not the actresses.You can see what a truly beautiful women is when even with an "altered down" image of herself (to say the least) you just can't get your eyes off her (yeah I'm a man)I think the scene in the bar when she really goes loose is stunning and again it comes from a subtle chemistry between good directing and good acting, As a man I felt like the barman which the camera just give you a quick glimpse just to give you the hint. You look at her and you feel love and compassion even admiration for that woman while if it had been badly acted and/or directed she could have looked stupid and slutty so again masterfully crafted. In other scenes you feel her misery and you want it to end as bad and fast as her.I can't just say I enjoyed that movie, it feels more like you've met real people that were graceful enough to share their life for a monent, wide open. So real that iI felt as an everyday guy like me could ask Uma out for a drink...that's something :-)My hat to HBO for this one