Another Year (2010)

Intense, gripping, stylish and poignant

an ambitious but ultimately ineffective debut endeavor.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

This film is so real. It treats its characters with so much care and sensitivity.

It will be a sorry day for quality cinema when Mike Lee stops making movies. Often, his themes are so challenging you'd mistakenly think not many people will go to see them - then you see the box office returns and glowing reviews. As with many other Lee movies real life oozes out of every scene - these can be funny, sad or just mesmerising - "Another Year" is no exception. Marvellous performances roll off the screen from Lesley Ann Manville as Mary and Jim Broadbent as Tom (both stunning in Mike's "Topsy Turvy" '99). Dick Pope delivers sparkling images and Gary Yershon fitting music. Can't say much more about this slice-of-life without spoiling it. It's the type of thing Kenneth Lonergan attempted with 'Manchester by the Sea' but failed to develop in a fully convincing way (even though the 'critics' jumped up and down - check out the many viewer evaluations, they seem a lot more honest. 'Another Year' is another for Lee followers or those who can appreciate seeing life's challenges presented realistically on screen.

One year. In your life? In anybody's life? In everybody's life?The film begins with an encounter between everywoman and her doctor: the great Imelda Staunton, pinched and bothered, being treated for insomnia. She hasn't seen a doctor in a year and she wants some pills to put her out. The best of us portraying the worst of us asking god to anesthetize us. But god won't hear of it. She recommends we get some counseling instead - from her servant and representative in this world, Gerri - whose better half Tom also reaches out benevolently to those less fortunate, caricatures full of ticks and jerks and obsessive behavior and mournful looks. And so we experience a year – four seasons in the life of these people who are also angels as they toil in the garden. We're unaccustomed to their presence, their goodness. We wonder why they don't have problems. It's because their friends and family do. Though benevolent and sublime, Tom and Gerri can only offer so much help. And when Gerri feels the line has been crossed that threatens her family, the stern parent emerges. Not angry, but devastatingly disappointed. That straightens Mary right up. And in the end Mary seems to accept that she won't be lifted up. She'll be lucky to not be left behind. But that's better, even if you can't understand what anyone around you is saying. Or is it?

Really well made with some tremendous performances; I loved the down-to- earth tone of the piece. Mike Leigh does make some great dramas and he really gets great performances from his actors. In this one I loved both Jim Broadbent and Ruth Sheen, but the star of the show was definitely Lesley Manville. She had to go through the whole gamut of emotions and did it quite brilliantly (IMO). It's not a film that will be to everyone's taste; the explosion count is zero; car chases get a similar score and as for deaths, well, there is one, but we only find out about that one when they have to go to the funeral. But I digress; I found it a really engaging film with some real characters that are both believable and well rounded. It's nice to see British people portrayed as they are for a change, instead of some stereotypical 'vision' of what everyone thinks they are. On the down side, I did find it went on just a tad too long at the end, but I'm not going to hold that against it. It's well worth a look if you get the chance.SteelMonster's verdict: RECOMMENDEDMy score: 8.2/10.You can find an expanded version of this review on my blog: Thoughts of a SteelMonster.

Happy-Go-Lucky, Mike Leigh's 10th film from 2008, was a surprising shift in tone for the now 67-year-old Salford-born director. Rather than bleakly dwelling on life's waifs, strays and ne'er-do-wells, it featured a group of well-adjusted and attractive young women cheerily getting on with living and working in north London. In many ways, it was the anti- Mike Leigh, Mike Leigh film, but it still polarised opinion, as most of his films tend to do.Many women found Happy-Go-Lucky's lead character, Pauline 'Poppy' Cross (Sally Hawkins), teeth-gratingly chirpy and thought she gave an unflattering portrayal of a modern, 30-year-old woman. Men, on other hand, tended to be charmed by her wit and warmth. And, let's be honest, many guys fell for Hawkins' watermelon grin and tractor-beam charisma. After the international success of Happy-Go-Lucky (Hawkins received a Golden Globe) and the glowing notices for Mike Leigh's 2004 film, Vera Drake, anticipations are high ahead of this Friday's UK premiere of Leigh's latest offering, Another Year. Although it didn't win the Palme d'Or, Another Year was still one of the most talked about movies at this year's Cannes film festival.Anyone expecting the light (though hardly lightweight) touch of Happy- Go-Lucky could be a tad disappointed. Another Year returns to familiar Leigh territory: gut-wrenching sorrow, frustrated lives, claustrophobic social tensions and excruciating embarrassments. It's all highly watchable rather than unbearable thanks to the compassion Leigh generates for his dysfunctional protagonists, as well as the regular flashes of brilliant, caustic wit. In fact, Another Year features some of Leigh's funniest and most memorable lines since Mean Time or Career Girls.Tom's life-long pal Ken, though, is an altogether lost soul. He makes half-hearted attempts to chat up Mary at Tom and Gerri's summer barbecue, but isn't quite deluded enough to think he stands a chance. A heavy drinker, smoker and eater, any traces of handsomeness have been erased along with his personal hygiene or any pretence to a decent wardrobe. He bemoans how rubbish pubs have become in his native Hull, all redesigned to 'exclude old people like me', and his social networks have closed down one-by-one through friends emigrating or dying. He carries on working for the local council when he could easily retire because he doesn't have anything else to occupy his time. Isolation and loneliness have often hit people late in life, but Leigh is showing how the collapse of any public life in the provinces is making this unfortunate situation more likely for more people.It would be easy, and wrong, to see Tom and Gerri – yes, this awful gag is deliberately played upon from time to time – as a smug couple lording it over their unfortunate friends. Yes, they're allotment-loving greens who fret about climate change, but in lots of ways they don't conform to an easy liberal-leftie stereotype. The couple, like the hapless Ken, benefited from grammar schools and universities worth their name in the late Sixties. They're the first of their respective families to go to university and, as we see from Tom's wider family in Hull, are from unremarkable backgrounds. As Gerri remarks to Tom early in the film, 'we're lucky really', and it's this grounded awareness that informs their compassion, patience and loyalty to their sometimes-trying friends.So would Mary be happier if she found a decent man? It would no doubt help, but it seems her real discontent is rooted in doing a badly paid and unfulfilling clerical job, unable to afford a decent flat or go on holiday. In a fantastic dig at environmentalists, Mary rationalises her poverty through the prism of green thinking: 'I'm the most environmentally friendly person here', she says. 'I don't drive, I don't consume much, I live in a small flat and I don't fly abroad.'In an earlier scene, too, one of Gerri's patients, Janet (Imelda Staunton), responds to the question 'what would make you happy?' with 'how about a new life?' and rightly can't see what a weekly therapy session would do to change that. Nonetheless, Janet is deprived of sleeping pills from a medical doctor until she agrees to weekly psychological probings by Gerri. Gerri's psychobabble also works against her better instincts, as when she falls out with Mary and, rather than work through the squabble as long-time friends should, she coldly advises Mary to 'seek independent professional advice'. Leigh's disdain for the 'happiness agenda', quack therapy and environmentalism is a sly delight throughout the film.At the question-and-answer session that followed the preview screening I attended, Leigh unashamedly said how much he enjoys film-making at the moment. Certainly, his output over the past decade has seen him grow as a director with each new release. Another Year is a beautifully shot, deeply humane and – even by Leigh's standards – minutely observed portrait of the dynamics of life-long friendships. What gives this snapshot an absorbing quality are the unexplained back stories and unspoken hostilities that are palpable amongst the main protagonists. It's a film that keeps you searching for answers long after the credits have rolled.