The Perez Family (1995)

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

"The Perez Family" can't decide what it wants to be--a romance, a comedy, or a historical documentation of a period. The story comes from a novel about Cuban refugees--and maybe the novel was effective--but this rendition of the story is undermined by a confusing tone. It seems to move from tragedy to comedy to the surreal with such alacrity and little sense of purpose that the entire film feels inconsequential.All of the actors do a fine job. But they are given a script that devalues their performances. Marisa Tomei, in particular, gives a sensual performance that is just tossed away by the schizophrenic narrative. In the end, "The Perez Family" feels populated by caricatures.Within this film, I think there are the beginnings of a solid serious film. And a lighthearted comedy. And a sensual love story. But misdirection, bad editing and/or bad writing have mashed them all together into a lump of confusion.I do think it is possible to blend comedy, tragedy and more in one film. For a surreal, artistic, symbolistic example (that is even a musical), see Francis Ford Coppola's "One From the Heart". When I think how well some of the "Perez" characters could fit into a story like that, it reinforces my disappointment of this film.There are parts of this film that could be very striking if they were within a coherent story. Too bad.

This was a typical Hollywood film gone "A MUCK" portraying minorities in this country in ignorant ways as only Hollywood can. I'm just glad that some of the Latino actors and actresses got some Hollywood money out of this flick for playing the clowns that they were portrayed as. What a poorly written flick. I'm sure that the director tried to make the film seem beautiful...but UGHHH...the artistic license was just way too over the top. Another Hollywood failure that could have been Great gone bad because of hand tailoring movies to marketing for U.S. consumption....Don't waste your time watching this film unless you don't mind wasting it on useless drivel, remember it will be precious time that you will NEVER ever be able to recuperate....what a piece of Garbage. I HATE this Film. I wish you guys would allow me to vote "HATE" and "BARF"...!!!!

I love Marisa Tomei's acting ability and expected a lot from this movie because of her. She is, in fact, the unchallenged star, and the film is clearly a must-see for her fans. However, I didn't think the story itself worked as a romantic comedy - - there's a child murdered as a plot point, for heaven's sake! It could have worked as serious drama, and occasionally drifted in that direction, but 'drift' is the operative word here. Even some of the attempts at comic elements, such as the naked 'father-in-law', the paranoid brother-in-law, and the ironic by-play between the federal agent and the police woman seemed forced and contrived. And the romantic tension between Angelica Huston and Chaz Palminteri is non-existent, although we are supposed to believe it overcomes the love she has maintained for 20 years for the husband left behind in Cuba - and now restored to her. Watch this film for a great Marisa Tomei performance, but don't expect much more.

Alfred Molina and Marisa Tomei head up the cast of this pleasant romantic comedy about a former political prisoner and a former sugar cane farmer who leave Cuba for the United States in 1980 on what I presume to be the famous Marielle Boat Lift that brought Cuban exiles to the states (although the boat looks much smaller than it did in 'Before Night Falls'). Having the same last name, the man and the bouyant young woman pose as husband and wife (and later members of an extended Perez family) in order to gain a sponsor who will give them a place to stay and some kind of work.But, Juan (Molina) is expecting to be reunited with his wife (Angelica Houston) and grown daughter (Trini Alvarado). His traitor brother-in-law, who was responsible for the twenty years he spent in that dreadful prison, comes to the dock looking for Juan, but is told by the guard that Juan and his wife already passed through. So, Angel (the brother-in-law) is under the assumption that Juan remarried and broke his sister's heart, and now he tells his sister to forget about him. Juan, in the meantime, has no idea about the misunderstanding, but longs to be reunited with his family.However, along the way, Juan and Dorita (Marisa Tomei in a fantastic performance) build a friendship, and eventually, fall in love for each other. And his wife (Houston) similarly finds a relationship with a charming cop (Chez Palminterri). Juan and his wife, after so many years apart and finding satisfaction and closeness in relationship, they find it hard to rekindle what they once had. It isn't that they're being disloyal to each other. Despite being married, they had been away from each for more than twenty years and could not just pick up where they left off.It is a pleasant romantic comedy and has some very funny moments as well as an excellent cast, particularly Marisa Tomei, who pretty much drives the whole movie as the young Cuban female who tries to create a close family (with others similarly named Perez) and searching out something like an "American Dream."