Cookie's Fortune (1999)

Very very predictable, including the post credit scene !!!

People are voting emotionally.

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

The movie is wonderful and true, an act of love in all its contradictions and complexity

I watched Cookie's Fortune because of the cast and director. I've always had mixed feelings about Robert Altman but have mostly enjoyed his movies. Aside from Hitchcock, or maybe Scorsese, I tend to view each of a director's movies individually rather than judging it against his/her oeuvre. I truly enjoyed this movie and was especially happy to see (or rather hear, because she was pretty much unrecognizable)Patricia Neal, who played her role with sensitivity and believability. So did the rest of the actors with the exception of Glen Close who veered towards caricature in every scene. The minute she appeared I winced, and continued to do so throughout the movie. Aside from that and despite the confusing "revelation of secrets" at the end (which seemed rushed and forced,)I loved this movie because of the atmosphere of the town, the acting, and the writing which was often laugh-aloud funny. I would recommend this movie to anyone who needs their spirits lifted by some light entertainment with a rueful and forgiving view of community.

In the late 1990s, Robert Altman directed a series of films set in the South, all of them with Southern Gothic elements. "Kansas City" and "The Gingerbread Man" were throwbacks to the crime thriller film noir, while "Cookie's Fortune" was a mostly comic yarn about the suicide of a beloved widow in a small Mississippi town and the efforts of the local police department to solve the "crime" when it's re-staged to look like a murder. The tone of "Cookie's Fortune" is like that of William Faulkner when he was writing books like "The Reivers." If the film seems to have nowhere to go and takes its time getting there, that's not necessarily a criticism. That's part of the Southern tall-tale culture, and if you've ever spent time in that part of the country, you know what it's like to sit on a porch, drinking overly sweetened iced tea, and listen to colorful characters take 20 minutes to tell a story that could be told in 5.The cast includes Patricia Neal (Cookie) and Charles S. Dutton, as the widow and the chief suspect accused in her apparent murder; Glenn Close, in an overwrought performance as a relative of Cookie who wants to cover up Cookie's suicide so as not to tarnish the family name and get her hands on Cookie's fortune in the process; and Julianne Moore as Close's mentally slow sister who ends up not being quite as slow as we thought by the time the movie's over. There are also parts for Liv Tyler, Chris O'Donnell, Ned Beatty and a completely unnecessary Lyle Lovett. The fortune of the film's title is a red herring that would have made Alfred Hitchcock proud, and the investigation itself fades into the background as the characters become the point of interest. As he would show in his all-out murder mystery from two years later, "Gosford Park", Altman isn't nearly as interested in the destination as he is the journey to it.Grade: B+

Says lawyer Jack Palmer to Emma Duval, explaining the fate of her long gone father, a man she was told years ago had died while doing missionary work in Africa after he'd left his family. "He died alright, about four years later, somewhere down in Alabama in a button factory accident. Seems the hole poker machine broke loose and fell on him. They say he had 273 holes in him before they could get it off." After all that Emma and her friend Willis Richland have experienced in Robert Altman's Cookie's Fortune, it seems perfectly natural when Emma cries out in exasperation, "Willis, what is wrong with all these people?" The important point is that they all are part of a movie of great ease and geniality. Cookie's Fortune may be a little sentimental, perhaps, but it is so sweet-natured and natural, and so skillfully presented, that I think the film ranks among Altman's most accomplished works...even if what powers it is an old lady blowing her brains out. Jewel Mae Orcutt -- Cookie (Patricia Neal) - is aging and increasingly infirm, and she longs for her deceased husband, Buck. When she decides to use one of Buck's pistols to join him, she sets off the avarice of her niece, Camille Dixon (Glenn Close), who pulls along her slow- witted sister, Cora Duval (Julianne Moore). Camille is determined that no hint of a suicide will scandalize the family name, so she makes things look like a burglary gone bad. And, unintentionally, makes it look as if Willis Richland (Charles S. Dutton), a close friend of Cookie's who had worked around the house for her, must have done the deed. Well, there's no way Emma Duval (Liv Tyler) an unconventional young woman who is seriously estranged from her mother, Cora, and her aunt, is going to buy that. In fact, no one, even the local cops, believes that Willis would have burglarized and shot Cookie. For the next hour and a half we're going to take part in Altman's gentle examination of the people in this little cotton-growing town of Holly Springs, Mississippi. We're going to learn how to clean catfish, listen to the blues and, a little off camera, how to make love standing up. We'll encounter Camille's obsession with propriety and look aghast at her firm direction (and rewriting) of Wilde's Salome as a church play for Easter. We're going to see how skilled Lyle Lovett is at gutting a catfish and peeping into Liv Tyler's window at night. We're going to learn a lot about family relationships, even the more informally blessed kind. Most of all, perhaps, we're to learn just how much friendship and family can mean, especially when it's served up with such skill and off-beat humor by Altman and screenwriter Ann Rapp. And as good as all the actors in this ensemble cast are, Charles S. Dutton stands out. He gives a fine performance brimming with likability and honesty, and without a trace of Hollywood nobility. Willis Richland is a guy who has responsibilities, and that's just fine with him.

Cookie shoots herself. Glenn Close discovers the body and the suicide note. Being a theatrical director, she decides this will not do... She invents a scenario for how a burglar might have murdered her. What she didn't expect was for the police to find a suspect...Everything just goes completely right in Cookie. The atmosphere really gels, the cast are cohesive, the plot situation is interesting and its subtextual implications on suicide is also fascinating. Its actually an Altman film you feel like delving into. The amateur production of Salome the community are putting on is one of his most interesting devices. It gets you thinking of rhythms that run through the film, of suicide and human existence.Also, Glenn Close's being a theatrical director, and carrying those skills into everyday life, to fairly extreme measures in the film, is an interesting subtext - commenting on the director/author as God.Altman's regular themes of the small town and the weather are here - the weather once again reminding us of a higher force we have no control over.I thought it was a fascinating, enjoyable film. I laughed out loud many times - mainly at just fun little aspects of the characters. Which is why it was such a pleasant surprise that Cookie's Fortune was not only an enjoyable movie, its actually a really great one.10/10. One of Altman's best, and my favourites so far.