Won't Back Down (2012)

Bad Acting and worse Bad Screenplay

In truth, there is barely enough story here to make a film.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

Won't Back Down (2012): Dir: Daniel Barnz / Cast: Maggie Gyllenhaal, Viola Davis, Oscar Isaac, Holly Hunter, Rosie Perez: Boring drama about persistence. The message is inspiring but like crap such as Fireproof it seems content on beating viewers over the head with its message. Maggie Gyllenhaal plays a single mother whose daughter has dyslexia and struggles in school. Viola Davis plays a teacher whose son also suffers learning disabilities. Together they attempt to change the school, which comes into conflict with the unions and labor boards. We applaud the message, but elements of the opposing factors earn points in their arguments as well. The concept has appeal but the story is shallow and feels bland even in its location work. Director Daniel Barnz previously made another low key film called Beastly. This is not much of an improvement. We know where it is headed and it comes off as corny and over the top. Viola Davis is the only casting that works. She has doubts over the situation yet she believes in it. Her home life with her son and her separation with her husband add a believable quality. Gyllenhaal is also a wonderful actress but here she is subdued in a lame predictable romance and media outbursts that are laughable. Oscar Isaac is a waste as a music teacher who is more or less there to romance Gyllenhaal. Holly Hunter has a standard role of union board member. Rosie Perez plays a co-worker who lines one of either side of the mud slingers. The education theme is commendable but the screenplay is about as boring as a third grade book report. Score: 4 ½ / 10

On the surface, what we have with "Won't Back Down" is yet another "fight the system" movie, and another one that deals with problems in schools - schools that are run by administrators and school boards who really don't want to listen to parents and their concerns, and filled with unmotivated teachers who are there to collect a paycheque and who, for the most part, don't really care all that much about the students they're supposed to be teaching. That's a pretty standard story. Like most of them, this is "inspired by true events" (another line that by now produces mostly a barely stifled yawn from me.) Now, in truth, this is based on actual events in the sense that the fictional John Adams Elementary School is a sort of composite school, with the teachers and parents also being composite, and the movie depicts the kind of struggle that went on in several schools in California (although, intriguingly enough, the movie is set in Pennsylvania) as parents tried to take advantage of new laws to allow them to essentially take over schools that were underperforming.The whole "charter school" thing is foreign to me, since I'm not an American. I can imagine that trying to do this would be a difficult undertaking, and the movie points out (probably accurately) the roadblocks put up along the way by school boards and teachers' unions. The leads were Maggie Gyllenhall as Jamie Fitzpatrick, whose daughter is dyslexic, and Viola Davis as Nona Alberts, a teacher at Adams with a learning disabled son, who becomes convinced that Jamie is right. The two form an alliance to convince teachers and parents to sign on to the idea to force a vote by the school board on the takeover. Gyllenhall and Davis were both very good in the roles. The movie does what most "fight the system" movies do - it gets the viewer rooting for the underdog who's taking on the evil system.This does, however, come across as heavy-handed and politically motivated, and certainly it's completely unsympathetic to unions. In fact, I spent most of the 2 hour run time feeling as if I was watching a never-ending conservative TV commercial, blasting away at the evils of unions and big government. The movie makes some valid points and raises some valid issues. What do we do about public schools that just aren't turning out educated kids? What do we do about unmotivated teachers who are protected by their union at the expense of their students? What do we do about school boards (or other levels of government) that just won't listen to concerns and follow their own agendas? All valid issues to discuss and debate. But they took this movie over in a way that made this whole movie seem too political, and in the end it turned out to be not so much inspiring as irritating to be perfectly honest. (4/10)

Won't Back Down may sound like an apt title for an action film filled with bloodlust, but it's more civil, although it is about picking a fight and doing battle against establishment that had not benefited nor served the average man, or in this case, woman on the street, and those that it represents, protects, or serves. The USA centric storyline will require a little reading up on the background of the Parent Trigger Law passed in California, which allows parents to enforce overhauls in public school administration, and basically have a say in how things are run. This story is inspired by that, written by Brin Hill and director Daniel Barnz, to become a true underdog struggle.Maggie Gyllenhaal and Viola Davis headline the movie, playing the two interest groups that are affected broadly by change that's impending for the Adams Elementary school, where the former plays a single mom Jamie Fitzpatrick whose daughter Malia (Emily Alyn Lind) is enrolled in the school but being dyslexic, learns almost nothing but still got passed through the levels because frankly, nobody cares. Davis plays one of the many teachers in the school, but as Nona Alberts, she probably is the only teacher who cares about the proper education of her students, but is getting little support and attention. Add to that, she also has a son Cody (Dante Brown) who's a little bit slow to learn. Put two and two together, and joining forces, they would take on the administration, unions, and fellow teachers to try and convince everyone there's a better place they can elevate everyone's position to.The film may seem to have an axe to grind with educational bureaucracy, since many characters on the other side are portrayed as emotionless, wanting to keep the status quo because rocking the boat doesn't serve their purpose (probably expanding their scope of work). The usual fat and lazy labels are easily applied to every bureaucrat, even making them take on the usual hiding behind the cloak of anonymity, or throwing arguments out the window because of technicalities, and the list goes on. Tasked to taking a stand publicly and individually, is probably in the fantasy fiction arena, but undoubtedly proving to be quite delicious an experience when things had to come to an explosive, though expected, conclusion.And for those who are anti-establishment, you'd probably attest to the myriad of games and dirty tricks those in power will play, in order to squash ideas and ideals that are not to their advantage. Things like character assassination, coercion, threats made on livelihoods and jobs, and enticement with benefits to the leaders to give up the good fight and abandon the rest fighting for the same ideals. And if one is up against positions of power, then expect one's history to be scrutinized, and blotches made a mountain of. It will reveal character then, if one can stomach the good fight for something one believes in, or throw in the towel to back away, disappointing many in the process, especially those who had responded and heeded the call to assist.Being a film, one will expect the usual Checkov's gun being cocked early and unleashed when required, providing meat into a subplot to show how deep the establishment's reach can get, especially when one is under threat. And the film is naturally never without a romantic angle, provided by another teacher at Adams Elementary (played by Oscar Isaac) who finds the time to romance the very busy Jamie Fitzpatrick, having to juggle a number of jobs, odd hours, attention paid to her daughter as well as to fight the good fight against social injustice. At times though, the pace and narrative needed tightening, as elements and scenes got introduced for the sake of adding some further depth to a character, without real necessity to do so, such as Nona's deeply buried history concerning her kid.If looked from a bigger picture angle, Won't Back Down applies beyond the US school system context, and is often reflective of experiences of those fighting for causes they believe in, going up against a behemoth called the system, organization, or establishment that has resources and clout. It's a pure underdog story that could be enjoyed, even though it's about the dirty politics that get played out behind the scenes.

I was attracted to this movie by the power of the trailers, and the movie didn't disappoint. It is an excellent depiction of the problems in an overly regulated and protected public school system, and more importantly, how parents will fight to get a quality education for their kids.Many of the scenes are heart breaking. Why is it that parents have to struggle to get a proper education for their kids.Viola Davis and Maggie G. both give very powerful performances. Davis' performance is as good as her role in 'The Help'. The viewer really feels the pain she has endured personally, and how she has slipped from her early passion for teaching. Glyenhaal's energy is infectious. No problem she faced discouraged her. She was masterful in how she turned each parent and teacher 'no' into a 'yes'.